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2013

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thanking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

Pai40-1a

Pai40-2a

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SPRING and FALL 2006
(publication date 2008)

CONTENTS

Essays

George Bornstein, “What Does a Collected Edition Collect? Mapping Modernist Poetry”

Carla Billitteri, “The Passion of Becoming an Object”

Thomas Day, “‘A Broken Coriolanus’: Poetics, Politics, and Self-Surrender”

Enikő Bollobás, “Canon Politics and Experimental Writing: The Example of L’Encre Sympathique of Robert Duncan’s H.D. Book

Donna Krolik Hollenberg, “‘The Deeper Unsatisfied War’: Robert Duncan’s Poems for H.D.”

Catherine A. Rogers, “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision

Richard A. Iadonisi, “Amy Lowell and the Gendered Aesthetics of Haiku”

Patricia Cockram, “Tard, Très Tard: Ezra Pound and France”

Zhaoming Qian, “Ezra Pound and His First Chinese Contact for and against Confucianism”

J. Mark Smith, “The Sign of the Translators: I. A. Richards, Ezra Pound, and ‘Debabelization'”

Mark McMorris, “Zukofsky’s Bilingual Catullus: Theoretical Articulations”

Reviews

Stephen J. Adams (Cavalcanti: A Perspective on the Music of Ezra Pound, ed. Robert Hughes and Margaret Fisher; and Margaret Fisher, Ezra Pound’s Radio Operas)

Bernard Dew (The Ezra Pound Encyclopedia, ed. Demetres Tryphonopoulos and Stephen J. Adams)

Timothy Materer (Miranda B. Hickman, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H. D., and Yeats)

Lesley Wheeler (Cristanne Miller, Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler: Gender and Literary Community in New York and Berlin; and Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks,” ed. Linda Leavell, Cristanne Miller, and Robin G. Schulze)

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SPRING 2005

CONTENTS

Laura Cowan, “Preface”

ESSAYS

John Gery, “Casting No Shadow: Incarcertation, Architecture, and Love in Canto 90”

Robert E. Kibler, “Finding China in Our Own Time: Legge, Waley, and Pound Translate a Fertility Ode from the Chinese Shi Jing

Alec Marsh, “John Quincy Adams and/or Martin Van Buren: Cantos 34 and 37”

Mohammad Shaheen, “The Reception of Pound in Arabic: Immature Response of Gibran and Bayyati”

Dana Cook, “Meeting Ezra Pound”

TRIBUTES TO CARROLL TERRELL AND HUGH KENNER

Tributes to Carroll Terrell

Tributes to Hugh Kenner

Donald Davie, “The Universe of Ezra Pound: Review of The Pound Era (from Paideuma 1.2)

REVIEWS

Ira B. Nadel (Poems and Translations of Ezra Pound, ed. Richard Sieburth; and Ezra Pound, The Pisan Cantos, ed. Richard Sieburth)

Alec Marsh (Vincent Sherry, The Great War and the Language of Modernism)

Guiyou Huang (Ezra Pound and China, ed. Zhaoming Qian; and Eric Hayot, Chinese Dreams: Pound, Brecht, Tel Quel)

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SPRING, FALL and WINTER 2003

CONTENTS

Editors’ Note

Essays

James Longenbach, “The Dream of Modernism”

Stan Smith, “Constitutions of Silence: Mr. Eliot’s Second Revolution”

Susan Stanford Friedman, “Modernism in a Transnational Landscape: Spatial Poetics, Postcolonialism, and Gender in Césaire’s Cahier/Notebook and Cha’s DICTÉE

Cristanne Miller, “Feminist Location and Mina Loy’s ‘Anglo-Mongrels and the Rose'”

Leon Surette, “Wallace Stevens, Roger Caillois and ‘The Pure Good of Theory'”

Burton Hatlen, “From the Transcendental to the Immanent Sublime: The Poetry of William Carlos Williams, 1913-1917”

Ronald Bush, “Remaking Canto 74”

A. David Moody, “Directio Voluntatis: Pound’s Economics to the Economy of The Cantos

Marjorie Perloff, “The Search for ‘Prime Words’: Pound, Duchamp and the Nominalist Ethos”

Demetres Tryphonopoulos, “‘Fragments of a Faith Forgotten’: Ezra Pound, H.D. and the Occult Tradition”

Zhaoming Qian, “Marianne Moore and The Tao of Painting

Patricia C. Willis, “A Modernist Epithalamium: Marianne Moore’s ‘Marriage'”

Douglas Mao, “Auden and Son: Environment, Evolution, Exhibition”

Peter Nicholls, “George Oppen and ‘That Primitive, Hegel'”

Christopher MacGowan, “Making It Free: Mitchell Goodman’s Radical Williams”

Charles Altieri, “Some Problems with Being Contemporary: Aging Critics, Younger Poets and New Century”

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SPRING, FALL and WINTER 2002

Special Issue
DEDICATED TO JAMES LAUGHLIN

Guest-edited by Emily Mitchell Wallace

CONTENTS

Note by the Guest Editor

Rodney Grove Dennis, “Poem: ‘The Other Second Canto'”

Tributes to James Laughlin

Tom Vitale, “National Public Radio Tribute, Friday, November 14, 1997”

“New Directions Tribute, The New York Times, Friday, November 14, 1977″

“New Directions Ceremony, Program in Memory of James Laughlin, Academy of Arts and Letters, Friday, January 9, 1998”

James Atlas, “Literature Is in the Details”

Joel Conarroe, “Just Dandy”

Anne Conover, “Jaz and the ‘George’ Poems”

Guy Davenport, “The Wittiest and Sexiest Poet of Our Time”

Lawrence Ferlinghetti, “Dissent Is Not UnAmerican”

