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Posts Tagged ‘Sylvan Esh’

FALL and WINTER 1998

CONTENTS

The Periplum

Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”

Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”

Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”

Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”

Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”

Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”

Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”

Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”

The Explicator

Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”

Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”

The Documentary

Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”

The Vortex

Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France'”

Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”

The Reviewer

Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)

Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)

Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)

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SPRING 1995

This Issue of Paideuma Is Dedicated to
Olga Rudge
on the Occasion of her 100th Birthday
April 13, 1995

CONTENTS

The Periplum

Anne Conover, “Her Name Was Courage: Olga Rudge, Pound’s Muse and the ‘Circe/Aphrodite’ of the Cantos”

Marisa Anne Pagnattaro, “The ‘Unwobbling Pivot’: Uncertainty and Process in The Pisan Cantos

Claudia Ingram, “Sharing Strategies with the Discourses of Authority: Ezra Pound and the Legal ‘Modernists'”

Yuet May Ching, “From Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound”

Colin McDowell, “Using the Dictionary: Wicket Gate and Wormwood”

The Explicator

Leslie Hatcher, “‘Circe’s This Craft’: The Active Female Principle in The Cantos

Evan R. Karachalios, “Sacrifice and Selectivity in Ezra Pound’s First Canto”

Cameron McWhirter and Ramsay Muhler, “Serious Character to Funny Man: Ezra Pound’s Brief Correspondence with Alexander Woollcott”

Sylvan Esh, “Paquin and Davila: Pulling Down Vanity in Canto 81”

The Reviewer

Ronald Bush (Variorum Edition of “Three Cantos”: A Prototype, ed. Richard Taylor)

Richard Taylor (Ezra Pound and James Laughlin, Selected Letters, ed. David M. Gordon)

Leszek Engelking (Ezra Pound, Chtel jsem napsat raj (vybor z dila), ed. Petr Mikeš; tr. Kamil Bednar, Jitka Herynkova, and Petr Mikeš; intr. Josef Jarab)

Demetres P. Tryphonopoulos (The Letters of Ezra Pound to Alice Corbin Henderson, ed. Ira B. Nadel)

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SPRING and FALL 1993

CONTENTS

The Periplum

A. Walton Litz and Omar Pound, “An Unpublished Poem of 1909”

Massimo Bacigalupo, “Pound Studies in Italy, 1991”

James Generoso, “I Reckon You Pass, Mr. Wuddwudd”

Archie Henderson, “Pound, the War, and ‘The Banquet’ (1916)”

Songpin Jin, “Fenollosa and ‘Hsiao Hsüeh’ Tradition”

Guiyou Huang, “Ezra Pound: (Mis)Translation and (Re-)Creation”

Christina DuVernay, “‘And Halo Projects from Incision’: Ezra Pound’s Deification of Henry Gaudier-Brzeska”

Sylvan Esh, “Pound and Jakobson: The Metaphorical Principle in The Cantos

The Reviewer

Ira B. Nadel (Ezra Pound’s Poetry and Prose, Contributions to Periodicals)

John C. Hirsch (Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce)

Demetres P. Tryphonopoulos (Ezra Pound: Drafts and Fragments of Cantos CX-CXX, tr. Charles Vlavianos)

Jo Ellen Green Kaiser (Scott Hamilton, Ezra Pound and the Symbolist Inheritance)

Philip Furia (Jerome McGann, Toward a Literature of Knowledge)

The Explicator

Omar Pound, “Canto 113: Tweddell, Men against Death and Paul de Kruif”

Donald Gallup, “Ezra Pound’s Experiment for Esquire)

Pamela E. Hurley, “Ezra Pound’s ‘Yeux Glauques'”

Hugh Witemeyer, “Oliver Wendell Holmes, William Dean Howells, and Ezra Pound’s ‘Apostolic Succession'”

Robert C. Merritt, Jr., “‘Witching Music’: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch”

Jee Young Lee, “Eating”

Patrick McGuiness, “A Note on ‘The Muses’ Diadem'”

Ursula Shioji, “‘Hokku-Like’ Elements in Canto IV”

John Espey, “‘Mihites in Pennsylvania’ (71/418)”

Éva Nagy, “Jónás, Pull down Your Vanity: The Artist’s Commitment as Seen by Ezra Pound and Mihály Babits”

Avril Horner, “The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill”

Ethan Lewis, “‘This Hulme Business’ Revisited, or Of Sequence and Simultaneity”

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SPRING and FALL 1992

CONTENTS

The Periplum

Walter Baumann, “Yeats and Ireland in The Cantos

Paul Skinner, “Pounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford”

Tim Dean, “How Long Is the Pound Era?”

Marinelle Ringer, “The Rhythmic Structure of Pound’s Canto IV”

Norman Wacker, “The Subject Repositioned / The Subject Repossessed: Authority and the Ethos of Performance in The Pisan Cantos

Steven Yao, “‘And With You Especially, There Was Nothing at Cross-Purpose’: Pound’s Treatment of Women in Cathay

Maria Luisa Ardizzione, “Pound’s Language in Rock-Drill, Two Theses for a Genealogy”

The Explicator

Elizabeth Bruce, “Empedocles’s Golden Age of Aphrodite in Pound’s Later Cantos”

K. Narayana Chandran, “Ezra Pound’s ‘Meitatio’: Two Notes”

Songping Jin, “‘The Coral Face,’ ‘The Tree of the Visages’ and the Cherry Tree”

Sylvan Esh, “‘In a Station’: Provence, London”

Jyan-Lung Lin, “Pound’s ‘In a station of the Metro’ as a Yugen Haiku”

Richard R. O’Keefe, “Impingement: The End of Pound’s Canto LXXX

David Gordon, “The Golden Caesura (2)”

Documentary

Lawrence S. Rainey, “A Poem Including History [facsimile reprint]”

Ira B. Nadel, “The Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October-22 December 1989”

Sebastian D. G. Knowles, “Ezra Pound to Alice Steiner Amdur, 23 January 1937”

Archie Henderson, “Addenda to ‘Pound Centennial Events: A Checklist'”

The Reviewer

Laura Cowan (James Longenbach, Stone Cottage: Pound, Yeats, and Modernism)

Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.

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