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FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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SPRING 1986

CONTENTS

The Periplum

Walter Sutton, “Coherence in Pound’s Cantos and William James’s Pluralistic Universe”

Hugh Witemeyer, “‘Of Kings’ Treasures’: Pound’s Allusion to Ruskin in Hugh Selwyn Mauberley

John Espey, “Some Notes on ‘The Return'”

The Explicator

John J. Nolde, “Some Observations on Gaudier-Brzeska’s Bronze Drum”

Kay Davis, “Three Techniques Made New”

John Leigh, “Arthur Symons and the Evolution of Pound’s Concepts of Abusoltue Rhythm and Precision”

Richard Sawyer, “Sir Edward Coke and the Banishment of Usury”

Brita Lindberg-Seyersted, “Cher F.: Another Item in the Correspondence Between Ezra Pound and Ford Madox Ford”

David Gordon, “Notes on ‘Katze’ and ‘Wand'”

The Documentary

John Lash, “Donna Mi Priegha [A Literal Translation]”

John Lash, “Making Sense of Donna Mi Priegha”

Paul Hoover, “Two Pound Letters”

Ezra Pound, “Letters to Andrews”

Ezra Pound, “Letters to Woodward”

The Vortex

Hugh Witemeyer, “The Yale Centennial Conference”

Sandehide Kodama, “The Seventh Annual Meeting of the Ezra Pound Society of Japan”

Robert G. Waite, “The Ezra Pound Centennial Conference in Hailey, Idaho”

The Reviewer

Reed Way Dasenbrock (Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis, ed. Timothy Materer)

Ron Thomas (Ronnie Apter, Digging for the Treasure: Translation after Pound)

This issue’s cover features a drawing by the wife of Petr Mikeš, our associate from the Czech Republic.

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WINTER 1982

CONTENTS

The Periplum

Donald Davie, “Res and Verba in Rock-Drill and After”

Max Nänny, “Ezra Pound and the Menippean Tradition”

Ben D. Kimpel and T. C. Duncan Eaves, “Pound’s Research for the Malatesta Cantos”

Mohammad Y. Shaheen, “The Story of Abd-el-Melik’s Money in Canto XCVI and XCVII”

Kay Davis, “Ring Composition, Subject Rhyme and Canto VI”

The Explicator

Walter Baumann, “Carleton, Paquin and Salzburg”

Ronald E. McFarland, “A Note on Monsieur Verog”

Ben D. Kimpel and T. C. Duncan Eaves, “Messire Uzzano in 1442”

Carroll F. Terrell, “Cabranez, the Mystery Man”

The Biographer

Robert Schultz, “A Detailed Chronology of Ezra Pound’s London Years, 1908-1920, Part One: 1908-1914”

Archie Henderson, “Pound’s Strelets Interview 91915)”

The Documentary

Jerry Voorhis, “The Mysteries of the Federal Reserve System”

E. J. R. Booth, “A Commentary on ‘The Mysteries of the Federal Reserve System’ by Jerry Voorhis”

Peter Davidson, “Giulio Romano at the Spring Marriage”

E. P. Walkiewicz, “Pound/Joyce: Dublin ’82”

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FALL 1979

CONTENTS

The Periplum

Nobuko Tsuki Keith, “Aoi No Ue and Kinuta: An Examination of Ezra Pound’s Translations”

David Anderson, “The Techniques of Critical Translation: Ezra Pound’s Guido Cavalcanti, 1912”

The Explicator

Hugh Witemeyer, “Pound and the Cantos ‘Ply over Ply'”

Ian F. A. Bell, “Pound, Emerson and ‘Subject-Rhyme'”

The Biographer

Ezra Pound, “The Poet Speaks”

Francis J. Bosha, “Faulkner, Pound, and the P.P.P.”

Ilse Engel, “Story of a Meeting with Ezra Pound”

The Documentary

John J. Nolde, “The Sources for Chinese Dynastic Canto LVI”

Eva Hesse, “Mythopoiós”

John Espey, “Sidelights from the Italian and German Cantos”

The Bibliographer

George Rooks, “An Annotated Checklist on Ezra Pound, 1976”

Kay Davis, “An index to Canto References in Paideuma

The Vortex

P.H. Smith and A. E. Durant, “Pound’s Metonymy: Revisiting Canto 47”

Guy Davenport, “The Real Lucifer”

C. F. Terrell, “Durham & Pound Conferences”

The Gallery

Pictures at Durham Conference Taken by H. Witemeyer

Pictures at Durham Conference Taken by Hugh Kenner

The Reviewer

Timothy Materer (Omar Pound and Philip Grover, Wyndham Lewis, a Descriptive Bibliography; and Bradford Morrow and Bernard Lafourcade, A Bibliography of the Writings of Wyndham Lewis)

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