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Posts Tagged ‘Guido Cavalcanti’

2012

CONTENTS

Preface

Essays and Documents

Two Unpublished Stories by H.D.: “Hesperia” and “Aegina” (introduced by David Roessel and Victoria Conover)

Jeffrey Bilbro, “C. Day Lewis and W.B. Yeats: ‘Heartening a Few to Courage and Acceptance'”

Rebecca Strauss, “‘External Modernity’ or Something of That Sort: Ezra Pound’s Transatlantic ‘Redondillas'”

Alastair Morrison, “Come Far Poteresti un Sofismo?: Guido Cavalcanti and the Poundian Argument”

Sarah Ehlers, “Ezra Pound’s Perverse Anthology”

Jerome Kavka, M.D., “The Dreams of Ezra Pound” (introduced by Demetres P. Tryphonopoulos)

Gary Grieve-Carlson, “’The Fathers Run Out in the Sons’: Charles Olson, Ezra Pound, and ‘The Song of Ullikummi’”

Paul Stephens, “Human University: Charles Olson and the Embodiment of Information”

Jeffrey Twitchell-Waas, “Keep Your Eyes on the Page: Zukofsky’s Bottom: on Shakespeare

Departments

Michael Alpert, “In Memoriam: Theodore Enslin”

Walter Baumann, “In Memoriam: Peter Rudge”

Bulletin Board

Title Abbreviations for Works by Ezra Pound

Notes on Contributors

Cover: Charles Olson’s first draft, in pencil, of the late Maximus poem “Maximus of Gloucester.”  Images used with permission and are courtesy of the Charles Olson Research Collection, Archives and Special Collections at the Thomas J. Dodd Research Center, University of Connecticut.

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FALL 1973

CONTENTS

The Periplum

Georg M. Gugelberger, “The Secularization of ‘Love’ to a Poetic Metaphor: Cavalcanti, Center of Pound’s Medievalism”

James J. Wilhelm, “Two Heavens of Light and Love: Paradise to Dante and to Pound”

Leslie H. Palmer, “Matthew Arnold and Ezra Pound’s ABC of Reading

The Explicator

Hugh Kenner, “A Schema for XXX Cantos”

Dalton Gross, “Pound’s Early Literary Reputation: George Sterling’s Dissent”

Timothy Materer, “A Reading of ‘From Canto CXV'”

Walter Michaels, “Lincoln Steffens and Pound”

John Peck, “‘Get a Dictionary’: The Festus behind Pound’s Festus”

The Gallery

Pound and Harry Meacham

Dorothy Pound

Ezra Pound Infant and Family

Le Vorticisme at Eiffel Tower Restaurant, Spring 1915

The Documentary

Carroll F. Terrell, “The Eparch’s Book of Leo the Wise”

Leo the Wise, “To Eparchikon Biblion”

Jules Nicole, “The Eparch’s Book: Greek and Latin Redaction”

The Bibliographer

Donald Gallup, “Supplement to the Bibliography”

The Reviewer

George Lensing (Sister Bernetta Quinn, Ezra Pound, An Introduction to the Poetry)

The cover is a reproduction of the opening lines of the XIVth century manuscript “Genevenses graecus 23” discovered by Jules Nicole in Byzantine Greek. The complete manuscript is reproduced in this issue of Paideuma with the kind permission of Variorum Reprints.

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WINTER 1972

CONTENTS

The Periplum

Eva Hesse, “Books Behind The Cantos, Part One”

Lewis Leary, “Pound-Wise, Penny-Foolish”

Daniel Pearlman, “Alexander Del Mar in The Cantos

The Gallery

Four pictures

The Explicator

Robert Demott, “Ezra Pound and Charles Bowlker: Note on Canto LI”

John Colaneri, “Reflection of a Man: Guido Cavalcanti”

Donald D. Wilson, “Penny-Wise Pound”

Gary R. Libby, “Image or image”

Eugene Paul Nasser, “‘This Stone Giveth Sleep’: ‘Io Son La Luna'”

The Biographer

Richard Stern, “A Memory or Two of Mr. Pound”

Documentary

C. F. Terrell, ed., “The Periplus of Hanno”

Robert A. Corrigan, “An Annotated Checklist of Ezra Pound Criticism: Part One”

Reviews

Donald Davie, “The Universe of Ezra Pound: Review of The Pound Era by Hugh Kenner”

The cover is a line drawing by Guy Davenport of a Nabataean tragic mask, depicting Dushara-Dionysos as god of death and ressurection.

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