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Archive for the ‘1982-1986 (Vols. 11-15)’ Category

FALL and WINTER 1986

CONTENTS

The Periplum

Kathryne V. Lindberg, “Tradition and Heresy: Pound’s Dissociation from Eliot”

Martin A. Kayman, “Ezra Pound: The Color of His Money”

Ian F. A. Bell, “A Mere Surface: Wyndham Lewis, Henry James and the ‘Latitude’ of Hugh Selwyn Mauberley

John J. Nolde, “Ezra Pound and the Ta Hio: The Making of a Confucian”

Mohammad Shaheen, “Pound and Arabic”

M. L. Rosenthal, “Discovering E. P.”

The Explicator

Donald Gallup, “Ezra Pound’s “An Opening for Agamemnon

Walter Baumann, “‘Birds, Said Hudson, Are Not Automata'”

G. Schmidt, “The Ezra Pound Stone at Medinaceli”

Colin McDowell, “Look before Seeing”

Stephen J. Adams, “Apovitch in Canto XII”

Jeff Twitchell, “A Church Note”

Eliot Weinberger, “A Note on the Cathay Ideogram”

John Leigh, “‘An Odd Sort of Post-Graduate Course’: Ezra Pound’s First Course in Modern Poetry Discovered”

David M. Gordon, “Blum’s Bidet Revisited, or The Final Solution”

The Biographer

Sheri Martinelli, “A Memoir”

Kathleen Flanagan, “Ezra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry”

Celeste Goodridge, “‘Firm Piloting of Rebellious Fluency’: Marianne Moore’s Reviews of The Cantos of Ezra Pound”

Hugh Witemeyer, “The Strange Progress of David Hsin-Fu Wand”

The Documentary

Tim Redman, “Pound’s Library: A Preliminary Catalog”

Omar Pound, “Addenda for Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914

The Vortex

Marianne Korn, “E. P.: The Dance of Words”

Robert Lumsden, “Ezra Pound’s Imagism”

Francis McKee, “Commentary on the Drafts and Fragments

Lionel Kelly, “Guide to Kulchur: The Book as Ball of Light”

Sanehide Kodama, “Mary de Rachewiltz in Japan”

A Tribute to Duncan Eaves

The Reviewer

Massimo Bacigalupo (Ezra Pound, I Cantos, Italian translation and editing by Mary de Rachewiltz)

James J. Wilhelm (The Garland Library of Medieval Literature from a Poundian Perspective)

Paul Smith (Philip Furia, Pound’s Cantos Declassified)

Leon Surette (Peter Makin, Pound’s Cantos)

The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: “Portrait of Ezra Pound / author of / POEMS 1918-20 / Including ‘Three Portraits’ / Boni & Liveright $2.00.”

This issue contains another memorial poem by Jonathan Williams for Basil Bunting.

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SPRING 1986

CONTENTS

The Periplum

Walter Sutton, “Coherence in Pound’s Cantos and William James’s Pluralistic Universe”

Hugh Witemeyer, “‘Of Kings’ Treasures’: Pound’s Allusion to Ruskin in Hugh Selwyn Mauberley

John Espey, “Some Notes on ‘The Return'”

The Explicator

John J. Nolde, “Some Observations on Gaudier-Brzeska’s Bronze Drum”

Kay Davis, “Three Techniques Made New”

John Leigh, “Arthur Symons and the Evolution of Pound’s Concepts of Abusoltue Rhythm and Precision”

Richard Sawyer, “Sir Edward Coke and the Banishment of Usury”

Brita Lindberg-Seyersted, “Cher F.: Another Item in the Correspondence Between Ezra Pound and Ford Madox Ford”

David Gordon, “Notes on ‘Katze’ and ‘Wand'”

The Documentary

John Lash, “Donna Mi Priegha [A Literal Translation]”

John Lash, “Making Sense of Donna Mi Priegha”

Paul Hoover, “Two Pound Letters”

Ezra Pound, “Letters to Andrews”

Ezra Pound, “Letters to Woodward”

The Vortex

Hugh Witemeyer, “The Yale Centennial Conference”

Sandehide Kodama, “The Seventh Annual Meeting of the Ezra Pound Society of Japan”

Robert G. Waite, “The Ezra Pound Centennial Conference in Hailey, Idaho”

The Reviewer

Reed Way Dasenbrock (Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis, ed. Timothy Materer)

Ron Thomas (Ronnie Apter, Digging for the Treasure: Translation after Pound)

This issue’s cover features a drawing by the wife of Petr Mikeš, our associate from the Czech Republic.

