Paideuma 24.2-3

FALL and WINTER 1995

This Issue of Paideuma Has Been Guest-Edited
by Tim Redman and Vincent Sherry

CONTENTS

Dannah Edwards, “Report on the 1994 National Endowment for the Humanities Summer Seminar ‘Ezra Pound and His Contemporaries'”

Alma Bennett, “Pound and the Malatestan Territory: A 1994 Update”

Vance Crummett, “‘F.B. and I Are of One Party’: Pound’s Reading of Bacon’s Novum Organum“

Dannah Edwards, “Addendum to the Preliminary Ctaalog of Ezra Pound’s Library”

Albert Glover, “Evolution in Ezra Pound’s Poetics of History and Charles Olson’s Special View“

Will Wells, “Pound and Ungaretti: A Resonating Silence”

Melita Schaum, “The Grammar of the Visual: Alvin Langdon Coburn, Ezra Pound, and the Eastern Aesthetic in Early Modernist Photography and Poetry”

Burton Hatlen, “The Imagist Poetics of H.D.’s Sea Garden“

Michael Patrick Gillespie, “The Legacy of 1914: Pound, Lewis, Eliot, and the Composition of Finnegans Wake“

Robert Gingher, “Pound/Lawrence: A Re-Evaluation”

Alec Marsh, “Thaddeus Coleman Pound’s ‘Newspaper Scrapbook’ as a Source for the Cantos”

Ellen Keck Stauder, “Beyond the Synopsis of Vision: The Conception of Art in Ezra Pound and Mina Loy”

The Review

Gail McDonald (J. J. Wilhelm, Ezra Pound/The Tragic Years, 1925-1972)

Michael Coyle (Cary Wolfe, The Limits of American literary Ideology in Pound and Emerson)

Reed Way Dasenbrock (Modernism/Modernity)

Robert Spoo (Michael North, The Political Aesthetic of Yeats, Eliot, and Pound)

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Paideuma 24.1

SPRING 1995

This Issue of Paideuma Is Dedicated to
Olga Rudge
on the Occasion of her 100th Birthday
April 13, 1995

CONTENTS

The Periplum

Anne Conover, “Her Name Was Courage: Olga Rudge, Pound’s Muse and the ‘Circe/Aphrodite’ of the Cantos”

Marisa Anne Pagnattaro, “The ‘Unwobbling Pivot’: Uncertainty and Process in The Pisan Cantos“

Claudia Ingram, “Sharing Strategies with the Discourses of Authority: Ezra Pound and the Legal ‘Modernists'”

Yuet May Ching, “From Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound”

Colin McDowell, “Using the Dictionary: Wicket Gate and Wormwood”

The Explicator

Leslie Hatcher, “‘Circe’s This Craft’: The Active Female Principle in The Cantos“

Evan R. Karachalios, “Sacrifice and Selectivity in Ezra Pound’s First Canto”

Cameron McWhirter and Ramsay Muhler, “Serious Character to Funny Man: Ezra Pound’s Brief Correspondence with Alexander Woollcott”

Sylvan Esh, “Paquin and Davila: Pulling Down Vanity in Canto 81”

The Reviewer

Ronald Bush (Variorum Edition of “Three Cantos”: A Prototype, ed. Richard Taylor)

Richard Taylor (Ezra Pound and James Laughlin, Selected Letters, ed. David M. Gordon)

Leszek Engelking (Ezra Pound, Chtel jsem napsat raj (vybor z dila), ed. Petr Mikeš; tr. Kamil Bednar, Jitka Herynkova, and Petr Mikeš; intr. Josef Jarab)

Demetres P. Tryphonopoulos (The Letters of Ezra Pound to Alice Corbin Henderson, ed. Ira B. Nadel)

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