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Posts Tagged ‘Reno Odlin’

FALL 1982

CONTENTS

The Periplum

Sanehide Kodama, “Cathay and Fenollosa’s Notebooks”

Timothy Materer, “Doppelgänger: Ezra Pound in His Letters”

Kevin Oderman, “‘Cavalcanti’: That the Body Is Not Evil”

The Explicator

Ben D. Kimpel and T. C. Duncan Eaves, “How the Medici Went Bust”

Reno Odlin, “Dinklage”

Francis J. Bosha, “Pound’s References to Borah and Stalin in Canto 84”

Mohammad Y. Shaheen, “A Note on the Spelling of ‘Habdimlich’ for ‘Abd Al-Malik in The Cantos

The Documentary

Lee Bartlett and Hugh Witemeyer, “Ezra Pound and James Dickey: A Correspondence and a Kinship”

David Gordon, “Corpus Juris and Canto XCIV”

The Vortex

Brendan Jackson, “A Reluctant American: Ezra Pound’s Response to Whitman, Whistler and Henry James”

Margot Speight, “Dorothy Pound at Work”

The Reviewer

Michael King (H.D., HERmione)

Martin A. Kayman (Ian F. A. Bell, Critic as Scientist: The Modernist Poetics of Ezra Pound)

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FALL 1977

CONTENTS

The Periplum

Sanehide Kodama, “The Eight Scenes of Sho-Sho”

William McNaughton, “A Note on Main Form in The Cantos

The Explicator

Wendy Stallard Flory, “Pound’s Blake and Blake’s Dante”

B. K. Martin, “Ezra Pound and T. E. Lawrence”

Timothy Materer, “Pound’s Vortex”

Robert Hunting, “A Woodnote Wild”

Reno Odlin, “Kati and Antef”

The Documentary

Carroll F. Terrell, “Canto XXXIV: The Technique of Montage”

The Biographer

Felice Chilanti, “Ezra Pound Among the Seditious in the 1940s, translated by David Anderson”

The Reviewer

David M. Gordon (James J. Wilhelm, The Later Cantos of Ezra Pound)

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The cover is from Praeludium et Fuga in h by Johann Sebastian Bach.

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