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Posts Tagged ‘Marianne Moore’

2013

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thanking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

Pai40-1a

Pai40-2a

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FALL and WINTER 2004

Special Issue
MARIANNE MOORE AND H.D.
Edited by Burton Hatlen

CONTENTS

ESSAYS ON MARIANNE MOORE

Ryan E. Cull, “‘Complexities Which Will Remain Complexities’: The Environmental Epistemology of Marianne Moore”

Jeff Westover, “Value, Commerce, and Economy in the Poetry of Marianne Moore”

Lesley Wheeler and Chris Gavaler, “Imposters and Chameleons: Marianne Moore and the Carlisle Indian School”

David Anderson, “Marianne Moore’s ‘Fertile Procedure’: Fusing Scientific Method and Organic Form through Syllabic Technique”

ESSAYS ON H.D.

S. Renée Faubion, “‘This Is No Rune nor Symbol’: The Sensual in H.D.’s Feminized Sublime”

Helen V. Emmitt, “Forgotten memories and Unheard Rhymes: H.D.’s Poetics as a Response to Male Modernism”

Annette Debo, “Whiteness and the Black/White Border in H.D.”

Bret L. Keeling, “Modernist Anonymity and H.D.’s ‘Pygmalion’: Whose Story Is This?”

Aaron Santesso, “Responsibilities: H.D. and Yeats”

Julie Dennison, “Williams and H.D. Figure It Out: Reconceiving the Childbirth Metaphor in ‘His’ Paterson, ‘Her’ Trilogy

Donna Krolik Hollenberg, “‘Within the World of Your Perception’: The Letters of Denise Levertov and H.D.”

REVIEWS

Helen Sword (H.D.’s Poetry: “The Meanings That Hide,” ed. Marina Camboni; and Analyzing Freud: Letters of H.D., Bryher, and Their Circle, ed. Susan Stanford Friedman)

Catherine Paul, (The Poems of Marianne Moore, ed. Grace Schulman; and Becoming Marianne Moore, ed. Robin G. Schulze)

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SPRING, FALL and WINTER 2003

CONTENTS

Editors’ Note

Essays

James Longenbach, “The Dream of Modernism”

Stan Smith, “Constitutions of Silence: Mr. Eliot’s Second Revolution”

Susan Stanford Friedman, “Modernism in a Transnational Landscape: Spatial Poetics, Postcolonialism, and Gender in Césaire’s Cahier/Notebook and Cha’s DICTÉE

Cristanne Miller, “Feminist Location and Mina Loy’s ‘Anglo-Mongrels and the Rose'”

Leon Surette, “Wallace Stevens, Roger Caillois and ‘The Pure Good of Theory'”

Burton Hatlen, “From the Transcendental to the Immanent Sublime: The Poetry of William Carlos Williams, 1913-1917”

Ronald Bush, “Remaking Canto 74”

A. David Moody, “Directio Voluntatis: Pound’s Economics to the Economy of The Cantos

Marjorie Perloff, “The Search for ‘Prime Words’: Pound, Duchamp and the Nominalist Ethos”

Demetres Tryphonopoulos, “‘Fragments of a Faith Forgotten’: Ezra Pound, H.D. and the Occult Tradition”

Zhaoming Qian, “Marianne Moore and The Tao of Painting

Patricia C. Willis, “A Modernist Epithalamium: Marianne Moore’s ‘Marriage'”

Douglas Mao, “Auden and Son: Environment, Evolution, Exhibition”

Peter Nicholls, “George Oppen and ‘That Primitive, Hegel'”

Christopher MacGowan, “Making It Free: Mitchell Goodman’s Radical Williams”

Charles Altieri, “Some Problems with Being Contemporary: Aging Critics, Younger Poets and New Century”

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WINTER 1989

CONTENTS

The Periplum

Angela Elliott, “The Word Comprehensive: Gnostic Light in The Cantos

Walter  Baumann, “Ezra Pound and Heinrich Heine”

Thomas Cody, “Adams, Mussolini, and the Personality of Genius”

Philip Kuberski, “Pound’s Sacred Technology”

The Explicator

Robert Coltrane, “The Imagist Relationship between Pound’s ‘Les Millwin’ and Eliot’s ‘Morning at the Window'”

Richard Sawyer, “Pictures of Li Chiang”

James Lowe, “Pound’s Rendering of Abstraction in the Pisan Cantos

David Gordon, “Troy: Trade-War or Helen?”

David Gordon, “And Moore: Marianne on Ezra’s Confucius

The cover image is of a Chinese album leaf from the Qing dynasty by Shitao (1642-1707).

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