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FALL and WINTER 1985

CONTENTS

The Periplum

Donald Davie, “Poundians Now”

Massimo Bacigalupo, “Ezra Pound’s Tigullio”

Walter Baumann, “‘Not of One Bird But of Many’: Pound’s Janequin”

John Cayley, “The Literal Image: Illustrations in The Cantos

David Gordon, “The Great Digest: A Pattern”

Michele F. Cooper, “Ezra Pound and the Japanese Cosmogony”

Peter Stoicheff, “Pound’s Final Personae in Drafts & Fragments

Stephen Sicari, “The Secret of Eleusis, or How Pound Grounds His ‘Epic of Judgment'”

The Explicator

Mary Anne Kenner, “A Cameo”

Matthew Little, “‘Atasal’ in Canto LXXVI and Ernst Renan on Sufi Mysticism”

John Leigh, “Shepard, Pound and Bertran de Born”

G. Singh, “Pound and Milton”

H. Hauge, “‘Nothing but Death is Irrevocable’: A Note on Pound’s and Eliot’s Use of Turgenev”

Gyung-Ryul Jang, “Cathay Reconsidered: Pound as Inventor of Chinese Poetry”

Michael Fournier, “A Note on the Ell-Square Pitkin”

The Biographer

J. Laughlin, “E.P.: The Lighter Side”

J. J. Wilhelm, “Pound’s Four Fascinating Grandparents”

Philippe Mikriammos, “Ezra Pound in Paris (1921-1924): A Cure of Youthfulness”

James Longenbach, “The Order of the Brothers Minor: Pound and Yeats at Stone Cottage 1913-1916”

The Vortex

Michael Fournier, “Report on the Ezra Pound Centennial Conference”

Angela Elliott and Rosalind McKeown, “The Ezra Pound Centennial Tour of Italy”

The National Poetry Award

The Reviewer

David Walker (The Wild Old Man: Poems of Lu Yu, trans. David Gordon)

Colin McDowell (Ezra Pound/John Theobald: Letters, ed. Donald Pearce and Herbert Schneidau)

Reed Way Dasenbrock (Beongcheon Yu, The Great Circle: American Writers and the Orient)

The cover image for this issue is a photograph of Mary Anne Kenner’s cameo, given to her by Mary de Rachewiltz. See page 325 for the complete story.

This issue of Paideuma includes a poem by Jonathan Williams for the passing of Basil Bunting.

Thomas Parkinson, for the Board to administer The National Poetry Award, included a note on their selection of Robert Duncan’s Ground Work: Before the War as the prize winner. The section also includes brief praises of Duncan’s work by Rachel Blau DuPlessis, Maxine Kumin, James Laughlin, Michael Palmer, Jerome Rothenberg, and others.

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SPRING 1985

CONTENTS

The Periplum

Jerome Kavka, “‘Olson Saved My Life’: Ezra Pound”

Philip Kuberski, “Ego, Scriptor: Pound’s Odyssean Writing”

Lee Bartlett, “The Pound/de Angulo Connection”

Richard Sawyer, “‘To Know the Histories’: L. A. Waddell’s Sumer and Akkad”

The Explicator

Ezra Pound, “Letter to Wyndham Lewis”

Franz Link, “Another Note on Ezra Pound’s ‘Papyrus'”

David Gordon, “A Note on ‘Crusaders’ Bows'”

Massimo Bacigalupo, “To ‘See Again,’ or the Dangers of Unlimited Reference”

The Vortex

Brita Lindberg-Seyersted and Archie Henderson, “Pound/Ford: Addenda and Corrections”

Massimo Bacigalupo, “Getting Around: The ‘Ezra Pound in Venice’ Conference at the Fondazione Giorgio Cini”

Peggy L. Fox, “Copyright for Scholars”

The Reviewer

Andrew Ross (Alan Durant, Ezra Pound, Identity in Crisis: A Fundamental Reassessment of the Poet and His Work; Paul Smith, Pound Revised)

David Anderson and Wendy Stallard Flory (Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914, ed. Omar Pound and A. Walton Litz)

This cover was provided by Petr Mikeš, our associate in the Czech Republic.

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WINTER 1984

CONTENTS

The Periplum

Angela Elliott, “Pound’s ‘Isis Kuanon’: An Ascension Motif in The Cantos

Walter Baumann, “Ezra Pound’s Metamorphosis during His London Years: From Late-Romanticism to Modernism”

Marcella Booth, “Ezrology: The Class of ’57”

James Longenbach, “Ezra Pound’s Canzoni: Toward a Poem Including History”

The Explicator

Carroll F. Terrell, “Salta Sin Barra!”

Robert F. Fleissner, “Frost’s Ancient Music”

N. M. Perret, “‘God’s Eye Art ‘Ou’: Eleusis as a Paradigm for Enlightenment in Canto CVI”

The Vortex

Colin Edwards, “Ninth International Pound Conference Report”

Philippe Mikriammos, “Cantos, Traduction: Les Mésaventures de l’Original”

The Reviewer

Akiko Miyake (Nobuko Tsukui, Ezra Pound and Japanese Noh Plays)

John J. Nolde (John Driscoll, The China Cantos of Ezra Pound)

Walter Baumann (Marianne Korn, Ezra Pound: Purpose, Form, Meaning)

This cover shows Odysseus at the Mast, a fifth-century vase painting from Vulci. Pound was interest in the German version of Hugo Rahner’s Greek Myths and Christian Mystery (1957), from which this image was taken.

