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Posts Tagged ‘Martin A. Kayman’

FALL and WINTER 1986

CONTENTS

The Periplum

Kathryne V. Lindberg, “Tradition and Heresy: Pound’s Dissociation from Eliot”

Martin A. Kayman, “Ezra Pound: The Color of His Money”

Ian F. A. Bell, “A Mere Surface: Wyndham Lewis, Henry James and the ‘Latitude’ of Hugh Selwyn Mauberley

John J. Nolde, “Ezra Pound and the Ta Hio: The Making of a Confucian”

Mohammad Shaheen, “Pound and Arabic”

M. L. Rosenthal, “Discovering E. P.”

The Explicator

Donald Gallup, “Ezra Pound’s “An Opening for Agamemnon

Walter Baumann, “‘Birds, Said Hudson, Are Not Automata'”

G. Schmidt, “The Ezra Pound Stone at Medinaceli”

Colin McDowell, “Look before Seeing”

Stephen J. Adams, “Apovitch in Canto XII”

Jeff Twitchell, “A Church Note”

Eliot Weinberger, “A Note on the Cathay Ideogram”

John Leigh, “‘An Odd Sort of Post-Graduate Course’: Ezra Pound’s First Course in Modern Poetry Discovered”

David M. Gordon, “Blum’s Bidet Revisited, or The Final Solution”

The Biographer

Sheri Martinelli, “A Memoir”

Kathleen Flanagan, “Ezra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry”

Celeste Goodridge, “‘Firm Piloting of Rebellious Fluency’: Marianne Moore’s Reviews of The Cantos of Ezra Pound”

Hugh Witemeyer, “The Strange Progress of David Hsin-Fu Wand”

The Documentary

Tim Redman, “Pound’s Library: A Preliminary Catalog”

Omar Pound, “Addenda for Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914

The Vortex

Marianne Korn, “E. P.: The Dance of Words”

Robert Lumsden, “Ezra Pound’s Imagism”

Francis McKee, “Commentary on the Drafts and Fragments

Lionel Kelly, “Guide to Kulchur: The Book as Ball of Light”

Sanehide Kodama, “Mary de Rachewiltz in Japan”

A Tribute to Duncan Eaves

The Reviewer

Massimo Bacigalupo (Ezra Pound, I Cantos, Italian translation and editing by Mary de Rachewiltz)

James J. Wilhelm (The Garland Library of Medieval Literature from a Poundian Perspective)

Paul Smith (Philip Furia, Pound’s Cantos Declassified)

Leon Surette (Peter Makin, Pound’s Cantos)

The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: “Portrait of Ezra Pound / author of / POEMS 1918-20 / Including ‘Three Portraits’ / Boni & Liveright $2.00.”

This issue contains another memorial poem by Jonathan Williams for Basil Bunting.

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FALL 1982

CONTENTS

The Periplum

Sanehide Kodama, “Cathay and Fenollosa’s Notebooks”

Timothy Materer, “Doppelgänger: Ezra Pound in His Letters”

Kevin Oderman, “‘Cavalcanti’: That the Body Is Not Evil”

The Explicator

Ben D. Kimpel and T. C. Duncan Eaves, “How the Medici Went Bust”

Reno Odlin, “Dinklage”

Francis J. Bosha, “Pound’s References to Borah and Stalin in Canto 84”

Mohammad Y. Shaheen, “A Note on the Spelling of ‘Habdimlich’ for ‘Abd Al-Malik in The Cantos

The Documentary

Lee Bartlett and Hugh Witemeyer, “Ezra Pound and James Dickey: A Correspondence and a Kinship”

David Gordon, “Corpus Juris and Canto XCIV”

The Vortex

Brendan Jackson, “A Reluctant American: Ezra Pound’s Response to Whitman, Whistler and Henry James”

Margot Speight, “Dorothy Pound at Work”

The Reviewer

Michael King (H.D., HERmione)

Martin A. Kayman (Ian F. A. Bell, Critic as Scientist: The Modernist Poetics of Ezra Pound)

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WINTER 1976

CONTENTS

The Periplum

Ian Bell, “The Phantasmagoria of Hugh Selwyn Mauberley”

David Gordon, “Confucius, Philosophe”

The Explicator

Ronald Thomas, “Catullus, Flaminius, and Pound”

Eva Hesse, “Franco Sacchetti in Canto 22/106: 110”

The Documentary

Ezra Pound, “A Letter to Jay Hubbel, Edited by Lewis Leary”

John J. Nolde, “The Sources for Canto LIV, Part One”

The Vortex

William McNaughton, “The 1976 ‘Summer at Brunnenburg'”

Martin A. Kayman, “The Keele Conference”

Burton Hatlen, “Reports on Wrok in Progress”

The Reviewer

William McNaughton (C. David Heymann, The Last Rower)

Thomas McKeown (Donald Davie, Ezra Pound)

This cover is a Manchu period image of Confucius, from an engraving on a stele in the Pei Lin, Sianfu, Shensi.

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