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Posts Tagged ‘James J. Wilhelm’

FALL and WINTER 1997

Tributes to Carroll F. Terrell

Massimo Bacigalupo, “Ten for Terry”

Walter Baumann, “And Kung Smiled upon All of Them Equally (13/58)”

Mary de Rachewiltz, “For Carroll F. Terrell”

Photo Gallery

M. G. N. Dunlap, “On the Road with C. F. Terrell”

Burton Hatlen, “Carroll Terrell and Great American Poetry Wars”

Richard Hill, “Untitled”

Sanehide Kodama, “Professor Terrell’s One Summer Day in Maine”

James Laughlin, “Untitled”

Nancy MacKnight, “A Memory of Travels with Terry”

Colin McDowell, “Meeting Terry”

Petr Mikeš, “Carroll F. Terrell, a Real Character and a Real Great Mainer”

Marjorie Perloff, “Untitled”

Matt Sweney, “Letters from My Ginmill, Regarding Carroll F. Terrell”

Emily Mitchell Wallace, “A Maine Man of Grace”

James J. Wilhelm, “Tribute to Terry”

The Periplum

David Peters Corbett, “Make It New: Lawrence Binyon, Pound and Voritcism”

David Grubbs, “Pattern History: Ezra Pound and Vorticist Music”

Silvia Bigliazzi, “The Sound of Silence: Pound, Eliot, and the Image”

Omar Pound, “Canto LXXX: Lacock Abbey and the Charter of 1225”

James Laughlin, “Ezra”

Papers from the National Poetry Foundation
“American poetry in the 1950s” Conference,
Edited by Demetres P. Tryphonopoulos

Ellen Keck Stauder, “‘Crystal Waves Weaving Together’: Visual Notation and the Phrasal Music of the Rock-Drill Cantos

Brian M. Reed, “Ezra Pound’s Utopia of the Eye: The Chinese Characters in Rock-Drill

Michael Golston, “Inaudible Rhythms: Form in Ezra Pound’s Cantos of the Fifties”

William Cole, “Pound’s Web: Hypertext in the Rock-Drill Cantos

Patricia Cockram, “Hypertextuality and Pound’s Fascist Aesthetic”

Miranda B. Hickman, “Pamphlets and Blue China (OR ‘Cheap Books of GOOD Work’): Pound’s Preference for Plainness in the 1950s”

The Reviewer

Alec Marsh (“Dear Uncle George”: The Correspondence between Ezra Pound and Congressman Tinkham of Massachusetts)

Rita Severi (Massimo Bacigalupo, Licia Filingeri, Pietro Gaietto, James Laughlin, Martino Oberto, Ezra Pound, Mary de Rachewiltz, Pietro Gaietto: Conquanta Sculture sui Cantos di Ezra Pound / Fifty Sculptues on The Cantos of Ezra Pound)

Alec Marsh (Ezra Pound, Machine Art and Other Writings)

Christina Biélaszka-DuVernay (Evelyn Silber, Gaudier-Brzeska: Life and Art)

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SPRING and FALL 1991

CONTENTS

The Periplum

Massimo Bacigalupo, “Ezra Pound’s Cantos 72 and 73: An Annotated Translation”

Alexander Schmitz, “Ideogram-Audiogram”

Matthew Little and Robert Babcock, “‘Amplius in Coitu Phantasia’: Pound’s ‘Cavalcanti’ and Avicenna’s De Almahad

Robert Spoo, “Pound’s Cavalcanti and Cravens’s Carducci”

The Explicator

Eva Hesse, “Why Lucifer ‘Fell’ in North Carolina: An Alternative View”

John Glendening, “Ezra Pound and Ezra Pound’s Blake: Method in Madness, Madness in Method”

David Gordon, “From Cheop’s Pyramid to Homer and Pound: The Golden Caesura”

Melvin D. McNichols, “Survivals and (Re)newals: Pound’s ‘The Seafarer'”

Donna C. Rudolph, “Formulas for Paradise in Six Cantos of Ezra Pound”

The Biographer

Jerome Kavka, M.D., “Ezra Pound’s Personal History: A Transcript, 1946”

