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Archive for the ‘Vol. 17’ Category

FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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SPRING 1988

CONTENTS

The Periplum

Michael Coyle, “‘A Profounder Didacticism’: Ruskin, Orage and Pound’s Reception of Social Credit”

Brian Arkins, “Pound’s Propertius: What Kind of Homage?”

Ellen Keck Stauder, “Towards a Grammar of Relationships: The Rhetoric of Music in Pound and Rousseau”

Paul Skinner, “Of Owls and Waterspouts”

Edward H. Baker, “Historical Mediation in Two Translations of Ezra Pound”

Todd H. Sammons, “A Note on the Milton Criticism of Ezra Pound and T. S. Eliot”

The Explicator

Nicolas Z. Ambrus, “To the Unwobbling Pivot”

David Roessel, “‘Near Perigord’ and a Mycenaean Trade War”

György Novák, “A Note on ‘Syria’ in C74/432”

Documentary

Chang Yao-Xin, “Pound’s Chinese Translations”

Mohammad Shaheen, “Pound’s Transmission of Ittisal in Canto 76″

Marius Buning, “Ezra Pound in the Lowlands”

The cover image is titled “Usura,” by Robert LaVigne. It was done in 1985 during the height of the Ethiopian famine and drought, hence the poignancy of the fan-bearer. The print is provided by Steven Chandler of Seattle.


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