Feeds:
Posts
Comments

Posts Tagged ‘Petr Mikeš’

2016

CONTENTS

Documentary

Alison Fraser, “Helen Adam’s Cat Collages”

Jonathan Mayhew, “Footnotes to Apocryphal Lorca

Benjamin Friedlander, introduction to John Clarke’s notes to Charles Olson’s Buffalo seminars

John Clarke, “The 28 Phases of Charles Olson” and “The Archeology of Morning: Causal and Applied” (1965)

Essays

J. P. Craig, “For Keeps: H. D. and the Negativity of The Gift

Matthew Gibson, “‘No Room for the Root-Clutch’: Influence and Echoes from T. S. Eliot’s The Waste Land in Ezra Pound’s ‘Eighth Canto’ (1922) and It Preliminary Typescript Drafts”

Zhaoming Qian, “Why Is Canto 49 Called the ‘Seven Lakes Canto’?”

Michael Kindellan, “‘I Have Always Loathed Reading’: Ezra Pound’s Late Cantos”

Departments

Matthew Sweney, “In Memoriam: Petr Mikeš”

Notes on Contributors

Cover: Collage by Helen Adam

Paideuma-43_0001

 

Paideuma-43_0002.jpg

Read Full Post »

FALL and WINTER 1997

Tributes to Carroll F. Terrell

Massimo Bacigalupo, “Ten for Terry”

Walter Baumann, “And Kung Smiled upon All of Them Equally (13/58)”

Mary de Rachewiltz, “For Carroll F. Terrell”

Photo Gallery

M. G. N. Dunlap, “On the Road with C. F. Terrell”

Burton Hatlen, “Carroll Terrell and Great American Poetry Wars”

Richard Hill, “Untitled”

Sanehide Kodama, “Professor Terrell’s One Summer Day in Maine”

James Laughlin, “Untitled”

Nancy MacKnight, “A Memory of Travels with Terry”

Colin McDowell, “Meeting Terry”

Petr Mikeš, “Carroll F. Terrell, a Real Character and a Real Great Mainer”

Marjorie Perloff, “Untitled”

Matt Sweney, “Letters from My Ginmill, Regarding Carroll F. Terrell”

Emily Mitchell Wallace, “A Maine Man of Grace”

James J. Wilhelm, “Tribute to Terry”

The Periplum

David Peters Corbett, “Make It New: Lawrence Binyon, Pound and Voritcism”

David Grubbs, “Pattern History: Ezra Pound and Vorticist Music”

Silvia Bigliazzi, “The Sound of Silence: Pound, Eliot, and the Image”

Omar Pound, “Canto LXXX: Lacock Abbey and the Charter of 1225”

James Laughlin, “Ezra”

Papers from the National Poetry Foundation
“American poetry in the 1950s” Conference,
Edited by Demetres P. Tryphonopoulos

Ellen Keck Stauder, “‘Crystal Waves Weaving Together’: Visual Notation and the Phrasal Music of the Rock-Drill Cantos

Brian M. Reed, “Ezra Pound’s Utopia of the Eye: The Chinese Characters in Rock-Drill

Michael Golston, “Inaudible Rhythms: Form in Ezra Pound’s Cantos of the Fifties”

William Cole, “Pound’s Web: Hypertext in the Rock-Drill Cantos

Patricia Cockram, “Hypertextuality and Pound’s Fascist Aesthetic”

Miranda B. Hickman, “Pamphlets and Blue China (OR ‘Cheap Books of GOOD Work’): Pound’s Preference for Plainness in the 1950s”

The Reviewer

Alec Marsh (“Dear Uncle George”: The Correspondence between Ezra Pound and Congressman Tinkham of Massachusetts)

Rita Severi (Massimo Bacigalupo, Licia Filingeri, Pietro Gaietto, James Laughlin, Martino Oberto, Ezra Pound, Mary de Rachewiltz, Pietro Gaietto: Conquanta Sculture sui Cantos di Ezra Pound / Fifty Sculptues on The Cantos of Ezra Pound)

