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Posts Tagged ‘The Cantos’

WINTER 2000

CONTENTS

The Periplum

James Wilson, “His own Skiffsman: Pound, China, & Cathay Revis[it]ed”

Line Henriksen, “Chiarosuro: Canto 36 and Donna Mi Prega

A. David Moody, “‘EP with Two Pronged Fork of Terror and Cajolery’: The Construction of His Anti-Semitism (up to 1939)”

John W. Maerhofer, Jr., “Towards an Esthetic of Translation: An Examination of Ezra Pound’s Translation Theory”

Bill Friend, “‘All Wandering as the Worst of Sinning’: Don Juan and The Cantos

Stephen Sicari, “Pound as Archeologist: Reconstructing Nature”

Anna Xiao Dong Sun, “The Man That Is Waiting: Remarks on Li Po’s ‘Chokan Shin’ and Pound’s ‘The River-Merchant’s Wife'”

Greg Barnhisel, “Ezra Pound, James Laughlin and New Directions: The Publisher as Spin Doctor”

Yoshika Kita, “Ezra Pound and Haiku: Why Did Imagists Hardly Mention Basho?”

Kevin Arthur Wong, “Blurring of Poet and Persona in Pound’s Hugh Selwyn Mauberly

Nicolas Z. Ambrus, “The White Light That is Allness: Ezra Pound’s Cantos on Love”

The Explicator

Anna Kventsel, “The Crystallization of Pound’s Canto LXXIV”

The Documentary

A. David Moody, “‘The Walk There Is Good Poetry’: The Missing Rochechouart Notebook of Pound’s 1912 Walking Tour”

The Obituary

Massimo Bacigalupo, “Vanni Scheiwiller, “Italian publisher of Ezra Pound”

The Reviewer

Wayne Pounds (Il Mare: Supplemento Letterario 1932-1933)

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FALL and WINTER 1999

CONTENTS

The Periplum

Colin McDowell, “Literalists of the Imagination: Pound, Occultism and the Critics”

Trevor Sawler, “Vis Naturae: The Nature of Nature in Selected Cantos”

Hiroko Uno, “Trees in the Poetry of Yeats and Pound”

Clare Cavanagh, “Modernist Church-Building: Pound, Khlebnikov, Mandelstam”

Miranda B. Hickman, “‘To Facilitate the Traffic’: (Or, ‘Damn Deluxe Edtns’): Ezra Pound’s Turn from the Deluxe”

Sam Prestridge, “The Movement toward Cathay: A Reconsideration of Pound’s Prosodic Evolution”

Hélène Aji, “The Ways of Oral Poetics: Poundian and Post-Poundian Traditions”

The Explicator

Ethan Lewis, “Grammaria Usurae: Representational Stratagems in Canto XLV”

The Vortex

Leon Surette, “Report on the 17th International Ezra Pound Conference, Brunnenburg, Tirolo di Merano, Italy, 12-15 July 1997”

Walter Baumann, “Photographs of 17th International Ezra Pound Conference”

The Reviewer

Leon Surette (Alec Marsh, Money and Modernity: Pound, Williams, and the Spirit of Jefferson)

Alec Marsh (Laurence Rainey, Institutions of Modernism: Literary Elites and Public Culture)

Greg Barnhisel (Pound/Cummings: The Correspondence of Ezra Pound and E. E. Cummings, ed. Barry Ahearn)

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SPRING 1999

CONTENTS

The Periplum

Daniel Tiffany, “Pound, Frobenius, and Jünger: The Spell of the World-Picture”

Alan Marshall, “Politics and Process”

Jonathan Ausubel, “Three Functions and Some Forgery: (Mis)uses of Visual Poetics in Pound’s Cantos

Jacqueline Kaye, “Pound and Heresy”

Ethan Lewis, “Imagist Technique in The Cantos

Tod Marshall, “‘Ten cats. Your Score: Verrrrrry Good’: An Ezra Pound Correspondence Course”

The Biographer

Tony Tremblay, “‘Boris Is Very Intelligent and “Simpatico” and Interested in Worthwhile Things’: The Association of Ezra Pound and Prince Boris de Rachewiltz”

The Reviewer

Alec Marsh (Leon Surette and Demetres P. Tryphonopoulos, eds., Literary Tradition and the Occult Tradition)

Britton Gildersleeve (Robert Kern, Orientalism, Modernism, and the Occult Poem)

Demetres P. Tryphonopoulos (Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams, ed. Hugh Witemeyer)

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FALL and WINTER 1998

CONTENTS

The Periplum

Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”

Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”

Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”

Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”

Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”

Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”

Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”

Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”

The Explicator

Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”

Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”

The Documentary

Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”

The Vortex

Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France'”

Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”

The Reviewer

Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)

Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)

Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)

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SPRING 1998

CONTENTS

The Periplum

Thomas F. Grieve, “Pound’s Other Homage: Hugh Selwyn Mauberly

Barry Edwards, “‘The Subtler Music’: Ezra Pound’s Prosody”

