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SPRING and FALL 2000

Special Issue
EZRA POUND AND AFRICAN AMERICAN MODERNISM
Guest edited by Michael Coyle

CONTENTS

Michael Coyle, “Introduction”

Pound and the Poets of African American Modernism

Kathryne V. Lindberg, “Rebels to the Right/Revolution to the Left: Ezra Pound and Claude McKay in ‘The Syndicalist Year’ of 1912”

Jonathan Gill, “Ezra Pound and Langston Hughes: The ABC of Po’try”

C. K. Doreski, “Reading Tolson Reading Pound: National Authority National Narrative”

Reed Way Dasenbrock, “Why the Post in Post-Colonial Is Not the Post in Post-Modern: Homer, Dante, Pound, Walcott”

African American Presences in Pound’s Work

Alec Marsh, “Letting the Black Cat out of the Bag: A Rejected Instance of ‘American-Africanism’ in Pound’s Cantos

Aldon Lynn Nielsen, “Ezra Pound and ‘The Best-Known Colored Man in the United States”

Burton Hatlen, “Ezra Pound, New Masses, and the Cultural Politics of Race circa 1930″

Kevin Young, “Visiting St. Elizabeth’s: Ezra Pound, Impersonation, and the Mask of the Modern Poet”

Primary Materials

David Roessel, “‘A Racial Act’: The Letters of Langston Hughes and Ezra Pound”

Reviews on African American Modernism

Mary Ann Calo, “Review Essay on Modernism, Visual Culture and the Harlem Renaissance”

Kevin J. H. Dettmar (Michael North, The Dialect of Modernism: Race, Language, and the Twentieth-Century Literature)

Review on Pound

Alec Marsh (The Cambridge Companion to Ezra Pound, ed. Ira Nadel)

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SPRING 1997

CONTENTS

Dove Sta Memora

Desmond Egan, “Olga”

Angela Elliott, “Olga Saying ‘Ezra'”

James Laughlin, “Olga”

David Moody, “Olga Rudge: To Her Memory”

Jackson Morton, “Poem”

Massimo Bacigalupo, “Growing up Near Olga Rudge and Ezra Pound”

Anne Conover, “The Young Olga”

Thomas Cole, “Two Women of Trachis”

M. G. N. Dunlap, “A Memory”

Desmond Egan, “A Conversation between Olga Rudge and Desmond Egan”

Soichi Furuta, “Night Litany: Olga Et Al.”

David Gordon, “Untitled”

Peter Russell, “Obituary of Olga Rudge”

Richard Taylor, “Recollections of Olga Rudge”

James Wilhelm, “In the Haunt of the Priestess of the Hidden Nest”

Barbara Witemeyer, “Serendipity”

The Reviewer

Timothy Materer (Michael Coyle, Ezra Pound, Popular Genres, and the Discourse of Culture)

Philip Furia (Mary Ellen Gibson, Epic Reinvented: Ezra Pound and the Victorians)

Alec Marsh Giano Accame, Ezra Pound economista contro l’usura)

Reed Way Dasenbrock (Daniel Tiffany, Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound)

Donna K. Hollenberg (Timothy Findlay, The Trial of Ezra Pound)

Tony Tremblay (Bob Perelman, The Trouble with Genius: reading Pound, Joyce, Stein, and Zukofsky)

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FALL and WINTER 1995

This Issue of Paideuma Has Been Guest-Edited
by Tim Redman and Vincent Sherry

CONTENTS

Dannah Edwards, “Report on the 1994 National Endowment for the Humanities Summer Seminar ‘Ezra Pound and His Contemporaries'”

Alma Bennett, “Pound and the Malatestan Territory: A 1994 Update”

Vance Crummett, “‘F.B. and I Are of One Party’: Pound’s Reading of Bacon’s Novum Organum

Dannah Edwards, “Addendum to the Preliminary Ctaalog of Ezra Pound’s Library”

Albert Glover, “Evolution in Ezra Pound’s Poetics of History and Charles Olson’s Special View

Will Wells, “Pound and Ungaretti: A Resonating Silence”

Melita Schaum, “The Grammar of the Visual: Alvin Langdon Coburn, Ezra Pound, and the Eastern Aesthetic in Early Modernist Photography and Poetry”

Burton Hatlen, “The Imagist Poetics of H.D.’s Sea Garden

Michael Patrick Gillespie, “The Legacy of 1914: Pound, Lewis, Eliot, and the Composition of Finnegans Wake

Robert Gingher, “Pound/Lawrence: A Re-Evaluation”

Alec Marsh, “Thaddeus Coleman Pound’s ‘Newspaper Scrapbook’ as a Source for the Cantos”

