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Archive for the ‘Vol. 8’ Category

WINTER 1979

CONTENTS

The Periplum

Max Nänny, “The Oral Roots of Ezra Pound’s Methods of Quotation and Abbreviation”

Kevin M. Oderman, “The Servants of Amor in Pound’s Early Poems”

The Explicator

Eva Hesse, “The Problem of mo in Canto LXXIV”

Franz H. Link, “Pound’s ‘A Girl’ and Ovid’s Metamorphoses, I, 547-555″

Richard Law, “The Seventh Canto Initial”

Peter Davidson, “Heracles & m’la calata

Barbara Eastman, “The Gap in The Cantos: 72 and 73″

The Biographer

Romano Bilenchi, “Rapallo, 1941” (translated, with notes and an introduction, by David Anderson)

Enrico Pea, “Thank You, Ezra Pound” (translated, with notes and an introduction, by David Anderson)

Tim Redman, “The Repatriation of Pound, 1939-1942: A View from the Archives”

The Documentary

Ezra Pound, “Letters to John Buchan, 1934-1935” (edited by S. Namjoshi)

John J. Nolde, “The Sources for Chinese Dynastic Canto LVI: Part Two”

Ben Kimpel and T. C. Duncan Eaves, “Pound’s Use of Sienese Manuscripts for Cantos XLII and XLIII”

The Bibliographer

Andrew Crosland, “Annotated Checklist of Criticism on Ezra Pound, 1961-1965: Part I”

The Vortex

C. T. Thomas, “Link’s ‘Honey-comb’: A Rejoinder”

Michael André Bernstein, “Mythos and Logos in Ezra Pound: The Splitting of the Realms”

Stephen Paul Ellis, “Dante in Pound’s Early Career”

David Holloway, “Report on the Pound Conference, Durham, 1979”

The Reviewer

Walter Baumann (Eva Hesse, Ezra Pound: Von Sinn und Wahnsinn)

This cover shows medieval coins from the twelfth and thirteenth centuries. This image is found in The Beauty and Lore of Coins by Elvira and Vladimir Clain-Stefanelli. We are indebted to Riverwood Publishers Ltd. for permission to use this photograph.

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FALL 1979

CONTENTS

The Periplum

Nobuko Tsuki Keith, “Aoi No Ue and Kinuta: An Examination of Ezra Pound’s Translations”

David Anderson, “The Techniques of Critical Translation: Ezra Pound’s Guido Cavalcanti, 1912”

The Explicator

Hugh Witemeyer, “Pound and the Cantos ‘Ply over Ply'”

Ian F. A. Bell, “Pound, Emerson and ‘Subject-Rhyme'”

The Biographer

Ezra Pound, “The Poet Speaks”

Francis J. Bosha, “Faulkner, Pound, and the P.P.P.”

Ilse Engel, “Story of a Meeting with Ezra Pound”

The Documentary

John J. Nolde, “The Sources for Chinese Dynastic Canto LVI”

Eva Hesse, “Mythopoiós”

John Espey, “Sidelights from the Italian and German Cantos”

The Bibliographer

George Rooks, “An Annotated Checklist on Ezra Pound, 1976”

Kay Davis, “An index to Canto References in Paideuma

The Vortex

P.H. Smith and A. E. Durant, “Pound’s Metonymy: Revisiting Canto 47”

Guy Davenport, “The Real Lucifer”

C. F. Terrell, “Durham & Pound Conferences”

The Gallery

Pictures at Durham Conference Taken by H. Witemeyer

Pictures at Durham Conference Taken by Hugh Kenner

The Reviewer

Timothy Materer (Omar Pound and Philip Grover, Wyndham Lewis, a Descriptive Bibliography; and Bradford Morrow and Bernard Lafourcade, A Bibliography of the Writings of Wyndham Lewis)

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SPRING 1979

CONTENTS

The Periplum

James A. Powell, “The Light of Vers Libre”

Sally M. Gall, “Pound and the Modern Melic tradition: Towards a Demystification of ‘Absolute Rhythm'”

The Explicator

Hugh Kenner, “A Note on CX/778”

Eva Hesse, “‘Kadzuk, Arachidi, Acero’ in Canto XCVII/683: A Matter of Coherence”

G. Schmidt, “A Note on Canto CX”

Eric Langumier, “Scarabs and Gold”

Angela P. Elliott, “Lucifer’s Fall in Pound’s Canto LXXIV”

The Biographer

Richard A. Cassell, “A Visit with E.P.”

Eveline Bates Doob, “Some Notes on E.P.”

The Documentary

Ben Kimpel and T. C. Duncan Eaves, “The Source of Canto L”

The Bibliographer

Hollis Sickles, “Annotated Checklist of Pound Criticism 1945-1951”

Natalie Harris, “New Pound Holdings at the Lilly library”

The Vortex

Burton Hatlen, “Stalin and/or Zukofsky: A Note”

E. A. B. Jenner, “‘Medallion’: Some Questions”

The Reviewer

Aldo Tagliaferri (Niccolo Zapponi, L’Italia di Ezra Pound)

Doris L. Eder (William Harmon, Time in Ezra Pound’s Work)

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