Peggy L. Fox, “Norfolk Confetti: The Benevolent Tyranny of JL’s Little Notes”

Jonathan Galassi, “Notes from Mountain Road”

Donald Gallup, “Incredible Faithfulness”

Robert Giroux, “Callimachus on the Subway”

Peter Glassgold, “Beyond Myths & Astral Bodies: ND as Wuz”

David M. Gordon, “The Adaptor & Jas”

Theodora Rapp Graham, “Unexpected Gifts”

Daniel Hoffman, “Friendship, Pleasure, Wisdom”

Daniel Javitch, “O Tender, Small Self-Given Heroism”

Hugh Kenner, “Jas and Jasper”

L. R. Lind, “Poem: ‘JL / LRL'”

Christopher MacGowan, “JL’s Diplomatic Footwork”

Rebecca Newth, “J’s Gift of One of Aunt Leila’s Sheep”

Mary de Rachewiltz, “Bringing up Young Publishers”

Christa Sammons, “A Class Act”

Peter Dale Scott, “That gentle and Almost Timid Grace”

Gary Snyder, “Laughlin’s ‘Mahayana’ or ‘Big Open SPirit'”

Mary Ellen Solt, “‘Making a Love Poem’ Concrete”

Roger Eliot Stoddard, “The Harvardian”

Richard Taylor, “JL as Editor and Publisher: The Most Conscientious and Scrupulous Man I Have Ever Known”

John Updike, “Verve”

Rosmarie Waldrop, “Amazements”

Jonathan Williams, “An Abstemious Celt”

William Eric Williams, “For the Love of Poetry”

Hugh Witemeyer, “The Emperor’s Sunbelt Tour”

Biography

Hayden Carruth, “Five Selections from Beside the Shadblow Tree

Penelope Laurans Fitzgerald, “‘…And in the Bond Which Endured between Us’: Notes on the Friendship of James Laughlin and Robert Fitzgerald”

Samuel A. Streit, “‘Great Learning and Discernment’: JL as Adjunct professor and Chancellor’s Fellow at Brown”

Emily Mitchell Wallace, “‘A Bridge over Worlds’: A Partial portrait of James Laughlin IV Based on His Poems, Stories, Essays, Letters, and Interviews, Including Many Photographs”

New Directions Archives

Hayden Carruth, “Jas’ Little Magazines and Correspondence”

Terry Halladay, “Of Books and the Bear at Meadows House”

Leslie A. Morris, “‘Make It New’: James Laughlin & the Houghton Library”

Samuel A. Streit, “The Laughlin Collection in the John hay Library at Brown”

Patricia C. Willis, “‘Luz Y Verdad‘: J Laughlin and Yale”

Bibliography

John A. Harrison, “A Selective List of Published Writing, 1935-2002, by and about James Laughlin”

The Periplum

Ezra Pound, “‘Chinese Poetry: Prof. Mori’s Lectures,’ Recast by Pound from Fenollosa’s Notes, Transcribed and Annotated by Zhaoming Qian”

Zhaoming Qian, “An Afterword Concerning Pound’s 1935 Revisit to the Fenollosa Papers for an Edition of Mori’s Lectures on Chinese Poetry”

Richard Taylor, “Editing the Variorum Cantos: Process and Policy”

Demetres Tryphonopoulos, “James Laughlin’s ‘Visual-Couplet Metric'”

The Vortex

William McNaughton, “A Report on the 18th International Conference on Ezra Pound, Beijing, China, 16-19 July 1999”

Program of China Conference

Photographs of China Conference

Photographs of Some New Directions Authors

Patrizia de Rachewiltz, “Poem for Jas”

List of Complete Poems by James Laughlin in This Volume of Paideuma

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SPRING and FALL 1990

CONTENTS

The Periplum

Stephen Sicari, “History and Vision in Pound and Dante: A Purgatorial Poetics”

Peter Crisp, “Ezra Pound and the Li Xue”

Zhaoming Qian, “Translation or Invention: Three Cathay Poems Reconsidered”

Keith Tuma, “Ezra Pound, Progressive”

Ian F. A. Bell and Patricia A. Agar, “Romantic Modernisms: Early Pound and Late Keats”

The Explicator

Charles Timbrell, “Canto 80: EP, Rummel and the ‘Spoils of Finlandia'”

William Doreski, “Mauberley: The Single Voice”

David Roessel, “‘Or Perhaps Sulpicia’: Pound and a Roman Poetess”

Ellen Brinks, “On Pound’s Fourth Canto”

The Documentary

Todd H. Sammons, “A Periplum of Pound’s Pronouncements on John Milton”

James J. Wilhelm, “The Letters of William Brooke Smith to Ezra Pound”

Tyrus Miller, “Pound’s Economic Ideal: Silvio Gesell and The Cantos

Archie Henderson, “Pound Centennial Events: A Checklist”

Archie Henderson, “Pound Manuscripts and Letters in the United Kingdom and Ireland: Addenda to the Location Register

The Vortext

James J. Wilhelm, “Nancy Cunard: A Sometime Flame, a Stalwart Friend”

Yoshiko Kita, “Carroll F. Terrell in Japan”

Carroll F. Terrell, “The Land of Magic”

The Reviewer

Leon Surette (Robert Casillo, The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound)

George Kearns (Kathryne V. Lindberg, Reading Pound Reading: Modernism after Nietzsche)

Walter Baumann (Sanford Schwartz, The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought)

Michael Thomas Davis (Omar Pound and Robert Spoo, Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912)

James J. Wilhelm (Wendy Stallard Flory, The American Ezra Pound)

This cover image is of Yi Bang-un’s (1761-?) “Sa-In-Ahm,” courtesy of the Kookmin University Museum.

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