Ellen Keck Stauder, “Beyond the Synopsis of Vision: The Conception of Art in Ezra Pound and Mina Loy”

The Review

Gail McDonald (J. J. Wilhelm, Ezra Pound/The Tragic Years, 1925-1972)

Michael Coyle (Cary Wolfe, The Limits of American literary Ideology in Pound and Emerson)

Reed Way Dasenbrock (Modernism/Modernity)

Robert Spoo (Michael North, The Political Aesthetic of Yeats, Eliot, and Pound)

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SPRING and FALL 1993

CONTENTS

The Periplum

A. Walton Litz and Omar Pound, “An Unpublished Poem of 1909”

Massimo Bacigalupo, “Pound Studies in Italy, 1991”

James Generoso, “I Reckon You Pass, Mr. Wuddwudd”

Archie Henderson, “Pound, the War, and ‘The Banquet’ (1916)”

Songpin Jin, “Fenollosa and ‘Hsiao Hsüeh’ Tradition”

Guiyou Huang, “Ezra Pound: (Mis)Translation and (Re-)Creation”

Christina DuVernay, “‘And Halo Projects from Incision’: Ezra Pound’s Deification of Henry Gaudier-Brzeska”

Sylvan Esh, “Pound and Jakobson: The Metaphorical Principle in The Cantos

The Reviewer

Ira B. Nadel (Ezra Pound’s Poetry and Prose, Contributions to Periodicals)

John C. Hirsch (Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce)

Demetres P. Tryphonopoulos (Ezra Pound: Drafts and Fragments of Cantos CX-CXX, tr. Charles Vlavianos)

Jo Ellen Green Kaiser (Scott Hamilton, Ezra Pound and the Symbolist Inheritance)

Philip Furia (Jerome McGann, Toward a Literature of Knowledge)

The Explicator

Omar Pound, “Canto 113: Tweddell, Men against Death and Paul de Kruif”

Donald Gallup, “Ezra Pound’s Experiment for Esquire)

Pamela E. Hurley, “Ezra Pound’s ‘Yeux Glauques'”

Hugh Witemeyer, “Oliver Wendell Holmes, William Dean Howells, and Ezra Pound’s ‘Apostolic Succession'”

Robert C. Merritt, Jr., “‘Witching Music’: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch”

Jee Young Lee, “Eating”

Patrick McGuiness, “A Note on ‘The Muses’ Diadem'”

Ursula Shioji, “‘Hokku-Like’ Elements in Canto IV”

John Espey, “‘Mihites in Pennsylvania’ (71/418)”

Éva Nagy, “Jónás, Pull down Your Vanity: The Artist’s Commitment as Seen by Ezra Pound and Mihály Babits”

Avril Horner, “The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill”

Ethan Lewis, “‘This Hulme Business’ Revisited, or Of Sequence and Simultaneity”

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WINTER 1992

CONTENTS

The Periplum

William McNaughton, “Kingdoms of the Earp: Carpenter and Criticism”

Walter Baumann, “The German-Speaking World in The Cantos

Michael Faherty, “The Third Dimension: Ezra Pound and Wassily Kandinsky”

Daniel Tiffany, “The Cryptic Image”

The Explicator

Thomas W. Ford, “Recollections on First Reading an Ezra Pound Letter”

Glenn Willmott, “And Was Ezra Pound Ours? A Commentary on Canto XC”

Teresa Winterhalter, “Eyeless in Siena, or Ezra Pound’s Vision Through History”

The Reviewer

Colin McDowell (The Selected Letters of Ezra Pound to John Quinn 1915-1924, ed. Timothy Materer)

Demetres P. Tryphonopoulos (Akiko Miyake, Ezra Pound and the Mysteries of Love: A Plan for The Cantos)

Reed Way Dasenbrock (Lawrence S. Rainey, Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos)

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SPRING and FALL 1991

CONTENTS

The Periplum

Massimo Bacigalupo, “Ezra Pound’s Cantos 72 and 73: An Annotated Translation”

Alexander Schmitz, “Ideogram-Audiogram”

Matthew Little and Robert Babcock, “‘Amplius in Coitu Phantasia’: Pound’s ‘Cavalcanti’ and Avicenna’s De Almahad

Robert Spoo, “Pound’s Cavalcanti and Cravens’s Carducci”

The Explicator

Eva Hesse, “Why Lucifer ‘Fell’ in North Carolina: An Alternative View”

John Glendening, “Ezra Pound and Ezra Pound’s Blake: Method in Madness, Madness in Method”

David Gordon, “From Cheop’s Pyramid to Homer and Pound: The Golden Caesura”

Melvin D. McNichols, “Survivals and (Re)newals: Pound’s ‘The Seafarer'”