Alec Marsh (Ezra Pound, Machine Art and Other Writings)

Christina Biélaszka-DuVernay (Evelyn Silber, Gaudier-Brzeska: Life and Art)

Read Full Post »

SPRING 1995

This Issue of Paideuma Is Dedicated to
Olga Rudge
on the Occasion of her 100th Birthday
April 13, 1995

CONTENTS

The Periplum

Anne Conover, “Her Name Was Courage: Olga Rudge, Pound’s Muse and the ‘Circe/Aphrodite’ of the Cantos”

Marisa Anne Pagnattaro, “The ‘Unwobbling Pivot’: Uncertainty and Process in The Pisan Cantos

Claudia Ingram, “Sharing Strategies with the Discourses of Authority: Ezra Pound and the Legal ‘Modernists'”

Yuet May Ching, “From Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound”

Colin McDowell, “Using the Dictionary: Wicket Gate and Wormwood”

The Explicator

Leslie Hatcher, “‘Circe’s This Craft’: The Active Female Principle in The Cantos

Evan R. Karachalios, “Sacrifice and Selectivity in Ezra Pound’s First Canto”

Cameron McWhirter and Ramsay Muhler, “Serious Character to Funny Man: Ezra Pound’s Brief Correspondence with Alexander Woollcott”

Sylvan Esh, “Paquin and Davila: Pulling Down Vanity in Canto 81”

The Reviewer

Ronald Bush (Variorum Edition of “Three Cantos”: A Prototype, ed. Richard Taylor)

Richard Taylor (Ezra Pound and James Laughlin, Selected Letters, ed. David M. Gordon)

Leszek Engelking (Ezra Pound, Chtel jsem napsat raj (vybor z dila), ed. Petr Mikeš; tr. Kamil Bednar, Jitka Herynkova, and Petr Mikeš; intr. Josef Jarab)

Demetres P. Tryphonopoulos (The Letters of Ezra Pound to Alice Corbin Henderson, ed. Ira B. Nadel)

Read Full Post »

WINTER 1991

CONTENTS

The Periplum

Demetres Tryphonopoulos, “Ezra Pound and Emaneul Swedenborg”

Leon Surette, “Yeats, Pound, and Nietzsche”

Andrzej Sosnowski, “Pound’s Imagism and Emanuel Swedenborg”

Stephen Sicari, “Poetry and Politics in Pound and Yeats”

Vern L. Lindquist, “Joycean Epiphany in Pound’s Cantos

The Explicator

Ethan Lewis, “The ABC of Ending: Pound’s ‘Addendum for C'”

Archie Henderson, “Pound, Ford, and George Antheil”

Archie Henderson, “A Laugh from the Saturday Review of Literature

Ward Swinson and Carol H. Cantrell, “The China-Adams Cantos Again: What Kind of Textbook?”

The Vortex

Peggy L. Fox, “Copyright for Scholars”

William McNaughton, “A Report on the 14th Biennial International Conference on Ezra Pound, Tirolo, Italy: July 16-18, 1991”

Helen V. Emmitt, “Report on the 14th International Ezra Pound Conference

Photographs by Walter Baumann

The Reviewer

Petr Mikeš (Ezra Pound, Selected Poems)

Candace Uhlmeyer (Elektra: A Play by Ezra Pound and Rudd Fleming, ed. and ann. Richard Reid)

Read Full Post »

SPRING and FALL 1989

CONTENTS

The Periplum

Demetres P. Tryphonopoulos, “The Cantos as Palingenesis”

Philip J. Burns, “‘Dear Uncle George’: The Pound-Tinkham Letters”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

William Bohn, “Thoughts that Join Like Spokes: Pound’s Image of Apollinaire”

Stephen J. Adams, “Irony and Common Sense: The Genre of Mauberley

Rodney Symington, “‘Five Years I Wrote to You…’: An Unknown Correspondent of Ezra Pound”

The Explicator

Paul Douglass, “Modernism and Science: The Case of Pound’s ABC of Reading

David Gordon, “Pound’s Chinese: A Dead Language?”