John Kelly, “‘A Dweller by Streams and Woodland’: The Influence of Emanuel Swedenborg in The Cantos

The Explicator

Wenxin Li, “The Li Po That Ezra Pound Knew”

H. Hilmy, “Dionysian Metamorphosis: A Reading of Canto II”

Sandra Meyer, “Hugh Selwyn Mauberly: The ‘Sculpture’ of Rhyme”

The Vortex

William McNaughton, “A Report on the 16th Biennial International Conference on Ezra Pound”

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FALL and WINTER 1997

Tributes to Carroll F. Terrell

Massimo Bacigalupo, “Ten for Terry”

Walter Baumann, “And Kung Smiled upon All of Them Equally (13/58)”

Mary de Rachewiltz, “For Carroll F. Terrell”

Photo Gallery

M. G. N. Dunlap, “On the Road with C. F. Terrell”

Burton Hatlen, “Carroll Terrell and Great American Poetry Wars”

Richard Hill, “Untitled”

Sanehide Kodama, “Professor Terrell’s One Summer Day in Maine”

James Laughlin, “Untitled”

Nancy MacKnight, “A Memory of Travels with Terry”

Colin McDowell, “Meeting Terry”

Petr Mikeš, “Carroll F. Terrell, a Real Character and a Real Great Mainer”

Marjorie Perloff, “Untitled”

Matt Sweney, “Letters from My Ginmill, Regarding Carroll F. Terrell”

Emily Mitchell Wallace, “A Maine Man of Grace”

James J. Wilhelm, “Tribute to Terry”

The Periplum

David Peters Corbett, “Make It New: Lawrence Binyon, Pound and Voritcism”

David Grubbs, “Pattern History: Ezra Pound and Vorticist Music”

Silvia Bigliazzi, “The Sound of Silence: Pound, Eliot, and the Image”

Omar Pound, “Canto LXXX: Lacock Abbey and the Charter of 1225”

James Laughlin, “Ezra”

Papers from the National Poetry Foundation
“American poetry in the 1950s” Conference,
Edited by Demetres P. Tryphonopoulos

Ellen Keck Stauder, “‘Crystal Waves Weaving Together’: Visual Notation and the Phrasal Music of the Rock-Drill Cantos

Brian M. Reed, “Ezra Pound’s Utopia of the Eye: The Chinese Characters in Rock-Drill

Michael Golston, “Inaudible Rhythms: Form in Ezra Pound’s Cantos of the Fifties”

William Cole, “Pound’s Web: Hypertext in the Rock-Drill Cantos

Patricia Cockram, “Hypertextuality and Pound’s Fascist Aesthetic”

Miranda B. Hickman, “Pamphlets and Blue China (OR ‘Cheap Books of GOOD Work’): Pound’s Preference for Plainness in the 1950s”

The Reviewer

Alec Marsh (“Dear Uncle George”: The Correspondence between Ezra Pound and Congressman Tinkham of Massachusetts)

Rita Severi (Massimo Bacigalupo, Licia Filingeri, Pietro Gaietto, James Laughlin, Martino Oberto, Ezra Pound, Mary de Rachewiltz, Pietro Gaietto: Conquanta Sculture sui Cantos di Ezra Pound / Fifty Sculptues on The Cantos of Ezra Pound)

Alec Marsh (Ezra Pound, Machine Art and Other Writings)

Christina Biélaszka-DuVernay (Evelyn Silber, Gaudier-Brzeska: Life and Art)

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SPRING 1997

CONTENTS

Dove Sta Memora

Desmond Egan, “Olga”

Angela Elliott, “Olga Saying ‘Ezra'”

James Laughlin, “Olga”

David Moody, “Olga Rudge: To Her Memory”

Jackson Morton, “Poem”

Massimo Bacigalupo, “Growing up Near Olga Rudge and Ezra Pound”

Anne Conover, “The Young Olga”

Thomas Cole, “Two Women of Trachis”

M. G. N. Dunlap, “A Memory”

Desmond Egan, “A Conversation between Olga Rudge and Desmond Egan”

Soichi Furuta, “Night Litany: Olga Et Al.”

David Gordon, “Untitled”

Peter Russell, “Obituary of Olga Rudge”

Richard Taylor, “Recollections of Olga Rudge”

James Wilhelm, “In the Haunt of the Priestess of the Hidden Nest”

Barbara Witemeyer, “Serendipity”

The Reviewer

Timothy Materer (Michael Coyle, Ezra Pound, Popular Genres, and the Discourse of Culture)

Philip Furia (Mary Ellen Gibson, Epic Reinvented: Ezra Pound and the Victorians)

Alec Marsh Giano Accame, Ezra Pound economista contro l’usura)

Reed Way Dasenbrock (Daniel Tiffany, Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound)

Donna K. Hollenberg (Timothy Findlay, The Trial of Ezra Pound)

Tony Tremblay (Bob Perelman, The Trouble with Genius: reading Pound, Joyce, Stein, and Zukofsky)

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