Feeds:
Posts
Comments

Posts Tagged ‘James Wilhelm’

SPRING 1997

CONTENTS

Dove Sta Memora

Desmond Egan, “Olga”

Angela Elliott, “Olga Saying ‘Ezra'”

James Laughlin, “Olga”

David Moody, “Olga Rudge: To Her Memory”

Jackson Morton, “Poem”

Massimo Bacigalupo, “Growing up Near Olga Rudge and Ezra Pound”

Anne Conover, “The Young Olga”

Thomas Cole, “Two Women of Trachis”

M. G. N. Dunlap, “A Memory”

Desmond Egan, “A Conversation between Olga Rudge and Desmond Egan”

Soichi Furuta, “Night Litany: Olga Et Al.”

David Gordon, “Untitled”

Peter Russell, “Obituary of Olga Rudge”

Richard Taylor, “Recollections of Olga Rudge”

James Wilhelm, “In the Haunt of the Priestess of the Hidden Nest”

Barbara Witemeyer, “Serendipity”

The Reviewer

Timothy Materer (Michael Coyle, Ezra Pound, Popular Genres, and the Discourse of Culture)

Philip Furia (Mary Ellen Gibson, Epic Reinvented: Ezra Pound and the Victorians)

Alec Marsh Giano Accame, Ezra Pound economista contro l’usura)

Reed Way Dasenbrock (Daniel Tiffany, Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound)

Donna K. Hollenberg (Timothy Findlay, The Trial of Ezra Pound)

Tony Tremblay (Bob Perelman, The Trouble with Genius: reading Pound, Joyce, Stein, and Zukofsky)

Advertisements

Read Full Post »

FALL and WINTER 1983

CONTENTS

The Periplum

Donald Davie, “Adrian Stokes Revisited”

Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116”

Martin Kayman, “A Context for Hart’s ‘Complex'”

Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Light”

The Explicator

M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliope”

Timothy Materer, “H.D., Serenitas, and Canto CXIII”

Mohammed Shaheen, “Pound and Blunt: Homage for Apathy”

Michael Fournier, “Chauncey Alcot”

The Biographer

John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steele”

James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911”

Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversation”

Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920”

The Documentary

Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondence”

Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idaho”

Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modern”

Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos

The Vortex

Lionel Kelly, “Eighth International Pound Conference: Report”

T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)”

Archie Henderson, “Ezra Pound: Composer”

The Reviewer

Carroll F. Terrell (Ezra Pound: A Bibliography)

John C. Hirsch (Il Miglior Fabbro)

Read Full Post »

FALL and WINTER 1975

CONTENTS

The Periplum

David Gordon, “Edward Coke: The Azalia is Grown”

Jacob Korg, “Jacob Epstein’s Rock Drill and the Cantos

The Explicator

Stuart McDougal, “The Presence of Pater in Blandula, Tenella, Vagula”

Timothy Materer, “Henri Guadier’s ‘Three Ninas'”

Wendy Stallard Flory, “Alexander Del Mar: Some Additional Source”

R. Sieburth, “Canto 119: Francois Bernouard”

Hugh Witemeyer: “The Flame-style King”

The Gallery

The Documentary

Richard Taylor, “Ezra Pound: Editor of Nō”

Ezra Pound, “Yoro”

David Gordon, “Ezra Among the Old Bones”

Thomas Grieve, “The Seraphin Couvreur Sources of Rock-Drill”

The Biographer

Perdita Schaffner, “Merano, 1962”

Barbara Eastman, “The Ninetieth Birthyear Symposium”

Jerome Kavka, “Ezra Pound’s Ssanity: The Problem of Public Disclosure”

The Reviewer

Carroll F. Terrell (John Adams Speaking)

Douglas R. Butturff (James Wilhelm, Dante and Pound: The Epic of Judgement)

The cover for this issue is the seal of King Henry III, which he attached to Magna Charta.

Read Full Post »

SPRING 1973

This edition of Paideuma is dedicated to Dorothy Shakespear Pound

CONTENTS

The Periplum

George Antheil, “Why a Poet Quit the Muses”

Charles Shere, “Eastbay Artistis Score Record Triumph”

Robert Hughes, “Ezra Pound’s Opera”

Larry Lyall, “Review of the Hughes Production”

R. Murray Schafer, “The Developing Theories of Absolute Rhythm and Great Bass”

The Explicator

Robert Hughes, “Amarili”

Hugh Kenner, “Some Notes”

Hugh Kenner, “More on the Seven Lakes Canto”

The Biographer

Carroll F. Terrell, “Pound and KRH: An Introduction to Bowers’s Memoir”

Faubion Bowers, “Memoir within Memoirs”

The Documentary

Carroll F. Terrell, “The Sacred Edict of K’ang-Hsi”

The Gallery

Portraits of Dorothy Pound at different years

The Bibliography

Robert Corrigan, “Annotated Checklist”

Robert Corrigan, “Index 1904-1917”

The Reviewer

James Wilhelm (Stuart Y. McDougal, Pound and the Troubadours)

Guy Davenport says of his design for this cover: “Line of Homer (‘Sweet song, the sirens…. etc’) + Orpheus picking his lyra + Theban terra-cotta (actually a sphinx, but here doing duty as a Siren, or Persephone, or simply a Poundian mythological gel + archaic Chinese for ‘man standing beside his word’ / hsien, izzit?”

Read Full Post »