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Posts Tagged ‘Yeats’

2012

CONTENTS

Preface

Essays and Documents

Two Unpublished Stories by H.D.: “Hesperia” and “Aegina” (introduced by David Roessel and Victoria Conover)

Jeffrey Bilbro, “C. Day Lewis and W.B. Yeats: ‘Heartening a Few to Courage and Acceptance'”

Rebecca Strauss, “‘External Modernity’ or Something of That Sort: Ezra Pound’s Transatlantic ‘Redondillas'”

Alastair Morrison, “Come Far Poteresti un Sofismo?: Guido Cavalcanti and the Poundian Argument”

Sarah Ehlers, “Ezra Pound’s Perverse Anthology”

Jerome Kavka, M.D., “The Dreams of Ezra Pound” (introduced by Demetres P. Tryphonopoulos)

Gary Grieve-Carlson, “’The Fathers Run Out in the Sons’: Charles Olson, Ezra Pound, and ‘The Song of Ullikummi’”

Paul Stephens, “Human University: Charles Olson and the Embodiment of Information”

Jeffrey Twitchell-Waas, “Keep Your Eyes on the Page: Zukofsky’s Bottom: on Shakespeare

Departments

Michael Alpert, “In Memoriam: Theodore Enslin”

Walter Baumann, “In Memoriam: Peter Rudge”

Bulletin Board

Title Abbreviations for Works by Ezra Pound

Notes on Contributors

Cover: Charles Olson’s first draft, in pencil, of the late Maximus poem “Maximus of Gloucester.”  Images used with permission and are courtesy of the Charles Olson Research Collection, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut.

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2011

CONTENTS

Preface

Demetres Tryphonopolous, “Announcing Paideuma’s ‘New’ Documentary Section”

Essays

“Basil Bunting on Ezra Pound: Interview by Lawrence Pitkethly with James Laughlin” (introduced by Richard Swigg)

Catherine E. Paul, “Compiling a Packet for Ezra Pound”

Peter Liebregts, “‘Love God and Do as You Please’: Ezra Pound and Augustine”

Ondrea E. Ackerman, “The Periplum of The Pisan Cantos

Charles S. Kraszewski, “Poland and Poles in the Consciousness of the Anglo-American Modernists”

Natalie Gerber, “Tracing the Trajectory of a Williams Poem: From the Variable Foot to Triadic-Line Verse”

Russell Brickey, “Last Stand of the Sublime: Kenneth Rexroth and ‘Strength through Joy'”

Matthew Hofer, “Mina Loy, Giovanni Papini, and the Aesthetic of Irritation”

Reviews

V. Nicholos LoLordo (Joe Amato, Industrial Poetics: Demo Track for Mobile Culture; Jennifer Ashton, From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century; and Susan Schultz, A Poetics of Impasse in Modern and Contemporary American Poetry)

Réka Mihálka (Ezra Pound, Language and Persona, ed. Massimo Bacigalupo and William Pratt)

Alec Marsh (A. David Moody, Ezra Pound, Poet: A Portrait of the Man and His Work / Volume 1: The Young Genius 1885-1920)

Burt Kimmelman (Joel Bettridge, Reading as Belief: Language Writing, Poetics, Faith)

Cover: Portrait of Papini (1913) by Carlo Carrà. Photograph of drawing  by Studio Fotografico Luca Carrà, Milan. Used with permission of Archivio Carla Carrà.

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FALL and WINTER 1999

CONTENTS

The Periplum

Colin McDowell, “Literalists of the Imagination: Pound, Occultism and the Critics”

Trevor Sawler, “Vis Naturae: The Nature of Nature in Selected Cantos”

Hiroko Uno, “Trees in the Poetry of Yeats and Pound”

Clare Cavanagh, “Modernist Church-Building: Pound, Khlebnikov, Mandelstam”

Miranda B. Hickman, “‘To Facilitate the Traffic’: (Or, ‘Damn Deluxe Edtns’): Ezra Pound’s Turn from the Deluxe”

Sam Prestridge, “The Movement toward Cathay: A Reconsideration of Pound’s Prosodic Evolution”