Donna C. Rudolph, “Formulas for Paradise in Six Cantos of Ezra Pound”

The Biographer

Jerome Kavka, M.D., “Ezra Pound’s Personal History: A Transcript, 1946”

Ira B. Nadel, “Letters from the ‘Foreign Correspondent’: Ezra Pound to Alice Corbin Henderson”

The Vortext

Sam Thonet, “Yeats-Pound Conference Report”

Virginia Nees-Hatlen, “A Teachers’ Institute at the NPF Conference”

Conference Program

Photographs

The Reviewer

Hugh Witemeyer (Jeffry Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, Olson)

Reed Way Dasenbrock (Tim Redman, Ezra Pound and Italian Fascism)

Timothy Materer (Bruce Fogelman, Shapes of Power: The Development of Ezra Pound’s Poetic Sequences)

Stefano Maria Casella (Ezra Pound, Je Rassemble les Membres d’Osiris, ed. Jean-Michel Rabaté, trans. Jean-Paul Auxémery, Claude Minière, Margaret Tunstill, Jean-Michel Rabaté, with articles by Massimo Bacigalupo and Joël-Peter Shapiro)

David Gordon (William Cookson, A Guide to The Cantos of Ezra Pound)

Ron Thomas (Daniel M. Hooley, The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry)

Paul Oppenheimer (The Lyrics of the Middle Ages: An Anthology, ed. James J. Wilhelm)

James J. Wilhelm (Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912, ed. Omar Pound and Robert Spoo)

The cover is a reproduction of a page from the Malatesta Cantos with a correction in Pound’s hand, which was presented to the Biblioteca Malatestiana of Cesena on May 25, 1925. The background is a photograph of the Valmarecchia by Emilio Salvatori.

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WINTER 1990

CONTENTS

The Periplum

Jeffrey Twitchell, “Art and the Spirit of Capitalism: Iconography and History in The Usura Canto”

Peter Crisp, “Pound, Leibnitz and China”

Peter Dale Scott, “Anger in Paradise: The Poetic Voicing of Disorder in Pound’s Later Cantos

Stephen Sicari, “The Epic Ambition: Reading Dante”

Scott Hamilton, “Serenely in the Crystal Jet: A Note on Pound’s Symbolist Inheritance”

E. P. Walkiewicz and Hugh Witemeyer, “A Public Bank in Canto 40”

Peter Dale Scott, “Pound in ‘The Waste Land,’ Eliot in The Cantos

The Explicator

Demetres P. Tryphonopoulos, “‘The Fourth; the Dimension of Stillness’: D. P. Ouspensky and Fourth Dimensionalism in Canto 49”

Timothy H. Scherman, “Towards a New Translation of Canto III”

Reed Way Dasenbrock, “Cantos 72 and 73: What Kind of Textbook?”

Francis J. Bosha, “Hemingway and MacLeish on Pound: A Consideration of a Certain Unpublished Correspondence”

Barbara Will, “Pound’s Feminine Other: A Reading of Canto 29”

The Reviewer

Tim Redman (Jean-Michel Rabaté, Language Sexuality and Ideology in Ezra Pound’s Cantos)

D. M. Hooley (Pound/Zukofsky: Selected Letters of Ezra Pound and Louis Zukofsky, ed. Barry Ahearn)

This cover is a pen and ink drawing of Ezra Pound at St. Elizabeth’s. A note from the original editors: “If anyone can figure out the signature, please let us know.”

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WINTER 1987

CONTENTS

The Periplum

Marjorie Perloff, “Fascism, Anti-Semitism, Isolationism: Contextualizing the ‘Case of EP'”

William McNaughton, “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn”

Thomas Cole, “Ezra Pound and Imagi

Robert McMahon, “Homer/Pound’s Odysseus and Virgil/Ovid/Dante’s Ulysses: Pound’s First Canto and the Commedia

The Explicator

Archie Henderson, “More on James Douglas Peck”

Archie Henderson, “A Further Note on ‘The Return'”

Mohammad Shaheen, “Pound and Itrat-Husain”

Bruce Fogelman, “Beddoes in the Sea Surge, or a Glimpse of The Cantos in 1908″

David Gordon, “A Rayogram M. 7306 YAO4

Documentary

Carrie N. Edlund, “Picabia’s Ply over Ply”

Petr Mikeš, “Ezra Pound in Czechoslovakia”

J. Ellen Gainor, “Elektra by Ezra Pound, The Classic Stage Company, November 1-29, 1987″

The Reviewer

Philip Furia (William Cookson, A Guide to the Cantos of Ezra Pound; Christine Froula, A Guide to Ezra Pound’s Selected Poems)

John Tucker (Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting)

Donald Gallup (Christine Froula, To Write Paradise: Style and Error in Pound’s Cantos)

This cover image shows the Apostle Paul on the wall of Galla Placidia’s Mausoleum. See cantos 76/455 and 110/780.


