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Posts Tagged ‘Julie Dennison’

FALL and WINTER 2004

Special Issue
MARIANNE MOORE AND H.D.
Edited by Burton Hatlen

CONTENTS

ESSAYS ON MARIANNE MOORE

Ryan E. Cull, “‘Complexities Which Will Remain Complexities’: The Environmental Epistemology of Marianne Moore”

Jeff Westover, “Value, Commerce, and Economy in the Poetry of Marianne Moore”

Lesley Wheeler and Chris Gavaler, “Imposters and Chameleons: Marianne Moore and the Carlisle Indian School”

David Anderson, “Marianne Moore’s ‘Fertile Procedure’: Fusing Scientific Method and Organic Form through Syllabic Technique”

ESSAYS ON H.D.

S. Renée Faubion, “‘This Is No Rune nor Symbol’: The Sensual in H.D.’s Feminized Sublime”

Helen V. Emmitt, “Forgotten memories and Unheard Rhymes: H.D.’s Poetics as a Response to Male Modernism”

Annette Debo, “Whiteness and the Black/White Border in H.D.”

Bret L. Keeling, “Modernist Anonymity and H.D.’s ‘Pygmalion’: Whose Story Is This?”

Aaron Santesso, “Responsibilities: H.D. and Yeats”

Julie Dennison, “Williams and H.D. Figure It Out: Reconceiving the Childbirth Metaphor in ‘His’ Paterson, ‘Her’ Trilogy

Donna Krolik Hollenberg, “‘Within the World of Your Perception’: The Letters of Denise Levertov and H.D.”

REVIEWS

Helen Sword (H.D.’s Poetry: “The Meanings That Hide,” ed. Marina Camboni; and Analyzing Freud: Letters of H.D., Bryher, and Their Circle, ed. Susan Stanford Friedman)

Catherine Paul, (The Poems of Marianne Moore, ed. Grace Schulman; and Becoming Marianne Moore, ed. Robin G. Schulze)

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SPRING and FALL 2001

CONTENTS

The Periplum

Leon Surette, “The Troubadours: A Romance of Scholarship”

Naikan Tao, “‘The Law of Discourse’: Confucian Texts and Ideograms in The Pisan Cantos

William McNaughton, “The Secret History of St. Elizabeths”

Scott Eastham, “Modernism Contra Modernity: The ‘Case’ of Ezra Pound”

Aaron Loh, “Decoding the Ideogram: The Chinese Written Character in The Cantos of Ezra Pound”

Lance Callahan, “Signs of Life” Rethinking the Ideographic Method”

Michael Gooch, “Authority and the Authorless Text: Ezra Pound’s ‘The Seafarer'”

Julie Dennison, “‘His Fundamental Passion’: Hugh Selwyn Mauberly and the Ekphrastic Vortex of ‘The Eyes'”

Theresa M. Welford, “Echoes of Thomas Wyatt’s ‘They Flee from Me’ in Ezra Pound’s ‘The Return'”

Stephen Brown, “Preparing the Palette”

The Documentry

Massimo Bacigalupo, “Ezra Pound’s ‘European Paideuma'”

Thomas Cole. “E.P. on the Imagist Movement, 1912-14”

The Reviewer

Alec Marsh (The Correspondence of Ezra Pound and Senator William Borah, ed. Sarah C. Holmes)

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