Hélène Aji, “The Ways of Oral Poetics: Poundian and Post-Poundian Traditions”

The Explicator

Ethan Lewis, “Grammaria Usurae: Representational Stratagems in Canto XLV”

The Vortex

Leon Surette, “Report on the 17th International Ezra Pound Conference, Brunnenburg, Tirolo di Merano, Italy, 12-15 July 1997”

Walter Baumann, “Photographs of 17th International Ezra Pound Conference”

The Reviewer

Leon Surette (Alec Marsh, Money and Modernity: Pound, Williams, and the Spirit of Jefferson)

Alec Marsh (Laurence Rainey, Institutions of Modernism: Literary Elites and Public Culture)

Greg Barnhisel (Pound/Cummings: The Correspondence of Ezra Pound and E. E. Cummings, ed. Barry Ahearn)

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SPRING and FALL 1992

CONTENTS

The Periplum

Walter Baumann, “Yeats and Ireland in The Cantos

Paul Skinner, “Pounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford”

Tim Dean, “How Long Is the Pound Era?”

Marinelle Ringer, “The Rhythmic Structure of Pound’s Canto IV”

Norman Wacker, “The Subject Repositioned / The Subject Repossessed: Authority and the Ethos of Performance in The Pisan Cantos

Steven Yao, “‘And With You Especially, There Was Nothing at Cross-Purpose’: Pound’s Treatment of Women in Cathay

Maria Luisa Ardizzione, “Pound’s Language in Rock-Drill, Two Theses for a Genealogy”

The Explicator

Elizabeth Bruce, “Empedocles’s Golden Age of Aphrodite in Pound’s Later Cantos”

K. Narayana Chandran, “Ezra Pound’s ‘Meitatio’: Two Notes”

Songping Jin, “‘The Coral Face,’ ‘The Tree of the Visages’ and the Cherry Tree”

Sylvan Esh, “‘In a Station’: Provence, London”

Jyan-Lung Lin, “Pound’s ‘In a station of the Metro’ as a Yugen Haiku”

Richard R. O’Keefe, “Impingement: The End of Pound’s Canto LXXX

David Gordon, “The Golden Caesura (2)”

Documentary

Lawrence S. Rainey, “A Poem Including History [facsimile reprint]”

Ira B. Nadel, “The Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October-22 December 1989”

Sebastian D. G. Knowles, “Ezra Pound to Alice Steiner Amdur, 23 January 1937”

Archie Henderson, “Addenda to ‘Pound Centennial Events: A Checklist'”

The Reviewer

Laura Cowan (James Longenbach, Stone Cottage: Pound, Yeats, and Modernism)

Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.

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WINTER 1991

CONTENTS

The Periplum

Demetres Tryphonopoulos, “Ezra Pound and Emaneul Swedenborg”

Leon Surette, “Yeats, Pound, and Nietzsche”

Andrzej Sosnowski, “Pound’s Imagism and Emanuel Swedenborg”

Stephen Sicari, “Poetry and Politics in Pound and Yeats”

Vern L. Lindquist, “Joycean Epiphany in Pound’s Cantos

The Explicator

Ethan Lewis, “The ABC of Ending: Pound’s ‘Addendum for C'”

Archie Henderson, “Pound, Ford, and George Antheil”

Archie Henderson, “A Laugh from the Saturday Review of Literature

Ward Swinson and Carol H. Cantrell, “The China-Adams Cantos Again: What Kind of Textbook?”

The Vortex

Peggy L. Fox, “Copyright for Scholars”

William McNaughton, “A Report on the 14th Biennial International Conference on Ezra Pound, Tirolo, Italy: July 16-18, 1991”

Helen V. Emmitt, “Report on the 14th International Ezra Pound Conference

Photographs by Walter Baumann

The Reviewer

Petr Mikeš (Ezra Pound, Selected Poems)

Candace Uhlmeyer (Elektra: A Play by Ezra Pound and Rudd Fleming, ed. and ann. Richard Reid)

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SPRING and FALL 1991

CONTENTS

The Periplum

Massimo Bacigalupo, “Ezra Pound’s Cantos 72 and 73: An Annotated Translation”

