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Posts Tagged ‘T. C. Duncan Eaves’

FALL and WINTER 1983

CONTENTS

The Periplum

Donald Davie, “Adrian Stokes Revisited”

Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116”

Martin Kayman, “A Context for Hart’s ‘Complex'”

Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Light”

The Explicator

M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliope”

Timothy Materer, “H.D., Serenitas, and Canto CXIII”

Mohammed Shaheen, “Pound and Blunt: Homage for Apathy”

Michael Fournier, “Chauncey Alcot”

The Biographer

John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steele”

James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911”

Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversation”

Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920”

The Documentary

Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondence”

Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idaho”

Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modern”

Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos

The Vortex

Lionel Kelly, “Eighth International Pound Conference: Report”

T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)”

Archie Henderson, “Ezra Pound: Composer”

The Reviewer

Carroll F. Terrell (Ezra Pound: A Bibliography)

John C. Hirsch (Il Miglior Fabbro)

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WINTER 1982

CONTENTS

The Periplum

Donald Davie, “Res and Verba in Rock-Drill and After”

Max Nänny, “Ezra Pound and the Menippean Tradition”

Ben D. Kimpel and T. C. Duncan Eaves, “Pound’s Research for the Malatesta Cantos”

Mohammad Y. Shaheen, “The Story of Abd-el-Melik’s Money in Canto XCVI and XCVII”

Kay Davis, “Ring Composition, Subject Rhyme and Canto VI”

The Explicator

Walter Baumann, “Carleton, Paquin and Salzburg”

Ronald E. McFarland, “A Note on Monsieur Verog”

Ben D. Kimpel and T. C. Duncan Eaves, “Messire Uzzano in 1442”

Carroll F. Terrell, “Cabranez, the Mystery Man”

The Biographer

Robert Schultz, “A Detailed Chronology of Ezra Pound’s London Years, 1908-1920, Part One: 1908-1914”

Archie Henderson, “Pound’s Strelets Interview 91915)”

The Documentary

Jerry Voorhis, “The Mysteries of the Federal Reserve System”

E. J. R. Booth, “A Commentary on ‘The Mysteries of the Federal Reserve System’ by Jerry Voorhis”

Peter Davidson, “Giulio Romano at the Spring Marriage”

E. P. Walkiewicz, “Pound/Joyce: Dublin ’82”

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FALL 1982

CONTENTS

The Periplum

Sanehide Kodama, “Cathay and Fenollosa’s Notebooks”

Timothy Materer, “Doppelgänger: Ezra Pound in His Letters”

Kevin Oderman, “‘Cavalcanti’: That the Body Is Not Evil”

The Explicator

Ben D. Kimpel and T. C. Duncan Eaves, “How the Medici Went Bust”

Reno Odlin, “Dinklage”

Francis J. Bosha, “Pound’s References to Borah and Stalin in Canto 84”

Mohammad Y. Shaheen, “A Note on the Spelling of ‘Habdimlich’ for ‘Abd Al-Malik in The Cantos

The Documentary

Lee Bartlett and Hugh Witemeyer, “Ezra Pound and James Dickey: A Correspondence and a Kinship”

David Gordon, “Corpus Juris and Canto XCIV”

The Vortex

Brendan Jackson, “A Reluctant American: Ezra Pound’s Response to Whitman, Whistler and Henry James”

Margot Speight, “Dorothy Pound at Work”

The Reviewer

Michael King (H.D., HERmione)

Martin A. Kayman (Ian F. A. Bell, Critic as Scientist: The Modernist Poetics of Ezra Pound)

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SPRING 1979

CONTENTS

The Periplum

James A. Powell, “The Light of Vers Libre”

Sally M. Gall, “Pound and the Modern Melic tradition: Towards a Demystification of ‘Absolute Rhythm'”

The Explicator

Hugh Kenner, “A Note on CX/778”

Eva Hesse, “‘Kadzuk, Arachidi, Acero’ in Canto XCVII/683: A Matter of Coherence”

G. Schmidt, “A Note on Canto CX”

Eric Langumier, “Scarabs and Gold”

Angela P. Elliott, “Lucifer’s Fall in Pound’s Canto LXXIV”

The Biographer

Richard A. Cassell, “A Visit with E.P.”

Eveline Bates Doob, “Some Notes on E.P.”

The Documentary

Ben Kimpel and T. C. Duncan Eaves, “The Source of Canto L”

The Bibliographer

Hollis Sickles, “Annotated Checklist of Pound Criticism 1945-1951”

Natalie Harris, “New Pound Holdings at the Lilly library”

The Vortex

Burton Hatlen, “Stalin and/or Zukofsky: A Note”

E. A. B. Jenner, “‘Medallion’: Some Questions”

The Reviewer

Aldo Tagliaferri (Niccolo Zapponi, L’Italia di Ezra Pound)

Doris L. Eder (William Harmon, Time in Ezra Pound’s Work)

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SPRING and FALL 1978

CONTENTS

The Periplum

Forrest Read, “The Mathematical Symbolism of Ezra Pound’s Revolutionary Mind”

Akiko Miyake, “The Greek-Egyptian Mysteries in pound’s ‘The Little Review Calendar’ and in Cantos 1-7″

Andrew Clearfield, “Pound, Paris, and Dada”

Carroll F. Terrell, “Mag-Tsze, Thomas Taylor, and Madam ΤΛΗ”

Thomas Taylor, “The Eleusinian and Bacchic Mysteries”

The Explicator

Eva Hesse, “New Light on Old problems”

Franz H. Link, “Two Notes on the Early Poetry”

The Documentary

John J. Nolde, “The Sources for Canto LV”

Ben Kimpel and T. C. Duncan Eaves, “The Sources of the Leopoldine Cantos”

The Biographer

Virgil Geddes, “A Visit to Pound”

John P. Sullivan, “An Afternoon with Ezra”

The Bibliographer

Stephen Fender, “Work in the Progress in the United Kingdom”

The Vortex

Donald Davie, “Ezra Pound and the English”

Peter Schneeman, “Pound’s ‘Englischer Brief’: A Look toward Germany”

Wendy Flory and Jo Berryman, “Report on the MLA Special Session, 1977”

The Reviewer

Stephen Adams (Ezra Pound and Music, ed. Murray Schafer)

Sharon Mayer Libera (Ronald Bush, The Genesis of Ezra Pound’s Cantos)

Hugh Witemeyer (George Bornstein, The Postromantic Consciousness of Ezra Pound)

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WINTER 1977

CONTENTS

The Periplum

Douglas Thompson, “Pound and Brazilian Concretism”

Jo Brantley Berryman, “The Art of the Image”

M. L. Rosenthal, “Pound at His Best: Canto 47”

The Explicator

Akiko Miyake, “A Note on So-shu”

Franz H. Link, “A Note on Samothrace”

The Documentary

Ben Kimpel and T. C. Duncan Eaves, “Sources of Cantos XLII and XLIII”

Carroll F. Terrell, “A Couple of Documents”

The Biographer

Richard Sieburth, “Ideas into Action: Pound and Voltaire”

The Vortex

Diana Surman, “Report on EP Conference”

Mohammed Shaheen, “Pound in Arabic”

Burton N. Hatlen, “Report on Works in Progress”

The cover features the head of John Quincy Adams by Guy Davenport.

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