Feeds:
Posts
Comments

Posts Tagged ‘Lionel Kelly’

FALL and WINTER 1986

CONTENTS

The Periplum

Kathryne V. Lindberg, “Tradition and Heresy: Pound’s Dissociation from Eliot”

Martin A. Kayman, “Ezra Pound: The Color of His Money”

Ian F. A. Bell, “A Mere Surface: Wyndham Lewis, Henry James and the ‘Latitude’ of Hugh Selwyn Mauberley

John J. Nolde, “Ezra Pound and the Ta Hio: The Making of a Confucian”

Mohammad Shaheen, “Pound and Arabic”

M. L. Rosenthal, “Discovering E. P.”

The Explicator

Donald Gallup, “Ezra Pound’s “An Opening for Agamemnon

Walter Baumann, “‘Birds, Said Hudson, Are Not Automata'”

G. Schmidt, “The Ezra Pound Stone at Medinaceli”

Colin McDowell, “Look before Seeing”

Stephen J. Adams, “Apovitch in Canto XII”

Jeff Twitchell, “A Church Note”

Eliot Weinberger, “A Note on the Cathay Ideogram”

John Leigh, “‘An Odd Sort of Post-Graduate Course’: Ezra Pound’s First Course in Modern Poetry Discovered”

David M. Gordon, “Blum’s Bidet Revisited, or The Final Solution”

The Biographer

Sheri Martinelli, “A Memoir”

Kathleen Flanagan, “Ezra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry”

Celeste Goodridge, “‘Firm Piloting of Rebellious Fluency’: Marianne Moore’s Reviews of The Cantos of Ezra Pound”

Hugh Witemeyer, “The Strange Progress of David Hsin-Fu Wand”

The Documentary

Tim Redman, “Pound’s Library: A Preliminary Catalog”

Omar Pound, “Addenda for Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914

The Vortex

Marianne Korn, “E. P.: The Dance of Words”

Robert Lumsden, “Ezra Pound’s Imagism”

Francis McKee, “Commentary on the Drafts and Fragments

Lionel Kelly, “Guide to Kulchur: The Book as Ball of Light”

Sanehide Kodama, “Mary de Rachewiltz in Japan”

A Tribute to Duncan Eaves

The Reviewer

Massimo Bacigalupo (Ezra Pound, I Cantos, Italian translation and editing by Mary de Rachewiltz)

James J. Wilhelm (The Garland Library of Medieval Literature from a Poundian Perspective)

Paul Smith (Philip Furia, Pound’s Cantos Declassified)

Leon Surette (Peter Makin, Pound’s Cantos)

The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: “Portrait of Ezra Pound / author of / POEMS 1918-20 / Including ‘Three Portraits’ / Boni & Liveright $2.00.”

This issue contains another memorial poem by Jonathan Williams for Basil Bunting.

Advertisements

Read Full Post »

FALL and WINTER 1983

CONTENTS

The Periplum

Donald Davie, “Adrian Stokes Revisited”

Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116”

Martin Kayman, “A Context for Hart’s ‘Complex'”

Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Light”

The Explicator

M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliope”

Timothy Materer, “H.D., Serenitas, and Canto CXIII”

Mohammed Shaheen, “Pound and Blunt: Homage for Apathy”

Michael Fournier, “Chauncey Alcot”

The Biographer

John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steele”

James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911”

Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversation”

Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920”

The Documentary

Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondence”

Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idaho”

Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modern”

Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos

The Vortex

Lionel Kelly, “Eighth International Pound Conference: Report”

T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)”

Archie Henderson, “Ezra Pound: Composer”

The Reviewer

Carroll F. Terrell (Ezra Pound: A Bibliography)

John C. Hirsch (Il Miglior Fabbro)

Read Full Post »