Alexander Schmitz, “Ideogram-Audiogram”

Matthew Little and Robert Babcock, “‘Amplius in Coitu Phantasia’: Pound’s ‘Cavalcanti’ and Avicenna’s De Almahad

Robert Spoo, “Pound’s Cavalcanti and Cravens’s Carducci”

The Explicator

Eva Hesse, “Why Lucifer ‘Fell’ in North Carolina: An Alternative View”

John Glendening, “Ezra Pound and Ezra Pound’s Blake: Method in Madness, Madness in Method”

David Gordon, “From Cheop’s Pyramid to Homer and Pound: The Golden Caesura”

Melvin D. McNichols, “Survivals and (Re)newals: Pound’s ‘The Seafarer'”

Donna C. Rudolph, “Formulas for Paradise in Six Cantos of Ezra Pound”

The Biographer

Jerome Kavka, M.D., “Ezra Pound’s Personal History: A Transcript, 1946”

Ira B. Nadel, “Letters from the ‘Foreign Correspondent’: Ezra Pound to Alice Corbin Henderson”

The Vortext

Sam Thonet, “Yeats-Pound Conference Report”

Virginia Nees-Hatlen, “A Teachers’ Institute at the NPF Conference”

Conference Program

Photographs

The Reviewer

Hugh Witemeyer (Jeffry Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, Olson)

Reed Way Dasenbrock (Tim Redman, Ezra Pound and Italian Fascism)

Timothy Materer (Bruce Fogelman, Shapes of Power: The Development of Ezra Pound’s Poetic Sequences)

Stefano Maria Casella (Ezra Pound, Je Rassemble les Membres d’Osiris, ed. Jean-Michel Rabaté, trans. Jean-Paul Auxémery, Claude Minière, Margaret Tunstill, Jean-Michel Rabaté, with articles by Massimo Bacigalupo and Joël-Peter Shapiro)

David Gordon (William Cookson, A Guide to The Cantos of Ezra Pound)

Ron Thomas (Daniel M. Hooley, The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry)

Paul Oppenheimer (The Lyrics of the Middle Ages: An Anthology, ed. James J. Wilhelm)

James J. Wilhelm (Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912, ed. Omar Pound and Robert Spoo)

The cover is a reproduction of a page from the Malatesta Cantos with a correction in Pound’s hand, which was presented to the Biblioteca Malatestiana of Cesena on May 25, 1925. The background is a photograph of the Valmarecchia by Emilio Salvatori.

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SPRING and FALL 1989

CONTENTS

The Periplum

Demetres P. Tryphonopoulos, “The Cantos as Palingenesis”

Philip J. Burns, “‘Dear Uncle George’: The Pound-Tinkham Letters”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

William Bohn, “Thoughts that Join Like Spokes: Pound’s Image of Apollinaire”

Stephen J. Adams, “Irony and Common Sense: The Genre of Mauberley

Rodney Symington, “‘Five Years I Wrote to You…’: An Unknown Correspondent of Ezra Pound”

The Explicator

Paul Douglass, “Modernism and Science: The Case of Pound’s ABC of Reading

David Gordon, “Pound’s Chinese: A Dead Language?”

David Gordon, “LXIX’s ‘Kei…. Kai’ and Fang’s P.S.”

Ezra Pound (Presented by Timothy Materer), “On America and World War I”

Carroll F. Terrell, “Canto Thirty-Six, from Dark and Light

David Roessel, “Pound, Lawrence, and ‘The Earthly Paradise'”

Mary Cheadle, “Defining Ode 65 in ‘Relation to Life'”

Leszek Engelsking, Petr Mikeš, and Andrzej Sosnowski, “Eliot and Pound in Lesko, Poland”

The Reviewer

Robert Spoo (C. K. Stead, Pound, Yeats, Eliot and the Modernist Movement)

Thomas H. Jackson (James Longenbach, Modernist Poetics of History: Pound, Eliot, and the Sense of the Past)

This cover image is titled “Ezra Pound da Montin.” The painting is by Rinaldo Frank-Burattin.


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