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Posts Tagged ‘Leon Surette’

WINTER 2006
(publication date 2009)

CONTENTS

Poetics Forum

Barrett Watten, “Faultlines in Poetics: Culture / Politics / Economics / Generation”

Maria Damon, “Two Modernist Precursors in Cultural Studies and Poetics: (How) Can They Help Us Now?”

George Hartley, “Under the Sign of Paideuma: Scary Ideograms & The New Fascisms”

Joel Nickels, “The Art of Interruption: William Carlos Williams and New Materialist Poetics”

Sarah Ruddy, “‘Bad Timing’ and Language Poetry in Benjamin Friedlander’s Simulcast

Essays

Morgan Myers, “Ezra Pound Me Fecit: Memorial Object and Autonomous Poem in The Cantos

Steve Pinkerton, “Profaning the Communion Table: Mina Loy and the Modernist Poetics of Blasphemy”

Bruce Holsapple, “On Whalen’s Use of Voice”

Reviews

Jane Augustine (Analyzing Freud: The Letters of H.D., Bryher and Their Circle, ed. Susan Stanford Friedman; and Rachel Connor, H.D. and the Image)

Richard L. Blevins (Michael Heller, Uncertain Poetries)

Patricia Cockram (Ira B. Nadel, Ezra Pound: A Literary Life; and Ezra Pound, Early Writings: Poems and Prose, ed. Ira B. Nadel)

Leon Surette (Mary de Rachewiltz, Ezra Pound, Father and Teacher: Discretions; and Ezra Pound, The Spirit of Romance)

The cover features a handwritten page from The Collected Poems of Philip Whalen (Wesleyan UP, 2007).

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SPRING, FALL and WINTER 2003

CONTENTS

Editors’ Note

Essays

James Longenbach, “The Dream of Modernism”

Stan Smith, “Constitutions of Silence: Mr. Eliot’s Second Revolution”

Susan Stanford Friedman, “Modernism in a Transnational Landscape: Spatial Poetics, Postcolonialism, and Gender in Césaire’s Cahier/Notebook and Cha’s DICTÉE

Cristanne Miller, “Feminist Location and Mina Loy’s ‘Anglo-Mongrels and the Rose'”

Leon Surette, “Wallace Stevens, Roger Caillois and ‘The Pure Good of Theory'”

Burton Hatlen, “From the Transcendental to the Immanent Sublime: The Poetry of William Carlos Williams, 1913-1917”

Ronald Bush, “Remaking Canto 74”

A. David Moody, “Directio Voluntatis: Pound’s Economics to the Economy of The Cantos

Marjorie Perloff, “The Search for ‘Prime Words’: Pound, Duchamp and the Nominalist Ethos”

Demetres Tryphonopoulos, “‘Fragments of a Faith Forgotten’: Ezra Pound, H.D. and the Occult Tradition”

Zhaoming Qian, “Marianne Moore and The Tao of Painting

Patricia C. Willis, “A Modernist Epithalamium: Marianne Moore’s ‘Marriage'”

Douglas Mao, “Auden and Son: Environment, Evolution, Exhibition”

Peter Nicholls, “George Oppen and ‘That Primitive, Hegel'”

Christopher MacGowan, “Making It Free: Mitchell Goodman’s Radical Williams”

Charles Altieri, “Some Problems with Being Contemporary: Aging Critics, Younger Poets and New Century”

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SPRING and FALL 2001

CONTENTS

The Periplum

Leon Surette, “The Troubadours: A Romance of Scholarship”

Naikan Tao, “‘The Law of Discourse’: Confucian Texts and Ideograms in The Pisan Cantos

William McNaughton, “The Secret History of St. Elizabeths”

Scott Eastham, “Modernism Contra Modernity: The ‘Case’ of Ezra Pound”

Aaron Loh, “Decoding the Ideogram: The Chinese Written Character in The Cantos of Ezra Pound”

Lance Callahan, “Signs of Life” Rethinking the Ideographic Method”

Michael Gooch, “Authority and the Authorless Text: Ezra Pound’s ‘The Seafarer'”

Julie Dennison, “‘His Fundamental Passion’: Hugh Selwyn Mauberly and the Ekphrastic Vortex of ‘The Eyes'”

Theresa M. Welford, “Echoes of Thomas Wyatt’s ‘They Flee from Me’ in Ezra Pound’s ‘The Return'”

Stephen Brown, “Preparing the Palette”

The Documentry

Massimo Bacigalupo, “Ezra Pound’s ‘European Paideuma'”

Thomas Cole. “E.P. on the Imagist Movement, 1912-14”

The Reviewer

Alec Marsh (The Correspondence of Ezra Pound and Senator William Borah, ed. Sarah C. Holmes)

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FALL and WINTER 1999

CONTENTS

The Periplum

Colin McDowell, “Literalists of the Imagination: Pound, Occultism and the Critics”

Trevor Sawler, “Vis Naturae: The Nature of Nature in Selected Cantos”

Hiroko Uno, “Trees in the Poetry of Yeats and Pound”

Clare Cavanagh, “Modernist Church-Building: Pound, Khlebnikov, Mandelstam”

Miranda B. Hickman, “‘To Facilitate the Traffic’: (Or, ‘Damn Deluxe Edtns’): Ezra Pound’s Turn from the Deluxe”

