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Posts Tagged ‘Henry James’

FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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FALL 1982

CONTENTS

The Periplum

Sanehide Kodama, “Cathay and Fenollosa’s Notebooks”

Timothy Materer, “Doppelgänger: Ezra Pound in His Letters”

Kevin Oderman, “‘Cavalcanti’: That the Body Is Not Evil”

The Explicator

Ben D. Kimpel and T. C. Duncan Eaves, “How the Medici Went Bust”

Reno Odlin, “Dinklage”

Francis J. Bosha, “Pound’s References to Borah and Stalin in Canto 84”

Mohammad Y. Shaheen, “A Note on the Spelling of ‘Habdimlich’ for ‘Abd Al-Malik in The Cantos

The Documentary

Lee Bartlett and Hugh Witemeyer, “Ezra Pound and James Dickey: A Correspondence and a Kinship”

David Gordon, “Corpus Juris and Canto XCIV”

The Vortex

Brendan Jackson, “A Reluctant American: Ezra Pound’s Response to Whitman, Whistler and Henry James”

Margot Speight, “Dorothy Pound at Work”

The Reviewer

Michael King (H.D., HERmione)

Martin A. Kayman (Ian F. A. Bell, Critic as Scientist: The Modernist Poetics of Ezra Pound)

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