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Archive for the ‘Vol. 16’ Category

WINTER 1987

CONTENTS

The Periplum

Marjorie Perloff, “Fascism, Anti-Semitism, Isolationism: Contextualizing the ‘Case of EP'”

William McNaughton, “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn”

Thomas Cole, “Ezra Pound and Imagi

Robert McMahon, “Homer/Pound’s Odysseus and Virgil/Ovid/Dante’s Ulysses: Pound’s First Canto and the Commedia

The Explicator

Archie Henderson, “More on James Douglas Peck”

Archie Henderson, “A Further Note on ‘The Return'”

Mohammad Shaheen, “Pound and Itrat-Husain”

Bruce Fogelman, “Beddoes in the Sea Surge, or a Glimpse of The Cantos in 1908″

David Gordon, “A Rayogram M. 7306 YAO4

Documentary

Carrie N. Edlund, “Picabia’s Ply over Ply”

Petr Mikeš, “Ezra Pound in Czechoslovakia”

J. Ellen Gainor, “Elektra by Ezra Pound, The Classic Stage Company, November 1-29, 1987″

The Reviewer

Philip Furia (William Cookson, A Guide to the Cantos of Ezra Pound; Christine Froula, A Guide to Ezra Pound’s Selected Poems)

John Tucker (Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting)

Donald Gallup (Christine Froula, To Write Paradise: Style and Error in Pound’s Cantos)

This cover image shows the Apostle Paul on the wall of Galla Placidia’s Mausoleum. See cantos 76/455 and 110/780.


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SPRING and FALL 1987

CONTENTS

The Periplum

Edith Sarra, “Whistling in the Bughouse: Notes on the Process of Pound’s Confucian Odes”

Ann Massa, “Ezra Pound to Harriet Monroe: Two Unpublished Letters”

Bruce Fogelman, “Pound’s ‘Cathay’: A Structural Model for The Cantos

Thomas Willard, “John Heydon’s Visions: ‘Pretty’ or ‘Polluted’?”

The Explicator

Jaime Garcia Terres, “Clock of Athens”

Barry Ahearn, “An Early Schema for The Cantos

Omar S. Pound, “Canto 77: ‘Rebel Rose'”

Petr Mikeš, “The Pound Number of Literature Na Swiecie

The Bibliographer

Joseph Brogunier, “An Annotated Bibliography of Works about Ezra Pound: 1980-1984”

The Reviewer

Ron Thomas (Ezra Pound Among the Poets, ed. George Bornstein)

John C. Hirsh (Ron Thomas, The Latin Masks of Ezra Pound)

This vivacious lithograph of Ezra Pound was done by George Biddle in Rome in 1932. It was loaned to us by Quentin Keynes. From Biddle’s diary entry of July 23, 1948: “I first met Pound in Paris in 1924… When I next met him in Rome in 1932…I did a lithograph of him at his hotel, drawing directly on the stone…

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