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SPRING and FALL 2000

Special Issue
EZRA POUND AND AFRICAN AMERICAN MODERNISM
Guest edited by Michael Coyle

CONTENTS

Michael Coyle, “Introduction”

Pound and the Poets of African American Modernism

Kathryne V. Lindberg, “Rebels to the Right/Revolution to the Left: Ezra Pound and Claude McKay in ‘The Syndicalist Year’ of 1912”

Jonathan Gill, “Ezra Pound and Langston Hughes: The ABC of Po’try”

C. K. Doreski, “Reading Tolson Reading Pound: National Authority National Narrative”

Reed Way Dasenbrock, “Why the Post in Post-Colonial Is Not the Post in Post-Modern: Homer, Dante, Pound, Walcott”

African American Presences in Pound’s Work

Alec Marsh, “Letting the Black Cat out of the Bag: A Rejected Instance of ‘American-Africanism’ in Pound’s Cantos

Aldon Lynn Nielsen, “Ezra Pound and ‘The Best-Known Colored Man in the United States”

Burton Hatlen, “Ezra Pound, New Masses, and the Cultural Politics of Race circa 1930″

Kevin Young, “Visiting St. Elizabeth’s: Ezra Pound, Impersonation, and the Mask of the Modern Poet”

Primary Materials

David Roessel, “‘A Racial Act’: The Letters of Langston Hughes and Ezra Pound”

Reviews on African American Modernism

Mary Ann Calo, “Review Essay on Modernism, Visual Culture and the Harlem Renaissance”

Kevin J. H. Dettmar (Michael North, The Dialect of Modernism: Race, Language, and the Twentieth-Century Literature)

Review on Pound

Alec Marsh (The Cambridge Companion to Ezra Pound, ed. Ira Nadel)

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FALL and WINTER 1995

This Issue of Paideuma Has Been Guest-Edited
by Tim Redman and Vincent Sherry

CONTENTS

Dannah Edwards, “Report on the 1994 National Endowment for the Humanities Summer Seminar ‘Ezra Pound and His Contemporaries'”

Alma Bennett, “Pound and the Malatestan Territory: A 1994 Update”

Vance Crummett, “‘F.B. and I Are of One Party’: Pound’s Reading of Bacon’s Novum Organum

Dannah Edwards, “Addendum to the Preliminary Ctaalog of Ezra Pound’s Library”

Albert Glover, “Evolution in Ezra Pound’s Poetics of History and Charles Olson’s Special View

Will Wells, “Pound and Ungaretti: A Resonating Silence”

Melita Schaum, “The Grammar of the Visual: Alvin Langdon Coburn, Ezra Pound, and the Eastern Aesthetic in Early Modernist Photography and Poetry”

Burton Hatlen, “The Imagist Poetics of H.D.’s Sea Garden

Michael Patrick Gillespie, “The Legacy of 1914: Pound, Lewis, Eliot, and the Composition of Finnegans Wake

Robert Gingher, “Pound/Lawrence: A Re-Evaluation”

Alec Marsh, “Thaddeus Coleman Pound’s ‘Newspaper Scrapbook’ as a Source for the Cantos”

Ellen Keck Stauder, “Beyond the Synopsis of Vision: The Conception of Art in Ezra Pound and Mina Loy”

The Review

Gail McDonald (J. J. Wilhelm, Ezra Pound/The Tragic Years, 1925-1972)

Michael Coyle (Cary Wolfe, The Limits of American literary Ideology in Pound and Emerson)

Reed Way Dasenbrock (Modernism/Modernity)

Robert Spoo (Michael North, The Political Aesthetic of Yeats, Eliot, and Pound)

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