Feeds:
Posts
Comments

Posts Tagged ‘Robert Kibler’

2007-2009

(publication date 2010)

CONTENTS

Preface

Essays

Robert Stark, “‘Toils Obscure An’ A’ That’: Romantic and Celtic Influences in ‘Hilda’s Book’”

Sean Pryor, “Particularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos”

Sarah Barnsley, “‘Sand Is the Beginning and the End / of Our Dominion’: Mary Barnard, H.D. and Imagism”

Aimee Pozorski, “Traumatic Survival and the Loss of a Child: Reznikoff’s Holocaust Revisited”

Patrick Barron, “Unmasked Representations of Space in Edward Dorn’s ‘The Land Below’ and ‘Idaho Out’”

Andrea Brady, “Making Use of This Pain: The John Wieners Archives”

Kaplan Harris, “Gender Performance, Performance Enhancement, and Poetry: Reading Ted Berrigan After Viagra”

Tony Brinkley and Joesph Arsenault, “‘This is where the serpent lives’: Wordsworthian Poetics and Contemporary American Poetry”

Reviews

Ronald Bush (Ezra Pound: Canti postumi, a cura di Massimo Bacigalupo)

Robert Kibler (Ernest Fenollosa and Ezra Pound’s The Chinese Written Character as a Medium for Poetry, A Critical Edition, ed. Haun Saussy, Jonathan Stalling, and Lucas Klein)

Mariacrstina Natalia Bertoli (Ezra Pound, Language and Persona, ed. Massimo Bacigalupo and William Pratt)

Joseph Conte (Anne Day Dewey, Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry)

Justin Parks (Peter Nicholls, George Oppen and the Fate of Modernism)

Lara Vetter (Mark S. Morrisson, Modern Alchemy: Occultism and the Emergence of Atomic Theory)

In Memoriam

Paul Montgomery, 1936-2008 by Massimo Bacigalupo

Giano Accame, 1928-2009 by Massimo Bacigalupo

G. Singh, 1926-2009 by Massimo Bacigaluopo

Omar Pound, 1926-2010 by Tim Redman

Cover: William Aikman, Allan Ramsay. Courtesy Scottish National Portrait Gallery. The website of the National Galleries of Scotland includes the following caption beside this portrait:

Allan Ramsay began his career in Edinburgh as a wigmaker; he went on to become a bookseller, successful poet and an important member of Edinburgh’s literary and artistic circles. He was a close friend of the artist, William Aikman, and this portrait was owned by another friend, Sir John Clerk of Penicuik. Clerk wrote on the back of the canvas, imitating Ramsay’s verse: “Here painted on this canvas clout by Aikman’s hand is Ramsay’s snout.”

Advertisements

Read Full Post »

FALL and WINTER 1998

CONTENTS

The Periplum

Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”

Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”

Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”

Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”

Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”

Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”

Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”

Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”

The Explicator

Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”

Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”

The Documentary

Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”

The Vortex

Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France'”

Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”

The Reviewer

Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)

Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)

Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)

Read Full Post »