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Posts Tagged ‘Louis Zukofsky’

SPRING and FALL 2006
(publication date 2008)

CONTENTS

Essays

George Bornstein, “What Does a Collected Edition Collect? Mapping Modernist Poetry”

Carla Billitteri, “The Passion of Becoming an Object”

Thomas Day, “‘A Broken Coriolanus’: Poetics, Politics, and Self-Surrender”

Enikő Bollobás, “Canon Politics and Experimental Writing: The Example of L’Encre Sympathique of Robert Duncan’s H.D. Book

Donna Krolik Hollenberg, “‘The Deeper Unsatisfied War’: Robert Duncan’s Poems for H.D.”

Catherine A. Rogers, “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision

Richard A. Iadonisi, “Amy Lowell and the Gendered Aesthetics of Haiku”

Patricia Cockram, “Tard, Très Tard: Ezra Pound and France”

Zhaoming Qian, “Ezra Pound and His First Chinese Contact for and against Confucianism”

J. Mark Smith, “The Sign of the Translators: I. A. Richards, Ezra Pound, and ‘Debabelization'”

Mark McMorris, “Zukofsky’s Bilingual Catullus: Theoretical Articulations”

Reviews

Stephen J. Adams (Cavalcanti: A Perspective on the Music of Ezra Pound, ed. Robert Hughes and Margaret Fisher; and Margaret Fisher, Ezra Pound’s Radio Operas)

Bernard Dew (The Ezra Pound Encyclopedia, ed. Demetres Tryphonopoulos and Stephen J. Adams)

Timothy Materer (Miranda B. Hickman, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H. D., and Yeats)

Lesley Wheeler (Cristanne Miller, Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler: Gender and Literary Community in New York and Berlin; and Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks,” ed. Linda Leavell, Cristanne Miller, and Robin G. Schulze)

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WINTER 1990

CONTENTS

The Periplum

Jeffrey Twitchell, “Art and the Spirit of Capitalism: Iconography and History in The Usura Canto”

Peter Crisp, “Pound, Leibnitz and China”

Peter Dale Scott, “Anger in Paradise: The Poetic Voicing of Disorder in Pound’s Later Cantos

Stephen Sicari, “The Epic Ambition: Reading Dante”

Scott Hamilton, “Serenely in the Crystal Jet: A Note on Pound’s Symbolist Inheritance”

E. P. Walkiewicz and Hugh Witemeyer, “A Public Bank in Canto 40”

Peter Dale Scott, “Pound in ‘The Waste Land,’ Eliot in The Cantos

The Explicator

Demetres P. Tryphonopoulos, “‘The Fourth; the Dimension of Stillness’: D. P. Ouspensky and Fourth Dimensionalism in Canto 49”

Timothy H. Scherman, “Towards a New Translation of Canto III”

Reed Way Dasenbrock, “Cantos 72 and 73: What Kind of Textbook?”

Francis J. Bosha, “Hemingway and MacLeish on Pound: A Consideration of a Certain Unpublished Correspondence”

Barbara Will, “Pound’s Feminine Other: A Reading of Canto 29”

The Reviewer

Tim Redman (Jean-Michel Rabaté, Language Sexuality and Ideology in Ezra Pound’s Cantos)

D. M. Hooley (Pound/Zukofsky: Selected Letters of Ezra Pound and Louis Zukofsky, ed. Barry Ahearn)

This cover is a pen and ink drawing of Ezra Pound at St. Elizabeth’s. A note from the original editors: “If anyone can figure out the signature, please let us know.”

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SPRING 1979

CONTENTS

The Periplum

James A. Powell, “The Light of Vers Libre”

Sally M. Gall, “Pound and the Modern Melic tradition: Towards a Demystification of ‘Absolute Rhythm'”

The Explicator

Hugh Kenner, “A Note on CX/778”

Eva Hesse, “‘Kadzuk, Arachidi, Acero’ in Canto XCVII/683: A Matter of Coherence”

G. Schmidt, “A Note on Canto CX”

Eric Langumier, “Scarabs and Gold”

Angela P. Elliott, “Lucifer’s Fall in Pound’s Canto LXXIV”

The Biographer

Richard A. Cassell, “A Visit with E.P.”

Eveline Bates Doob, “Some Notes on E.P.”

The Documentary

Ben Kimpel and T. C. Duncan Eaves, “The Source of Canto L”

The Bibliographer

Hollis Sickles, “Annotated Checklist of Pound Criticism 1945-1951”

Natalie Harris, “New Pound Holdings at the Lilly library”

The Vortex

Burton Hatlen, “Stalin and/or Zukofsky: A Note”

E. A. B. Jenner, “‘Medallion’: Some Questions”

The Reviewer

Aldo Tagliaferri (Niccolo Zapponi, L’Italia di Ezra Pound)

Doris L. Eder (William Harmon, Time in Ezra Pound’s Work)

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WINTER 1978

This issue of PAIDEUMA
remembers
Louis Zukofsky
1904-1978

CONTENTS

Dove Sta Memora

Celia Zukofsky, “1927-1972”

Basil Bunting, “Pound and ‘Zuk'”

George Oppen, “My Debt to Him”

Ian Hamilton Finlay, “In Memory”

Gael Turnbull, “For L.Z. on the Occasion Etc.”

Ronald Johnson, “Wor(l)ds 45, A Spire for the Death of L.Z.”

Robert Creeley, “For L.Z.”

Hugh Kenner, “Louis Zukofsky: All the Words”

Harvey Shapiro, “Thinking of the Zukofskys”

Thomas A. Clark, “In Memoriam, Louis Zukofsky”

Hayden Carruth, “Dear Louis”

Guy Davenport, “Scripta Zukofskii Elogia”

Robert Kelly, “A Book of Solutions”

Gilbert Sorrentino, “Louis Zukofsky”

Michael Andre Bernstein, “A Dyptich for Louis Zukofsky”

Ron Silliman, “Louis Zukofsky”

The Periplum

Louis Zukofsky, “A Foin Lass Bodders”

Hugh Kenner, “Loove in Brooklyn”

Robert Duncan, “Reading Zukofsky These Forty Years”

Charles Tomlinson, “Objectivists: Zukofsky and Oppen, a Memoir”

Cid Corman, “The Transfigured Prose”

Don Byrd, “The Shape of Zukofsky’s Canon”

Barry Ahearn, “The Adams Connection”

The Gallery

Early Pictures of Zuk

Later Pictures of Zuk

L.Z.’s Desk at Port Jefferson

Ms. Page for 80 Flowers

The Explicator

John Taggart, “Zukofsky’s ‘Mantis'”

Peter Quartermain, “Recurrencies: No. 12 of Louis Zukofsky’s Anew

Burton Hatlen, “Catullus Metamorphosed”

The Biographer

David Ignatow “Louis Zukofsky — Two Views”

Hugh Seidman, “L.Z. at Poly Tech (1958-61)”

Harold Schimmel, “Zuk. Yehoash David Rex”

Fielding Dawson, “A Memoir of Louis Zukofsky”

David Gordon, “Zuk and Ez at St. Liz”

Carroll F. Terrell, “Conversations with Celia”

The Bibliographer

Celia Zukofsky, “Year by Year Bibliography of L.Z.”

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