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Posts Tagged ‘Patricia Cockram’

WINTER 2006
(publication date 2009)

CONTENTS

Poetics Forum

Barrett Watten, “Faultlines in Poetics: Culture / Politics / Economics / Generation”

Maria Damon, “Two Modernist Precursors in Cultural Studies and Poetics: (How) Can They Help Us Now?”

George Hartley, “Under the Sign of Paideuma: Scary Ideograms & The New Fascisms”

Joel Nickels, “The Art of Interruption: William Carlos Williams and New Materialist Poetics”

Sarah Ruddy, “‘Bad Timing’ and Language Poetry in Benjamin Friedlander’s Simulcast

Essays

Morgan Myers, “Ezra Pound Me Fecit: Memorial Object and Autonomous Poem in The Cantos

Steve Pinkerton, “Profaning the Communion Table: Mina Loy and the Modernist Poetics of Blasphemy”

Bruce Holsapple, “On Whalen’s Use of Voice”

Reviews

Jane Augustine (Analyzing Freud: The Letters of H.D., Bryher and Their Circle, ed. Susan Stanford Friedman; and Rachel Connor, H.D. and the Image)

Richard L. Blevins (Michael Heller, Uncertain Poetries)

Patricia Cockram (Ira B. Nadel, Ezra Pound: A Literary Life; and Ezra Pound, Early Writings: Poems and Prose, ed. Ira B. Nadel)

Leon Surette (Mary de Rachewiltz, Ezra Pound, Father and Teacher: Discretions; and Ezra Pound, The Spirit of Romance)

The cover features a handwritten page from The Collected Poems of Philip Whalen (Wesleyan UP, 2007).

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SPRING and FALL 2006
(publication date 2008)

CONTENTS

Essays

George Bornstein, “What Does a Collected Edition Collect? Mapping Modernist Poetry”

Carla Billitteri, “The Passion of Becoming an Object”

Thomas Day, “‘A Broken Coriolanus’: Poetics, Politics, and Self-Surrender”

Enikő Bollobás, “Canon Politics and Experimental Writing: The Example of L’Encre Sympathique of Robert Duncan’s H.D. Book

Donna Krolik Hollenberg, “‘The Deeper Unsatisfied War’: Robert Duncan’s Poems for H.D.”

Catherine A. Rogers, “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision

Richard A. Iadonisi, “Amy Lowell and the Gendered Aesthetics of Haiku”

Patricia Cockram, “Tard, Très Tard: Ezra Pound and France”

Zhaoming Qian, “Ezra Pound and His First Chinese Contact for and against Confucianism”

J. Mark Smith, “The Sign of the Translators: I. A. Richards, Ezra Pound, and ‘Debabelization'”

Mark McMorris, “Zukofsky’s Bilingual Catullus: Theoretical Articulations”

Reviews

Stephen J. Adams (Cavalcanti: A Perspective on the Music of Ezra Pound, ed. Robert Hughes and Margaret Fisher; and Margaret Fisher, Ezra Pound’s Radio Operas)

Bernard Dew (The Ezra Pound Encyclopedia, ed. Demetres Tryphonopoulos and Stephen J. Adams)

Timothy Materer (Miranda B. Hickman, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H. D., and Yeats)

Lesley Wheeler (Cristanne Miller, Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler: Gender and Literary Community in New York and Berlin; and Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks,” ed. Linda Leavell, Cristanne Miller, and Robin G. Schulze)

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FALL and WINTER 1997

Tributes to Carroll F. Terrell

Massimo Bacigalupo, “Ten for Terry”

Walter Baumann, “And Kung Smiled upon All of Them Equally (13/58)”

Mary de Rachewiltz, “For Carroll F. Terrell”

Photo Gallery

M. G. N. Dunlap, “On the Road with C. F. Terrell”

Burton Hatlen, “Carroll Terrell and Great American Poetry Wars”

Richard Hill, “Untitled”

Sanehide Kodama, “Professor Terrell’s One Summer Day in Maine”

James Laughlin, “Untitled”

Nancy MacKnight, “A Memory of Travels with Terry”

Colin McDowell, “Meeting Terry”

Petr Mikeš, “Carroll F. Terrell, a Real Character and a Real Great Mainer”

Marjorie Perloff, “Untitled”

Matt Sweney, “Letters from My Ginmill, Regarding Carroll F. Terrell”

Emily Mitchell Wallace, “A Maine Man of Grace”

James J. Wilhelm, “Tribute to Terry”

The Periplum

David Peters Corbett, “Make It New: Lawrence Binyon, Pound and Voritcism”

David Grubbs, “Pattern History: Ezra Pound and Vorticist Music”

Silvia Bigliazzi, “The Sound of Silence: Pound, Eliot, and the Image”

Omar Pound, “Canto LXXX: Lacock Abbey and the Charter of 1225”

James Laughlin, “Ezra”

Papers from the National Poetry Foundation
“American poetry in the 1950s” Conference,
Edited by Demetres P. Tryphonopoulos

Ellen Keck Stauder, “‘Crystal Waves Weaving Together’: Visual Notation and the Phrasal Music of the Rock-Drill Cantos

Brian M. Reed, “Ezra Pound’s Utopia of the Eye: The Chinese Characters in Rock-Drill

Michael Golston, “Inaudible Rhythms: Form in Ezra Pound’s Cantos of the Fifties”

William Cole, “Pound’s Web: Hypertext in the Rock-Drill Cantos

Patricia Cockram, “Hypertextuality and Pound’s Fascist Aesthetic”

Miranda B. Hickman, “Pamphlets and Blue China (OR ‘Cheap Books of GOOD Work’): Pound’s Preference for Plainness in the 1950s”

The Reviewer

Alec Marsh (“Dear Uncle George”: The Correspondence between Ezra Pound and Congressman Tinkham of Massachusetts)

Rita Severi (Massimo Bacigalupo, Licia Filingeri, Pietro Gaietto, James Laughlin, Martino Oberto, Ezra Pound, Mary de Rachewiltz, Pietro Gaietto: Conquanta Sculture sui Cantos di Ezra Pound / Fifty Sculptues on The Cantos of Ezra Pound)

Alec Marsh (Ezra Pound, Machine Art and Other Writings)

Christina Biélaszka-DuVernay (Evelyn Silber, Gaudier-Brzeska: Life and Art)

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