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Posts Tagged ‘Nicolas Z. Ambrus’

WINTER 2000

CONTENTS

The Periplum

James Wilson, “His own Skiffsman: Pound, China, & Cathay Revis[it]ed”

Line Henriksen, “Chiarosuro: Canto 36 and Donna Mi Prega

A. David Moody, “‘EP with Two Pronged Fork of Terror and Cajolery’: The Construction of His Anti-Semitism (up to 1939)”

John W. Maerhofer, Jr., “Towards an Esthetic of Translation: An Examination of Ezra Pound’s Translation Theory”

Bill Friend, “‘All Wandering as the Worst of Sinning’: Don Juan and The Cantos

Stephen Sicari, “Pound as Archeologist: Reconstructing Nature”

Anna Xiao Dong Sun, “The Man That Is Waiting: Remarks on Li Po’s ‘Chokan Shin’ and Pound’s ‘The River-Merchant’s Wife'”

Greg Barnhisel, “Ezra Pound, James Laughlin and New Directions: The Publisher as Spin Doctor”

Yoshika Kita, “Ezra Pound and Haiku: Why Did Imagists Hardly Mention Basho?”

Kevin Arthur Wong, “Blurring of Poet and Persona in Pound’s Hugh Selwyn Mauberly

Nicolas Z. Ambrus, “The White Light That is Allness: Ezra Pound’s Cantos on Love”

The Explicator

Anna Kventsel, “The Crystallization of Pound’s Canto LXXIV”

The Documentary

A. David Moody, “‘The Walk There Is Good Poetry’: The Missing Rochechouart Notebook of Pound’s 1912 Walking Tour”

The Obituary

Massimo Bacigalupo, “Vanni Scheiwiller, “Italian publisher of Ezra Pound”

The Reviewer

Wayne Pounds (Il Mare: Supplemento Letterario 1932-1933)

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SPRING 1988

CONTENTS

The Periplum

Michael Coyle, “‘A Profounder Didacticism’: Ruskin, Orage and Pound’s Reception of Social Credit”

Brian Arkins, “Pound’s Propertius: What Kind of Homage?”

Ellen Keck Stauder, “Towards a Grammar of Relationships: The Rhetoric of Music in Pound and Rousseau”

Paul Skinner, “Of Owls and Waterspouts”

Edward H. Baker, “Historical Mediation in Two Translations of Ezra Pound”

Todd H. Sammons, “A Note on the Milton Criticism of Ezra Pound and T. S. Eliot”

The Explicator

Nicolas Z. Ambrus, “To the Unwobbling Pivot”

David Roessel, “‘Near Perigord’ and a Mycenaean Trade War”

György Novák, “A Note on ‘Syria’ in C74/432”

Documentary

Chang Yao-Xin, “Pound’s Chinese Translations”

Mohammad Shaheen, “Pound’s Transmission of Ittisal in Canto 76″

Marius Buning, “Ezra Pound in the Lowlands”

The cover image is titled “Usura,” by Robert LaVigne. It was done in 1985 during the height of the Ethiopian famine and drought, hence the poignancy of the fan-bearer. The print is provided by Steven Chandler of Seattle.


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