Feeds:
Posts
Comments

Posts Tagged ‘Cavalcanti’

SPRING and FALL 1991

CONTENTS

The Periplum

Massimo Bacigalupo, “Ezra Pound’s Cantos 72 and 73: An Annotated Translation”

Alexander Schmitz, “Ideogram-Audiogram”

Matthew Little and Robert Babcock, “‘Amplius in Coitu Phantasia’: Pound’s ‘Cavalcanti’ and Avicenna’s De Almahad

Robert Spoo, “Pound’s Cavalcanti and Cravens’s Carducci”

The Explicator

Eva Hesse, “Why Lucifer ‘Fell’ in North Carolina: An Alternative View”

John Glendening, “Ezra Pound and Ezra Pound’s Blake: Method in Madness, Madness in Method”

David Gordon, “From Cheop’s Pyramid to Homer and Pound: The Golden Caesura”

Melvin D. McNichols, “Survivals and (Re)newals: Pound’s ‘The Seafarer'”

Donna C. Rudolph, “Formulas for Paradise in Six Cantos of Ezra Pound”

The Biographer

Jerome Kavka, M.D., “Ezra Pound’s Personal History: A Transcript, 1946”

Ira B. Nadel, “Letters from the ‘Foreign Correspondent’: Ezra Pound to Alice Corbin Henderson”

The Vortext

Sam Thonet, “Yeats-Pound Conference Report”

Virginia Nees-Hatlen, “A Teachers’ Institute at the NPF Conference”

Conference Program

Photographs

The Reviewer

Hugh Witemeyer (Jeffry Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, Olson)

Reed Way Dasenbrock (Tim Redman, Ezra Pound and Italian Fascism)

Timothy Materer (Bruce Fogelman, Shapes of Power: The Development of Ezra Pound’s Poetic Sequences)

Stefano Maria Casella (Ezra Pound, Je Rassemble les Membres d’Osiris, ed. Jean-Michel Rabaté, trans. Jean-Paul Auxémery, Claude Minière, Margaret Tunstill, Jean-Michel Rabaté, with articles by Massimo Bacigalupo and Joël-Peter Shapiro)

David Gordon (William Cookson, A Guide to The Cantos of Ezra Pound)

Ron Thomas (Daniel M. Hooley, The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry)

Paul Oppenheimer (The Lyrics of the Middle Ages: An Anthology, ed. James J. Wilhelm)

James J. Wilhelm (Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912, ed. Omar Pound and Robert Spoo)

The cover is a reproduction of a page from the Malatesta Cantos with a correction in Pound’s hand, which was presented to the Biblioteca Malatestiana of Cesena on May 25, 1925. The background is a photograph of the Valmarecchia by Emilio Salvatori.

Read Full Post »

FALL 1984

CONTENTS

The Periplum

Colin McDowell, “‘As Towards a Bridge Over Worlds’: The Way of the Soul in The Cantos

John Cayley, “Ch’eng, or Sincerity”

Hwa Yol Jung, “Misreading the Ideogram: From Fenollosa to Derrida and McLuhan”

Peter Faulkner, “Pound and the Pre-Raphaelites”

The Explicator

Peter D’Epiro, “Whose Vanity Must Be Pulled Down?”

Kevin Oderman, “Of Vision, Tennis Courts, and Glands”

David M. Gordon, “Note on an Ideogram”

Max Nänny, “More Menippus than Calliope: A Reply

The Biographer

Archie Henderson, “Pound’s Contributions to L’Art Libre (1920)”

Jeffrey Meyers, “New Light on Iris Barry”

Lorne A. Reznowski, “The ‘Chesterbelloc’ and Ezra Pound”

The Reviewer

James J. Wilhelm (David Anderson, Pound’s Cavalcanti: An Edition of the Translations)

Joseph Brogunier (Peter D’Epiro, A Touch of Rhetoric: Ezra Pound’s Malatesta Cantos)

James Generoso (Mary De Rachewiltz, Italian Translation of Cantos I-XXX)

The cover of this issue was taken from a Japanese fan provided by Akiko Miyake.

Read Full Post »

SPRING 1983

CONTENTS

The Periplum

Carol H. Cantrell, “Quotidian to Divine: Some Notes on Canto 81”

Colin McDowell, “‘The Toys … at Auxerre’: Canto 77”

The Explicator

Matthew Little, “Pound and ”ΤΛΗ: Bishop Carame’s Translation of Avicenna as Background”

David Anderson, “Cavalcanti: Canzone to Fortune”

Peter Stoicheff, “CX/778 Revisited”

Carroll F. Terrell, “A Couple of Glosses”

The Biographer

James J. Wilhelm, “Ezra Pound’s New York, 1887-1908: A Recreation”

William French, “For ‘Gentle Graceful Dorothy,’ a Tardy Obit”

The Bibliographer

Donald Gallup and Archie Henderson, “Additions and Corrections to the Revised Edition of the Pound Bibliography”

E. R. Hagemann, “Incoming Correspondence to Dorothy and Ezra Pound at the Lilly Library”

Read Full Post »

FALL 1982

CONTENTS

The Periplum

Sanehide Kodama, “Cathay and Fenollosa’s Notebooks”

Timothy Materer, “Doppelgänger: Ezra Pound in His Letters”

Kevin Oderman, “‘Cavalcanti’: That the Body Is Not Evil”

The Explicator

Ben D. Kimpel and T. C. Duncan Eaves, “How the Medici Went Bust”

Reno Odlin, “Dinklage”

Francis J. Bosha, “Pound’s References to Borah and Stalin in Canto 84”

Mohammad Y. Shaheen, “A Note on the Spelling of ‘Habdimlich’ for ‘Abd Al-Malik in The Cantos

The Documentary

Lee Bartlett and Hugh Witemeyer, “Ezra Pound and James Dickey: A Correspondence and a Kinship”

David Gordon, “Corpus Juris and Canto XCIV”

The Vortex

Brendan Jackson, “A Reluctant American: Ezra Pound’s Response to Whitman, Whistler and Henry James”

Margot Speight, “Dorothy Pound at Work”

The Reviewer

Michael King (H.D., HERmione)

Martin A. Kayman (Ian F. A. Bell, Critic as Scientist: The Modernist Poetics of Ezra Pound)

Read Full Post »