David Gordon, “LXIX’s ‘Kei…. Kai’ and Fang’s P.S.”

Ezra Pound (Presented by Timothy Materer), “On America and World War I”

Carroll F. Terrell, “Canto Thirty-Six, from Dark and Light

David Roessel, “Pound, Lawrence, and ‘The Earthly Paradise'”

Mary Cheadle, “Defining Ode 65 in ‘Relation to Life'”

Leszek Engelsking, Petr Mikeš, and Andrzej Sosnowski, “Eliot and Pound in Lesko, Poland”

The Reviewer

Robert Spoo (C. K. Stead, Pound, Yeats, Eliot and the Modernist Movement)

Thomas H. Jackson (James Longenbach, Modernist Poetics of History: Pound, Eliot, and the Sense of the Past)

This cover image is titled “Ezra Pound da Montin.” The painting is by Rinaldo Frank-Burattin.


Read Full Post »

WINTER 1987

CONTENTS

The Periplum

Marjorie Perloff, “Fascism, Anti-Semitism, Isolationism: Contextualizing the ‘Case of EP'”

William McNaughton, “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn”

Thomas Cole, “Ezra Pound and Imagi

Robert McMahon, “Homer/Pound’s Odysseus and Virgil/Ovid/Dante’s Ulysses: Pound’s First Canto and the Commedia

The Explicator

Archie Henderson, “More on James Douglas Peck”

Archie Henderson, “A Further Note on ‘The Return'”

Mohammad Shaheen, “Pound and Itrat-Husain”

Bruce Fogelman, “Beddoes in the Sea Surge, or a Glimpse of The Cantos in 1908″

David Gordon, “A Rayogram M. 7306 YAO4

Documentary

Carrie N. Edlund, “Picabia’s Ply over Ply”

Petr Mikeš, “Ezra Pound in Czechoslovakia”

J. Ellen Gainor, “Elektra by Ezra Pound, The Classic Stage Company, November 1-29, 1987″

The Reviewer

Philip Furia (William Cookson, A Guide to the Cantos of Ezra Pound; Christine Froula, A Guide to Ezra Pound’s Selected Poems)

John Tucker (Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting)

Donald Gallup (Christine Froula, To Write Paradise: Style and Error in Pound’s Cantos)

This cover image shows the Apostle Paul on the wall of Galla Placidia’s Mausoleum. See cantos 76/455 and 110/780.


Read Full Post »

SPRING and FALL 1987

CONTENTS

The Periplum

Edith Sarra, “Whistling in the Bughouse: Notes on the Process of Pound’s Confucian Odes”

Ann Massa, “Ezra Pound to Harriet Monroe: Two Unpublished Letters”

Bruce Fogelman, “Pound’s ‘Cathay’: A Structural Model for The Cantos

Thomas Willard, “John Heydon’s Visions: ‘Pretty’ or ‘Polluted’?”

The Explicator

Jaime Garcia Terres, “Clock of Athens”

Barry Ahearn, “An Early Schema for The Cantos

Omar S. Pound, “Canto 77: ‘Rebel Rose'”

Petr Mikeš, “The Pound Number of Literature Na Swiecie

The Bibliographer

Joseph Brogunier, “An Annotated Bibliography of Works about Ezra Pound: 1980-1984”

The Reviewer

Ron Thomas (Ezra Pound Among the Poets, ed. George Bornstein)

John C. Hirsh (Ron Thomas, The Latin Masks of Ezra Pound)

This vivacious lithograph of Ezra Pound was done by George Biddle in Rome in 1932. It was loaned to us by Quentin Keynes. From Biddle’s diary entry of July 23, 1948: “I first met Pound in Paris in 1924… When I next met him in Rome in 1932…I did a lithograph of him at his hotel, drawing directly on the stone…

Read Full Post »