Ira B. Nadel, “Letters from the ‘Foreign Correspondent’: Ezra Pound to Alice Corbin Henderson”

The Vortext

Sam Thonet, “Yeats-Pound Conference Report”

Virginia Nees-Hatlen, “A Teachers’ Institute at the NPF Conference”

Conference Program

Photographs

The Reviewer

Hugh Witemeyer (Jeffry Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, Olson)

Reed Way Dasenbrock (Tim Redman, Ezra Pound and Italian Fascism)

Timothy Materer (Bruce Fogelman, Shapes of Power: The Development of Ezra Pound’s Poetic Sequences)

Stefano Maria Casella (Ezra Pound, Je Rassemble les Membres d’Osiris, ed. Jean-Michel Rabaté, trans. Jean-Paul Auxémery, Claude Minière, Margaret Tunstill, Jean-Michel Rabaté, with articles by Massimo Bacigalupo and Joël-Peter Shapiro)

David Gordon (William Cookson, A Guide to The Cantos of Ezra Pound)

Ron Thomas (Daniel M. Hooley, The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry)

Paul Oppenheimer (The Lyrics of the Middle Ages: An Anthology, ed. James J. Wilhelm)

James J. Wilhelm (Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912, ed. Omar Pound and Robert Spoo)

The cover is a reproduction of a page from the Malatesta Cantos with a correction in Pound’s hand, which was presented to the Biblioteca Malatestiana of Cesena on May 25, 1925. The background is a photograph of the Valmarecchia by Emilio Salvatori.

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SPRING and FALL 1990

CONTENTS

The Periplum

Stephen Sicari, “History and Vision in Pound and Dante: A Purgatorial Poetics”

Peter Crisp, “Ezra Pound and the Li Xue”

Zhaoming Qian, “Translation or Invention: Three Cathay Poems Reconsidered”

Keith Tuma, “Ezra Pound, Progressive”

Ian F. A. Bell and Patricia A. Agar, “Romantic Modernisms: Early Pound and Late Keats”

The Explicator

Charles Timbrell, “Canto 80: EP, Rummel and the ‘Spoils of Finlandia'”

William Doreski, “Mauberley: The Single Voice”

David Roessel, “‘Or Perhaps Sulpicia’: Pound and a Roman Poetess”

Ellen Brinks, “On Pound’s Fourth Canto”

The Documentary

Todd H. Sammons, “A Periplum of Pound’s Pronouncements on John Milton”

James J. Wilhelm, “The Letters of William Brooke Smith to Ezra Pound”

Tyrus Miller, “Pound’s Economic Ideal: Silvio Gesell and The Cantos

Archie Henderson, “Pound Centennial Events: A Checklist”

Archie Henderson, “Pound Manuscripts and Letters in the United Kingdom and Ireland: Addenda to the Location Register

The Vortext

James J. Wilhelm, “Nancy Cunard: A Sometime Flame, a Stalwart Friend”

Yoshiko Kita, “Carroll F. Terrell in Japan”

Carroll F. Terrell, “The Land of Magic”

The Reviewer

Leon Surette (Robert Casillo, The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound)

George Kearns (Kathryne V. Lindberg, Reading Pound Reading: Modernism after Nietzsche)

Walter Baumann (Sanford Schwartz, The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought)

Michael Thomas Davis (Omar Pound and Robert Spoo, Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912)

James J. Wilhelm (Wendy Stallard Flory, The American Ezra Pound)

This cover image is of Yi Bang-un’s (1761-?) “Sa-In-Ahm,” courtesy of the Kookmin University Museum.

