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Posts Tagged ‘George Bornstein’

SPRING and FALL 2006
(publication date 2008)

CONTENTS

Essays

George Bornstein, “What Does a Collected Edition Collect? Mapping Modernist Poetry”

Carla Billitteri, “The Passion of Becoming an Object”

Thomas Day, “‘A Broken Coriolanus’: Poetics, Politics, and Self-Surrender”

Enikő Bollobás, “Canon Politics and Experimental Writing: The Example of L’Encre Sympathique of Robert Duncan’s H.D. Book

Donna Krolik Hollenberg, “‘The Deeper Unsatisfied War’: Robert Duncan’s Poems for H.D.”

Catherine A. Rogers, “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision

Richard A. Iadonisi, “Amy Lowell and the Gendered Aesthetics of Haiku”

Patricia Cockram, “Tard, Très Tard: Ezra Pound and France”

Zhaoming Qian, “Ezra Pound and His First Chinese Contact for and against Confucianism”

J. Mark Smith, “The Sign of the Translators: I. A. Richards, Ezra Pound, and ‘Debabelization'”

Mark McMorris, “Zukofsky’s Bilingual Catullus: Theoretical Articulations”

Reviews

Stephen J. Adams (Cavalcanti: A Perspective on the Music of Ezra Pound, ed. Robert Hughes and Margaret Fisher; and Margaret Fisher, Ezra Pound’s Radio Operas)

Bernard Dew (The Ezra Pound Encyclopedia, ed. Demetres Tryphonopoulos and Stephen J. Adams)

Timothy Materer (Miranda B. Hickman, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H. D., and Yeats)

Lesley Wheeler (Cristanne Miller, Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler: Gender and Literary Community in New York and Berlin; and Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks,” ed. Linda Leavell, Cristanne Miller, and Robin G. Schulze)

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SPRING and FALL 1987

CONTENTS

The Periplum

Edith Sarra, “Whistling in the Bughouse: Notes on the Process of Pound’s Confucian Odes”

Ann Massa, “Ezra Pound to Harriet Monroe: Two Unpublished Letters”

Bruce Fogelman, “Pound’s ‘Cathay’: A Structural Model for The Cantos

Thomas Willard, “John Heydon’s Visions: ‘Pretty’ or ‘Polluted’?”

The Explicator

Jaime Garcia Terres, “Clock of Athens”

Barry Ahearn, “An Early Schema for The Cantos

Omar S. Pound, “Canto 77: ‘Rebel Rose'”

Petr Mikeš, “The Pound Number of Literature Na Swiecie

The Bibliographer

Joseph Brogunier, “An Annotated Bibliography of Works about Ezra Pound: 1980-1984”

The Reviewer

Ron Thomas (Ezra Pound Among the Poets, ed. George Bornstein)

John C. Hirsh (Ron Thomas, The Latin Masks of Ezra Pound)

This vivacious lithograph of Ezra Pound was done by George Biddle in Rome in 1932. It was loaned to us by Quentin Keynes. From Biddle’s diary entry of July 23, 1948: “I first met Pound in Paris in 1924… When I next met him in Rome in 1932…I did a lithograph of him at his hotel, drawing directly on the stone…

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SPRING and FALL 1978

CONTENTS

The Periplum

Forrest Read, “The Mathematical Symbolism of Ezra Pound’s Revolutionary Mind”

Akiko Miyake, “The Greek-Egyptian Mysteries in pound’s ‘The Little Review Calendar’ and in Cantos 1-7″

Andrew Clearfield, “Pound, Paris, and Dada”

Carroll F. Terrell, “Mag-Tsze, Thomas Taylor, and Madam ΤΛΗ”

Thomas Taylor, “The Eleusinian and Bacchic Mysteries”

The Explicator

Eva Hesse, “New Light on Old problems”

Franz H. Link, “Two Notes on the Early Poetry”

The Documentary

John J. Nolde, “The Sources for Canto LV”

Ben Kimpel and T. C. Duncan Eaves, “The Sources of the Leopoldine Cantos”

The Biographer

Virgil Geddes, “A Visit to Pound”

John P. Sullivan, “An Afternoon with Ezra”

The Bibliographer

Stephen Fender, “Work in the Progress in the United Kingdom”

The Vortex

Donald Davie, “Ezra Pound and the English”

Peter Schneeman, “Pound’s ‘Englischer Brief’: A Look toward Germany”

Wendy Flory and Jo Berryman, “Report on the MLA Special Session, 1977”

The Reviewer

Stephen Adams (Ezra Pound and Music, ed. Murray Schafer)

Sharon Mayer Libera (Ronald Bush, The Genesis of Ezra Pound’s Cantos)

Hugh Witemeyer (George Bornstein, The Postromantic Consciousness of Ezra Pound)

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