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Posts Tagged ‘Max Nänny’

FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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FALL 1984

CONTENTS

The Periplum

Colin McDowell, “‘As Towards a Bridge Over Worlds’: The Way of the Soul in The Cantos

John Cayley, “Ch’eng, or Sincerity”

Hwa Yol Jung, “Misreading the Ideogram: From Fenollosa to Derrida and McLuhan”

Peter Faulkner, “Pound and the Pre-Raphaelites”

The Explicator

Peter D’Epiro, “Whose Vanity Must Be Pulled Down?”

Kevin Oderman, “Of Vision, Tennis Courts, and Glands”

David M. Gordon, “Note on an Ideogram”

Max Nänny, “More Menippus than Calliope: A Reply

The Biographer

Archie Henderson, “Pound’s Contributions to L’Art Libre (1920)”

Jeffrey Meyers, “New Light on Iris Barry”

Lorne A. Reznowski, “The ‘Chesterbelloc’ and Ezra Pound”

The Reviewer

James J. Wilhelm (David Anderson, Pound’s Cavalcanti: An Edition of the Translations)

Joseph Brogunier (Peter D’Epiro, A Touch of Rhetoric: Ezra Pound’s Malatesta Cantos)

James Generoso (Mary De Rachewiltz, Italian Translation of Cantos I-XXX)

The cover of this issue was taken from a Japanese fan provided by Akiko Miyake.

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WINTER 1982

CONTENTS

The Periplum

Donald Davie, “Res and Verba in Rock-Drill and After”

Max Nänny, “Ezra Pound and the Menippean Tradition”

Ben D. Kimpel and T. C. Duncan Eaves, “Pound’s Research for the Malatesta Cantos”

Mohammad Y. Shaheen, “The Story of Abd-el-Melik’s Money in Canto XCVI and XCVII”

Kay Davis, “Ring Composition, Subject Rhyme and Canto VI”

The Explicator

Walter Baumann, “Carleton, Paquin and Salzburg”

Ronald E. McFarland, “A Note on Monsieur Verog”

Ben D. Kimpel and T. C. Duncan Eaves, “Messire Uzzano in 1442”

Carroll F. Terrell, “Cabranez, the Mystery Man”

The Biographer

Robert Schultz, “A Detailed Chronology of Ezra Pound’s London Years, 1908-1920, Part One: 1908-1914”

Archie Henderson, “Pound’s Strelets Interview 91915)”

The Documentary

Jerry Voorhis, “The Mysteries of the Federal Reserve System”

E. J. R. Booth, “A Commentary on ‘The Mysteries of the Federal Reserve System’ by Jerry Voorhis”

Peter Davidson, “Giulio Romano at the Spring Marriage”

E. P. Walkiewicz, “Pound/Joyce: Dublin ’82”

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SPRING 1977

CONTENTS

The Periplum

M. L. Rosenthal, “The Structuring of Pound’s Cantos”

Max Nänny, “Oral Dimensions in Ezra Pound”

Woon-Ping Chin Holaday, “Pound and Binyon: China via the British Museum”

The Explicator

John Espey, “A Note on ‘Nils Lykke'”

David M. Gordon, “Notes and Observations”

The Documentary

John J. Nolde, “The Sources for Canto LIV: Part Two”

The Vortex

Donald Davie, “Sicily in the Cantos”

Leon Surette, “A Case for Occam’s Razor: Pound and Spengler”

Margaret Bates, “EP: Maker of Connections”

The cover features a design by Arline Thomson based on a funerary pottery figurine from a T’ang workshop.

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