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FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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FALL and WINTER 1986

CONTENTS

The Periplum

Kathryne V. Lindberg, “Tradition and Heresy: Pound’s Dissociation from Eliot”

Martin A. Kayman, “Ezra Pound: The Color of His Money”

Ian F. A. Bell, “A Mere Surface: Wyndham Lewis, Henry James and the ‘Latitude’ of Hugh Selwyn Mauberley

John J. Nolde, “Ezra Pound and the Ta Hio: The Making of a Confucian”

Mohammad Shaheen, “Pound and Arabic”

M. L. Rosenthal, “Discovering E. P.”

The Explicator

Donald Gallup, “Ezra Pound’s “An Opening for Agamemnon

Walter Baumann, “‘Birds, Said Hudson, Are Not Automata'”

G. Schmidt, “The Ezra Pound Stone at Medinaceli”

Colin McDowell, “Look before Seeing”

Stephen J. Adams, “Apovitch in Canto XII”

Jeff Twitchell, “A Church Note”

Eliot Weinberger, “A Note on the Cathay Ideogram”

John Leigh, “‘An Odd Sort of Post-Graduate Course’: Ezra Pound’s First Course in Modern Poetry Discovered”

David M. Gordon, “Blum’s Bidet Revisited, or The Final Solution”

The Biographer

Sheri Martinelli, “A Memoir”

Kathleen Flanagan, “Ezra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry”

Celeste Goodridge, “‘Firm Piloting of Rebellious Fluency’: Marianne Moore’s Reviews of The Cantos of Ezra Pound”

Hugh Witemeyer, “The Strange Progress of David Hsin-Fu Wand”

The Documentary

Tim Redman, “Pound’s Library: A Preliminary Catalog”

Omar Pound, “Addenda for Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914

The Vortex

Marianne Korn, “E. P.: The Dance of Words”

Robert Lumsden, “Ezra Pound’s Imagism”

Francis McKee, “Commentary on the Drafts and Fragments

Lionel Kelly, “Guide to Kulchur: The Book as Ball of Light”

Sanehide Kodama, “Mary de Rachewiltz in Japan”

A Tribute to Duncan Eaves

The Reviewer

Massimo Bacigalupo (Ezra Pound, I Cantos, Italian translation and editing by Mary de Rachewiltz)

James J. Wilhelm (The Garland Library of Medieval Literature from a Poundian Perspective)

Paul Smith (Philip Furia, Pound’s Cantos Declassified)

Leon Surette (Peter Makin, Pound’s Cantos)

The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: “Portrait of Ezra Pound / author of / POEMS 1918-20 / Including ‘Three Portraits’ / Boni & Liveright $2.00.”

This issue contains another memorial poem by Jonathan Williams for Basil Bunting.

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FALL 1984

CONTENTS

The Periplum

Colin McDowell, “‘As Towards a Bridge Over Worlds’: The Way of the Soul in The Cantos

John Cayley, “Ch’eng, or Sincerity”

Hwa Yol Jung, “Misreading the Ideogram: From Fenollosa to Derrida and McLuhan”

Peter Faulkner, “Pound and the Pre-Raphaelites”

The Explicator

Peter D’Epiro, “Whose Vanity Must Be Pulled Down?”

Kevin Oderman, “Of Vision, Tennis Courts, and Glands”

David M. Gordon, “Note on an Ideogram”

Max Nänny, “More Menippus than Calliope: A Reply

The Biographer

Archie Henderson, “Pound’s Contributions to L’Art Libre (1920)”

Jeffrey Meyers, “New Light on Iris Barry”

Lorne A. Reznowski, “The ‘Chesterbelloc’ and Ezra Pound”

The Reviewer

James J. Wilhelm (David Anderson, Pound’s Cavalcanti: An Edition of the Translations)

Joseph Brogunier (Peter D’Epiro, A Touch of Rhetoric: Ezra Pound’s Malatesta Cantos)

James Generoso (Mary De Rachewiltz, Italian Translation of Cantos I-XXX)

The cover of this issue was taken from a Japanese fan provided by Akiko Miyake.

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SPRING 1984

CONTENTS

The Periplum

James J. Wilhelm, “On the Trail of the ‘One’ Crawfordsville Incident or, The Poet in Hoosierland”

Massimo Bacigalupo, “Who Built the Temple? or, Thoughts on Pound, Res and Verba

The Documentary

James J. Rader, “The Value of Testimony: Pound at Wabash”

William French, “On E. Fuller Torrey, the Baiting of Dead Giants”

William French, “Peacocks in Poundland”

Carroll F. Terrell, “Poetic Madness or Political Treason”

The drawing of Pound for the cover of this issue is by Charles Stuts of New Jersey.

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