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Posts Tagged ‘Timothy Materer’

SPRING 1997

CONTENTS

Dove Sta Memora

Desmond Egan, “Olga”

Angela Elliott, “Olga Saying ‘Ezra'”

James Laughlin, “Olga”

David Moody, “Olga Rudge: To Her Memory”

Jackson Morton, “Poem”

Massimo Bacigalupo, “Growing up Near Olga Rudge and Ezra Pound”

Anne Conover, “The Young Olga”

Thomas Cole, “Two Women of Trachis”

M. G. N. Dunlap, “A Memory”

Desmond Egan, “A Conversation between Olga Rudge and Desmond Egan”

Soichi Furuta, “Night Litany: Olga Et Al.”

David Gordon, “Untitled”

Peter Russell, “Obituary of Olga Rudge”

Richard Taylor, “Recollections of Olga Rudge”

James Wilhelm, “In the Haunt of the Priestess of the Hidden Nest”

Barbara Witemeyer, “Serendipity”

The Reviewer

Timothy Materer (Michael Coyle, Ezra Pound, Popular Genres, and the Discourse of Culture)

Philip Furia (Mary Ellen Gibson, Epic Reinvented: Ezra Pound and the Victorians)

Alec Marsh Giano Accame, Ezra Pound economista contro l’usura)

Reed Way Dasenbrock (Daniel Tiffany, Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound)

Donna K. Hollenberg (Timothy Findlay, The Trial of Ezra Pound)

Tony Tremblay (Bob Perelman, The Trouble with Genius: reading Pound, Joyce, Stein, and Zukofsky)

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FALL and WINTER 1994

CONTENTS

The Periplum

Songpin Jin, “Observation of Natural Scenes: Ta Hsüeh and Pound’s Later Cantos”

Fan A. Shen, “Yijing and Pound’s Cantos (1) and (2)”

Xiaomei Chen, “Rediscovering Ezra Pound: A Post-Colonial ‘Misreading’ of a Western Legacy”

Christine Syros, “Beyond Language: Ezra Pound’s Translation of the Sophoclean Elektra

Jonathan Brewer, “Practice, ‘Taught and the Not Taught,’ in The Pisan Cantos

Piotr Parlej, “The Provence of the North: Pound’s Poetics of Tension”

Peter Crisp, “Pound as Gnostic? Creative Mythology and the Goddess”

Ethan Lewis, “Super-Position: Interpretive Metaphor”

The Explicator

Songpin Jin, “Flowers, Wings, in the Garden Enclosure”

Martin Scott, “The Transcendental Ideogram: The Influence of Emerson on Ezra Pound’s Ideogrammic Method”

Omar S. Pound, “Canto LXXV: Clement Janequin & Arrangements of His Text: ‘Canzoni di Li Ucelli'”

Douglas Bruster, “Pound, Frost, and ‘Literary Integrity’ at Harvard”

The Vortex

Yorio Hirano, “Report of the 14th Annual Conference of the Japan Ezra Pound Society”

Shinji Watanabe, “Report on the Fifteenth Annual Meeting and Conference of the Ezra Pound Society of Japan at Rikkyo University, October 30, 1993”

The Reviewer

Timothy Materer (Leon Surette, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult)

Robert Spoo (A Walking Tour in Southern France: Ezra Pound among the Troubadours, ed. Richard Sieburth)

Tony Tremblay (Gail McDonald, Learning to Be Modern: Pound, Eliot, and the American University)

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SPRING and FALL 1991

CONTENTS

The Periplum

Massimo Bacigalupo, “Ezra Pound’s Cantos 72 and 73: An Annotated Translation”

Alexander Schmitz, “Ideogram-Audiogram”

Matthew Little and Robert Babcock, “‘Amplius in Coitu Phantasia’: Pound’s ‘Cavalcanti’ and Avicenna’s De Almahad

Robert Spoo, “Pound’s Cavalcanti and Cravens’s Carducci”

The Explicator

Eva Hesse, “Why Lucifer ‘Fell’ in North Carolina: An Alternative View”

John Glendening, “Ezra Pound and Ezra Pound’s Blake: Method in Madness, Madness in Method”

David Gordon, “From Cheop’s Pyramid to Homer and Pound: The Golden Caesura”

Melvin D. McNichols, “Survivals and (Re)newals: Pound’s ‘The Seafarer'”

Donna C. Rudolph, “Formulas for Paradise in Six Cantos of Ezra Pound”

The Biographer

Jerome Kavka, M.D., “Ezra Pound’s Personal History: A Transcript, 1946”

Ira B. Nadel, “Letters from the ‘Foreign Correspondent’: Ezra Pound to Alice Corbin Henderson”

The Vortext

Sam Thonet, “Yeats-Pound Conference Report”

Virginia Nees-Hatlen, “A Teachers’ Institute at the NPF Conference”

Conference Program

Photographs

The Reviewer

Hugh Witemeyer (Jeffry Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, Olson)

Reed Way Dasenbrock (Tim Redman, Ezra Pound and Italian Fascism)

Timothy Materer (Bruce Fogelman, Shapes of Power: The Development of Ezra Pound’s Poetic Sequences)