Sam Prestridge, “The Movement toward Cathay: A Reconsideration of Pound’s Prosodic Evolution”

Hélène Aji, “The Ways of Oral Poetics: Poundian and Post-Poundian Traditions”

The Explicator

Ethan Lewis, “Grammaria Usurae: Representational Stratagems in Canto XLV”

The Vortex

Leon Surette, “Report on the 17th International Ezra Pound Conference, Brunnenburg, Tirolo di Merano, Italy, 12-15 July 1997”

Walter Baumann, “Photographs of 17th International Ezra Pound Conference”

The Reviewer

Leon Surette (Alec Marsh, Money and Modernity: Pound, Williams, and the Spirit of Jefferson)

Alec Marsh (Laurence Rainey, Institutions of Modernism: Literary Elites and Public Culture)

Greg Barnhisel (Pound/Cummings: The Correspondence of Ezra Pound and E. E. Cummings, ed. Barry Ahearn)

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SPRING 1999

CONTENTS

The Periplum

Daniel Tiffany, “Pound, Frobenius, and Jünger: The Spell of the World-Picture”

Alan Marshall, “Politics and Process”

Jonathan Ausubel, “Three Functions and Some Forgery: (Mis)uses of Visual Poetics in Pound’s Cantos

Jacqueline Kaye, “Pound and Heresy”

Ethan Lewis, “Imagist Technique in The Cantos

Tod Marshall, “‘Ten cats. Your Score: Verrrrrry Good’: An Ezra Pound Correspondence Course”

The Biographer

Tony Tremblay, “‘Boris Is Very Intelligent and “Simpatico” and Interested in Worthwhile Things’: The Association of Ezra Pound and Prince Boris de Rachewiltz”

The Reviewer

Alec Marsh (Leon Surette and Demetres P. Tryphonopoulos, eds., Literary Tradition and the Occult Tradition)

Britton Gildersleeve (Robert Kern, Orientalism, Modernism, and the Occult Poem)

Demetres P. Tryphonopoulos (Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams, ed. Hugh Witemeyer)

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FALL and WINTER 1994

CONTENTS

The Periplum

Songpin Jin, “Observation of Natural Scenes: Ta Hsüeh and Pound’s Later Cantos”

Fan A. Shen, “Yijing and Pound’s Cantos (1) and (2)”

Xiaomei Chen, “Rediscovering Ezra Pound: A Post-Colonial ‘Misreading’ of a Western Legacy”

Christine Syros, “Beyond Language: Ezra Pound’s Translation of the Sophoclean Elektra

Jonathan Brewer, “Practice, ‘Taught and the Not Taught,’ in The Pisan Cantos

Piotr Parlej, “The Provence of the North: Pound’s Poetics of Tension”

Peter Crisp, “Pound as Gnostic? Creative Mythology and the Goddess”

Ethan Lewis, “Super-Position: Interpretive Metaphor”

The Explicator

Songpin Jin, “Flowers, Wings, in the Garden Enclosure”

Martin Scott, “The Transcendental Ideogram: The Influence of Emerson on Ezra Pound’s Ideogrammic Method”

Omar S. Pound, “Canto LXXV: Clement Janequin & Arrangements of His Text: ‘Canzoni di Li Ucelli'”

Douglas Bruster, “Pound, Frost, and ‘Literary Integrity’ at Harvard”

The Vortex

Yorio Hirano, “Report of the 14th Annual Conference of the Japan Ezra Pound Society”

Shinji Watanabe, “Report on the Fifteenth Annual Meeting and Conference of the Ezra Pound Society of Japan at Rikkyo University, October 30, 1993”

The Reviewer

Timothy Materer (Leon Surette, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult)

Robert Spoo (A Walking Tour in Southern France: Ezra Pound among the Troubadours, ed. Richard Sieburth)

Tony Tremblay (Gail McDonald, Learning to Be Modern: Pound, Eliot, and the American University)

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WINTER 1991

CONTENTS

The Periplum

Demetres Tryphonopoulos, “Ezra Pound and Emaneul Swedenborg”

Leon Surette, “Yeats, Pound, and Nietzsche”

Andrzej Sosnowski, “Pound’s Imagism and Emanuel Swedenborg”

Stephen Sicari, “Poetry and Politics in Pound and Yeats”

Vern L. Lindquist, “Joycean Epiphany in Pound’s Cantos

The Explicator

Ethan Lewis, “The ABC of Ending: Pound’s ‘Addendum for C'”

Archie Henderson, “Pound, Ford, and George Antheil”

Archie Henderson, “A Laugh from the Saturday Review of Literature

Ward Swinson and Carol H. Cantrell, “The China-Adams Cantos Again: What Kind of Textbook?”

The Vortex

Peggy L. Fox, “Copyright for Scholars”

William McNaughton, “A Report on the 14th Biennial International Conference on Ezra Pound, Tirolo, Italy: July 16-18, 1991”

Helen V. Emmitt, “Report on the 14th International Ezra Pound Conference

Photographs by Walter Baumann

The Reviewer

Petr Mikeš (Ezra Pound, Selected Poems)

Candace Uhlmeyer (Elektra: A Play by Ezra Pound and Rudd Fleming, ed. and ann. Richard Reid)

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