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Posts Tagged ‘Marshall McLuhan’

FALL and WINTER 1998

CONTENTS

The Periplum

Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”

Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”

Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”

Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”

Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”

Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”

Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”

Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”

The Explicator

Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”

Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”

The Documentary

Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”

The Vortex

Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France'”

Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”

The Reviewer

Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)

Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)

Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)

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FALL 1984

CONTENTS

The Periplum

Colin McDowell, “‘As Towards a Bridge Over Worlds’: The Way of the Soul in The Cantos

John Cayley, “Ch’eng, or Sincerity”

Hwa Yol Jung, “Misreading the Ideogram: From Fenollosa to Derrida and McLuhan”

Peter Faulkner, “Pound and the Pre-Raphaelites”

The Explicator

Peter D’Epiro, “Whose Vanity Must Be Pulled Down?”

Kevin Oderman, “Of Vision, Tennis Courts, and Glands”

David M. Gordon, “Note on an Ideogram”

Max Nänny, “More Menippus than Calliope: A Reply

The Biographer

Archie Henderson, “Pound’s Contributions to L’Art Libre (1920)”

Jeffrey Meyers, “New Light on Iris Barry”

Lorne A. Reznowski, “The ‘Chesterbelloc’ and Ezra Pound”

The Reviewer

James J. Wilhelm (David Anderson, Pound’s Cavalcanti: An Edition of the Translations)

Joseph Brogunier (Peter D’Epiro, A Touch of Rhetoric: Ezra Pound’s Malatesta Cantos)

James Generoso (Mary De Rachewiltz, Italian Translation of Cantos I-XXX)

The cover of this issue was taken from a Japanese fan provided by Akiko Miyake.

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