SPRING and FALL 1991
CONTENTS
The Periplum
Massimo Bacigalupo, “Ezra Pound’s Cantos 72 and 73: An Annotated Translation”
Alexander Schmitz, “Ideogram-Audiogram”
Matthew Little and Robert Babcock, “‘Amplius in Coitu Phantasia’: Pound’s ‘Cavalcanti’ and Avicenna’s De Almahad“
Robert Spoo, “Pound’s Cavalcanti and Cravens’s Carducci”
The Explicator
Eva Hesse, “Why Lucifer ‘Fell’ in North Carolina: An Alternative View”
John Glendening, “Ezra Pound and Ezra Pound’s Blake: Method in Madness, Madness in Method”
David Gordon, “From Cheop’s Pyramid to Homer and Pound: The Golden Caesura”
Melvin D. McNichols, “Survivals and (Re)newals: Pound’s ‘The Seafarer'”
Donna C. Rudolph, “Formulas for Paradise in Six Cantos of Ezra Pound”
The Biographer
Jerome Kavka, M.D., “Ezra Pound’s Personal History: A Transcript, 1946”
Ira B. Nadel, “Letters from the ‘Foreign Correspondent’: Ezra Pound to Alice Corbin Henderson”
The Vortext
Sam Thonet, “Yeats-Pound Conference Report”
Virginia Nees-Hatlen, “A Teachers’ Institute at the NPF Conference”
Conference Program
Photographs
The Reviewer
Hugh Witemeyer (Jeffry Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, Olson)
Reed Way Dasenbrock (Tim Redman, Ezra Pound and Italian Fascism)
Timothy Materer (Bruce Fogelman, Shapes of Power: The Development of Ezra Pound’s Poetic Sequences)
Stefano Maria Casella (Ezra Pound, Je Rassemble les Membres d’Osiris, ed. Jean-Michel Rabaté, trans. Jean-Paul Auxémery, Claude Minière, Margaret Tunstill, Jean-Michel Rabaté, with articles by Massimo Bacigalupo and Joël-Peter Shapiro)
David Gordon (William Cookson, A Guide to The Cantos of Ezra Pound)
Ron Thomas (Daniel M. Hooley, The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry)
Paul Oppenheimer (The Lyrics of the Middle Ages: An Anthology, ed. James J. Wilhelm)
James J. Wilhelm (Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912, ed. Omar Pound and Robert Spoo)
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The cover is a reproduction of a page from the Malatesta Cantos with a correction in Pound’s hand, which was presented to the Biblioteca Malatestiana of Cesena on May 25, 1925. The background is a photograph of the Valmarecchia by Emilio Salvatori.
Paideuma: Modern and Contemporary Poetry and Poetics 