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FALL 1984

CONTENTS

The Periplum

Colin McDowell, “‘As Towards a Bridge Over Worlds’: The Way of the Soul in The Cantos

John Cayley, “Ch’eng, or Sincerity”

Hwa Yol Jung, “Misreading the Ideogram: From Fenollosa to Derrida and McLuhan”

Peter Faulkner, “Pound and the Pre-Raphaelites”

The Explicator

Peter D’Epiro, “Whose Vanity Must Be Pulled Down?”

Kevin Oderman, “Of Vision, Tennis Courts, and Glands”

David M. Gordon, “Note on an Ideogram”

Max Nänny, “More Menippus than Calliope: A Reply

The Biographer

Archie Henderson, “Pound’s Contributions to L’Art Libre (1920)”

Jeffrey Meyers, “New Light on Iris Barry”

Lorne A. Reznowski, “The ‘Chesterbelloc’ and Ezra Pound”

The Reviewer

James J. Wilhelm (David Anderson, Pound’s Cavalcanti: An Edition of the Translations)

Joseph Brogunier (Peter D’Epiro, A Touch of Rhetoric: Ezra Pound’s Malatesta Cantos)

James Generoso (Mary De Rachewiltz, Italian Translation of Cantos I-XXX)

The cover of this issue was taken from a Japanese fan provided by Akiko Miyake.

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SPRING 1984

CONTENTS

The Periplum

James J. Wilhelm, “On the Trail of the ‘One’ Crawfordsville Incident or, The Poet in Hoosierland”

Massimo Bacigalupo, “Who Built the Temple? or, Thoughts on Pound, Res and Verba

The Documentary

James J. Rader, “The Value of Testimony: Pound at Wabash”

William French, “On E. Fuller Torrey, the Baiting of Dead Giants”

William French, “Peacocks in Poundland”

Carroll F. Terrell, “Poetic Madness or Political Treason”

The drawing of Pound for the cover of this issue is by Charles Stuts of New Jersey.

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FALL and WINTER 1983

CONTENTS

The Periplum

Donald Davie, “Adrian Stokes Revisited”

Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116”

Martin Kayman, “A Context for Hart’s ‘Complex'”

Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Light”

The Explicator

M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliope”

Timothy Materer, “H.D., Serenitas, and Canto CXIII”

Mohammed Shaheen, “Pound and Blunt: Homage for Apathy”

Michael Fournier, “Chauncey Alcot”

The Biographer

John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steele”

James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911”

Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversation”

Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920”

The Documentary

Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondence”

Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idaho”

Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modern”

Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos

The Vortex

Lionel Kelly, “Eighth International Pound Conference: Report”

T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)”

Archie Henderson, “Ezra Pound: Composer”

The Reviewer

Carroll F. Terrell (Ezra Pound: A Bibliography)

John C. Hirsch (Il Miglior Fabbro)

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SPRING 1983

CONTENTS

The Periplum

Carol H. Cantrell, “Quotidian to Divine: Some Notes on Canto 81”

Colin McDowell, “‘The Toys … at Auxerre’: Canto 77”

The Explicator

Matthew Little, “Pound and ”ΤΛΗ: Bishop Carame’s Translation of Avicenna as Background”

David Anderson, “Cavalcanti: Canzone to Fortune”

Peter Stoicheff, “CX/778 Revisited”

Carroll F. Terrell, “A Couple of Glosses”

The Biographer

James J. Wilhelm, “Ezra Pound’s New York, 1887-1908: A Recreation”

William French, “For ‘Gentle Graceful Dorothy,’ a Tardy Obit”

The Bibliographer

Donald Gallup and Archie Henderson, “Additions and Corrections to the Revised Edition of the Pound Bibliography”

E. R. Hagemann, “Incoming Correspondence to Dorothy and Ezra Pound at the Lilly Library”

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WINTER 1982

CONTENTS

The Periplum

Donald Davie, “Res and Verba in Rock-Drill and After”

Max Nänny, “Ezra Pound and the Menippean Tradition”

Ben D. Kimpel and T. C. Duncan Eaves, “Pound’s Research for the Malatesta Cantos”

Mohammad Y. Shaheen, “The Story of Abd-el-Melik’s Money in Canto XCVI and XCVII”

Kay Davis, “Ring Composition, Subject Rhyme and Canto VI”

The Explicator

Walter Baumann, “Carleton, Paquin and Salzburg”

Ronald E. McFarland, “A Note on Monsieur Verog”

Ben D. Kimpel and T. C. Duncan Eaves, “Messire Uzzano in 1442”

Carroll F. Terrell, “Cabranez, the Mystery Man”

The Biographer

Robert Schultz, “A Detailed Chronology of Ezra Pound’s London Years, 1908-1920, Part One: 1908-1914”

Archie Henderson, “Pound’s Strelets Interview 91915)”

The Documentary

Jerry Voorhis, “The Mysteries of the Federal Reserve System”

E. J. R. Booth, “A Commentary on ‘The Mysteries of the Federal Reserve System’ by Jerry Voorhis”

Peter Davidson, “Giulio Romano at the Spring Marriage”

E. P. Walkiewicz, “Pound/Joyce: Dublin ’82”

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