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SPRING 1986

CONTENTS

The Periplum

Walter Sutton, “Coherence in Pound’s Cantos and William James’s Pluralistic Universe”

Hugh Witemeyer, “‘Of Kings’ Treasures’: Pound’s Allusion to Ruskin in Hugh Selwyn Mauberley

John Espey, “Some Notes on ‘The Return'”

The Explicator

John J. Nolde, “Some Observations on Gaudier-Brzeska’s Bronze Drum”

Kay Davis, “Three Techniques Made New”

John Leigh, “Arthur Symons and the Evolution of Pound’s Concepts of Abusoltue Rhythm and Precision”

Richard Sawyer, “Sir Edward Coke and the Banishment of Usury”

Brita Lindberg-Seyersted, “Cher F.: Another Item in the Correspondence Between Ezra Pound and Ford Madox Ford”

David Gordon, “Notes on ‘Katze’ and ‘Wand'”

The Documentary

John Lash, “Donna Mi Priegha [A Literal Translation]”

John Lash, “Making Sense of Donna Mi Priegha”

Paul Hoover, “Two Pound Letters”

Ezra Pound, “Letters to Andrews”

Ezra Pound, “Letters to Woodward”

The Vortex

Hugh Witemeyer, “The Yale Centennial Conference”

Sandehide Kodama, “The Seventh Annual Meeting of the Ezra Pound Society of Japan”

Robert G. Waite, “The Ezra Pound Centennial Conference in Hailey, Idaho”

The Reviewer

Reed Way Dasenbrock (Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis, ed. Timothy Materer)

Ron Thomas (Ronnie Apter, Digging for the Treasure: Translation after Pound)

This issue’s cover features a drawing by the wife of Petr Mikeš, our associate from the Czech Republic.

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FALL and WINTER 1985

CONTENTS

The Periplum

Donald Davie, “Poundians Now”

Massimo Bacigalupo, “Ezra Pound’s Tigullio”

Walter Baumann, “‘Not of One Bird But of Many’: Pound’s Janequin”

John Cayley, “The Literal Image: Illustrations in The Cantos

David Gordon, “The Great Digest: A Pattern”

Michele F. Cooper, “Ezra Pound and the Japanese Cosmogony”

Peter Stoicheff, “Pound’s Final Personae in Drafts & Fragments

Stephen Sicari, “The Secret of Eleusis, or How Pound Grounds His ‘Epic of Judgment'”

The Explicator

Mary Anne Kenner, “A Cameo”

Matthew Little, “‘Atasal’ in Canto LXXVI and Ernst Renan on Sufi Mysticism”

John Leigh, “Shepard, Pound and Bertran de Born”

G. Singh, “Pound and Milton”

H. Hauge, “‘Nothing but Death is Irrevocable’: A Note on Pound’s and Eliot’s Use of Turgenev”

Gyung-Ryul Jang, “Cathay Reconsidered: Pound as Inventor of Chinese Poetry”

Michael Fournier, “A Note on the Ell-Square Pitkin”

The Biographer

J. Laughlin, “E.P.: The Lighter Side”

J. J. Wilhelm, “Pound’s Four Fascinating Grandparents”

Philippe Mikriammos, “Ezra Pound in Paris (1921-1924): A Cure of Youthfulness”

James Longenbach, “The Order of the Brothers Minor: Pound and Yeats at Stone Cottage 1913-1916”

The Vortex

Michael Fournier, “Report on the Ezra Pound Centennial Conference”

Angela Elliott and Rosalind McKeown, “The Ezra Pound Centennial Tour of Italy”

The National Poetry Award

The Reviewer

David Walker (The Wild Old Man: Poems of Lu Yu, trans. David Gordon)

Colin McDowell (Ezra Pound/John Theobald: Letters, ed. Donald Pearce and Herbert Schneidau)

Reed Way Dasenbrock (Beongcheon Yu, The Great Circle: American Writers and the Orient)

The cover image for this issue is a photograph of Mary Anne Kenner’s cameo, given to her by Mary de Rachewiltz. See page 325 for the complete story.

This issue of Paideuma includes a poem by Jonathan Williams for the passing of Basil Bunting.

Thomas Parkinson, for the Board to administer The National Poetry Award, included a note on their selection of Robert Duncan’s Ground Work: Before the War as the prize winner. The section also includes brief praises of Duncan’s work by Rachel Blau DuPlessis, Maxine Kumin, James Laughlin, Michael Palmer, Jerome Rothenberg, and others.

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