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Posts Tagged ‘Leslie Hatcher’

SPRING and FALL 1996

Achilles Fang
August 20, 1910-November 22, 1995

CONTENTS

The Periplum

Peter Th. M. G. Liebregts, “Yeatsian Moods and Plotinian Ecstasy: The Question of the Self in Ezra Pound’s A Lume Spento

Kendra Langetieg, “Visions in the Crystal Ball: Ezra Pound, H.D., and the Form of the Mystical”

Cristina Guenzi, “Music and Poetry Which Evoke Nature: David Sylvian and Ezra Pound”

Peter Crisp, “Pound — Millenarian or Utopian?”

Anita George, “The Pisan Mysteries: Sex, Death and Rebirth in The Pisan Cantos

Burton Hatlen, “Pound and Nature: A Reading of Canto XXIII”

The Explicator

Edwin J. Barton, “Of Labyrinths and Vacuum Tubes: Pound, McCluhan, and Canto LXXXII”

Kathleen Capps, “The François Villon-Ezra Pound Connection: From The Testament to The Cantos

Thomas Cole, “Further Notes on Pound and His Poetry”

Thomas Dilworth, “The Other ‘Person of Some Interest’ in Pound’s ‘Portrait d’une Femme'”

Leslie Hatcher and Hugh Witemeyer, “Lord Palmerston as Factive Hero in The Cantos

Sascha Feinstein, “In Honor of the Sacred Heart: A Memoir of Schloss Brunnenburg”

A. David Moody, “‘They Dug Him up out of Sepulture’: Pound, Erigena and Fiorentino”

The Reviewer

Songpin Jin (A Guide to Ezra Pound and Ernest Fenollosa’s Classic Noh Theatre of Japan, ed. Akiko Miyake, Sanehide Kodama and Nicholas Teele)

Jesus Pardo de Santayana (Ezra Pound, Cantares Completos Tomo I [Cantares I-LI])

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SPRING 1995

This Issue of Paideuma Is Dedicated to
Olga Rudge
on the Occasion of her 100th Birthday
April 13, 1995

CONTENTS

The Periplum

Anne Conover, “Her Name Was Courage: Olga Rudge, Pound’s Muse and the ‘Circe/Aphrodite’ of the Cantos”

Marisa Anne Pagnattaro, “The ‘Unwobbling Pivot’: Uncertainty and Process in The Pisan Cantos

Claudia Ingram, “Sharing Strategies with the Discourses of Authority: Ezra Pound and the Legal ‘Modernists'”

Yuet May Ching, “From Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound”

Colin McDowell, “Using the Dictionary: Wicket Gate and Wormwood”

The Explicator

Leslie Hatcher, “‘Circe’s This Craft’: The Active Female Principle in The Cantos

Evan R. Karachalios, “Sacrifice and Selectivity in Ezra Pound’s First Canto”

Cameron McWhirter and Ramsay Muhler, “Serious Character to Funny Man: Ezra Pound’s Brief Correspondence with Alexander Woollcott”

Sylvan Esh, “Paquin and Davila: Pulling Down Vanity in Canto 81”

The Reviewer

Ronald Bush (Variorum Edition of “Three Cantos”: A Prototype, ed. Richard Taylor)

Richard Taylor (Ezra Pound and James Laughlin, Selected Letters, ed. David M. Gordon)

Leszek Engelking (Ezra Pound, Chtel jsem napsat raj (vybor z dila), ed. Petr Mikeš; tr. Kamil Bednar, Jitka Herynkova, and Petr Mikeš; intr. Josef Jarab)

Demetres P. Tryphonopoulos (The Letters of Ezra Pound to Alice Corbin Henderson, ed. Ira B. Nadel)

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WINTER 1993

CONTENTS

Dove Sta Memora

In Requiescat: Michael Reck

The Periplum

Maria Luisa Ardizzone, “The Genesis and Structure of Pound’s Paradise: Looking at the Vocabulary”

Ming Xie, “Pound, Waley, Lowell, and the Chinese ‘Example’ of Vers Libre

Michael J. Mages, “He Do Propertius in a Modernist Voice: Pound’s Summary of the Amatory Theme from the Elegies of Sextus Propertius”

The Explicator

Colin McDowell, “‘In the Minor Key of an Epoch’: Georges Herbiet”

Richard Londraville, “Fenollosa and the Legacy of Stone Cottage”

The Documentary

Leslie Hatcher, “Report on the 15th Ezra Pound International Conference, ‘Nature and Myth in Ezra Pound,” Rapallo, Italy, July 13-16, 1993″

The Gallery

Walter Baumann, “Photographs”

The Reviewer

Michael Coyle (Vincent Sherry, Ezra Pound, Wyndham Lewis and Radical Modernism)

Stephen Fender (Donald Davie, Studies in Ezra Pound: Chronicles and Polemic)

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