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Posts Tagged ‘Leo Frobenius’

WINTER 1973

CONTENTS

The Periplum

Sharon Mayer Libera, “Casting His Gods Back into the NOUS: Two Neoplationists and The Cantos of Ezra Pound”

Frederick K. Sanders, “The French Theme of Canto 70”

Jo Brantely Berryman, “‘Medallion’: Pound’s Poem”

James J. Wilhelm, “In Praise of Anselm: An Approach to Canto 105”

The Explicator

Douglas Stone, “Pound’s ‘Mr. Corles’: Canto XXXV”

Robert J. Welke, “Frobenius: Pound — Some Quick Notes”

P. L. Surette, “Helen of Tyre”

Francis E. Zapatka, “Crommelyn and del Valle: A Note on Canto 105”

The Documentary

Barry S. Alpert, “Ezra Pound, John Price and The Exile

Carroll F. Terrell, “An English Version of Grosseteste’s De Luce

Robert Grosseteste, “De Luce

The Reviewer

Earle Davis (Ezra Pound: New Emphasis on Economics)

Sister Bernetta Quinn (Ezra Pound, The Critical Heritage)

The Biographer

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SPRING and SUMMER 1972

CONTENTS

The Periplum

John Peck, “Pound’s Lexical Mythography”

Walter B. Michaels, “Pound and Erigena”

Donald Davie, “The Cantos: Towards a Pedestrian Reading”

John Espey, “Toward Properitus”

Pictures

The Explicator

Hugh Kenner, “The 5 Laws + Che Funge

Eva Hesse, “Frobenius as Rainmaker”

William Chace, “The Canto as Cento: XXXIII”

The Biographer

Invitations*

Documentary

Ezra Pound, “Letters to Viola Baxter Jordan”**

Donald Gallup, “Corrections and Additions to the Pound Bibliography”

*”Wanted: “A Phalanx of Particulars”: Paideuma hopes to publish in this spot the memories of people who have known Ezra Pound personally. […]

**Previously unpublished letters by Ezra Pound, copyright (c) May 1972 by Ezra Pound.

The cover features “The Red Stone Dancer,” Pound’s favorite piece of Gaudier-Brzeska sculpture. Line drawing by Guy Davenport.

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