Stefano Maria Casella (Ezra Pound, Je Rassemble les Membres d’Osiris, ed. Jean-Michel Rabaté, trans. Jean-Paul Auxémery, Claude Minière, Margaret Tunstill, Jean-Michel Rabaté, with articles by Massimo Bacigalupo and Joël-Peter Shapiro)

David Gordon (William Cookson, A Guide to The Cantos of Ezra Pound)

Ron Thomas (Daniel M. Hooley, The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry)

Paul Oppenheimer (The Lyrics of the Middle Ages: An Anthology, ed. James J. Wilhelm)

James J. Wilhelm (Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912, ed. Omar Pound and Robert Spoo)

The cover is a reproduction of a page from the Malatesta Cantos with a correction in Pound’s hand, which was presented to the Biblioteca Malatestiana of Cesena on May 25, 1925. The background is a photograph of the Valmarecchia by Emilio Salvatori.

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SPRING and FALL 1989

CONTENTS

The Periplum

Demetres P. Tryphonopoulos, “The Cantos as Palingenesis”

Philip J. Burns, “‘Dear Uncle George’: The Pound-Tinkham Letters”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

William Bohn, “Thoughts that Join Like Spokes: Pound’s Image of Apollinaire”

Stephen J. Adams, “Irony and Common Sense: The Genre of Mauberley

Rodney Symington, “‘Five Years I Wrote to You…’: An Unknown Correspondent of Ezra Pound”

The Explicator

Paul Douglass, “Modernism and Science: The Case of Pound’s ABC of Reading

David Gordon, “Pound’s Chinese: A Dead Language?”

David Gordon, “LXIX’s ‘Kei…. Kai’ and Fang’s P.S.”

Ezra Pound (Presented by Timothy Materer), “On America and World War I”

Carroll F. Terrell, “Canto Thirty-Six, from Dark and Light

David Roessel, “Pound, Lawrence, and ‘The Earthly Paradise'”

Mary Cheadle, “Defining Ode 65 in ‘Relation to Life'”

Leszek Engelsking, Petr Mikeš, and Andrzej Sosnowski, “Eliot and Pound in Lesko, Poland”

The Reviewer

Robert Spoo (C. K. Stead, Pound, Yeats, Eliot and the Modernist Movement)

Thomas H. Jackson (James Longenbach, Modernist Poetics of History: Pound, Eliot, and the Sense of the Past)

This cover image is titled “Ezra Pound da Montin.” The painting is by Rinaldo Frank-Burattin.


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FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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SPRING 1986

CONTENTS

The Periplum

Walter Sutton, “Coherence in Pound’s Cantos and William James’s Pluralistic Universe”

Hugh Witemeyer, “‘Of Kings’ Treasures’: Pound’s Allusion to Ruskin in Hugh Selwyn Mauberley

John Espey, “Some Notes on ‘The Return'”

The Explicator

John J. Nolde, “Some Observations on Gaudier-Brzeska’s Bronze Drum”

Kay Davis, “Three Techniques Made New”

John Leigh, “Arthur Symons and the Evolution of Pound’s Concepts of Abusoltue Rhythm and Precision”

Richard Sawyer, “Sir Edward Coke and the Banishment of Usury”

Brita Lindberg-Seyersted, “Cher F.: Another Item in the Correspondence Between Ezra Pound and Ford Madox Ford”

David Gordon, “Notes on ‘Katze’ and ‘Wand'”

The Documentary

John Lash, “Donna Mi Priegha [A Literal Translation]”

John Lash, “Making Sense of Donna Mi Priegha”

Paul Hoover, “Two Pound Letters”

Ezra Pound, “Letters to Andrews”

Ezra Pound, “Letters to Woodward”

The Vortex

Hugh Witemeyer, “The Yale Centennial Conference”

Sandehide Kodama, “The Seventh Annual Meeting of the Ezra Pound Society of Japan”

Robert G. Waite, “The Ezra Pound Centennial Conference in Hailey, Idaho”

The Reviewer

Reed Way Dasenbrock (Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis, ed. Timothy Materer)

Ron Thomas (Ronnie Apter, Digging for the Treasure: Translation after Pound)

This issue’s cover features a drawing by the wife of Petr Mikeš, our associate from the Czech Republic.

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FALL and WINTER 1983

CONTENTS

The Periplum

Donald Davie, “Adrian Stokes Revisited”

Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116”

Martin Kayman, “A Context for Hart’s ‘Complex'”

Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Light”

The Explicator

M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliope”

Timothy Materer, “H.D., Serenitas, and Canto CXIII”

Mohammed Shaheen, “Pound and Blunt: Homage for Apathy”

Michael Fournier, “Chauncey Alcot”

The Biographer

John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steele”

James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911”

Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversation”

Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920”

The Documentary

Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondence”

Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idaho”

Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modern”

Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos

The Vortex

Lionel Kelly, “Eighth International Pound Conference: Report”

T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)”

Archie Henderson, “Ezra Pound: Composer”

The Reviewer

Carroll F. Terrell (Ezra Pound: A Bibliography)

John C. Hirsch (Il Miglior Fabbro)

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