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Posts Tagged ‘G. Singh’

2007-2009

(publication date 2010)

CONTENTS

Preface

Essays

Robert Stark, “‘Toils Obscure An’ A’ That’: Romantic and Celtic Influences in ‘Hilda’s Book’”

Sean Pryor, “Particularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos”

Sarah Barnsley, “‘Sand Is the Beginning and the End / of Our Dominion’: Mary Barnard, H.D. and Imagism”

Aimee Pozorski, “Traumatic Survival and the Loss of a Child: Reznikoff’s Holocaust Revisited”

Patrick Barron, “Unmasked Representations of Space in Edward Dorn’s ‘The Land Below’ and ‘Idaho Out’”

Andrea Brady, “Making Use of This Pain: The John Wieners Archives”

Kaplan Harris, “Gender Performance, Performance Enhancement, and Poetry: Reading Ted Berrigan After Viagra”

Tony Brinkley and Joesph Arsenault, “‘This is where the serpent lives’: Wordsworthian Poetics and Contemporary American Poetry”

Reviews

Ronald Bush (Ezra Pound: Canti postumi, a cura di Massimo Bacigalupo)

Robert Kibler (Ernest Fenollosa and Ezra Pound’s The Chinese Written Character as a Medium for Poetry, A Critical Edition, ed. Haun Saussy, Jonathan Stalling, and Lucas Klein)

Mariacrstina Natalia Bertoli (Ezra Pound, Language and Persona, ed. Massimo Bacigalupo and William Pratt)

Joseph Conte (Anne Day Dewey, Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry)

Justin Parks (Peter Nicholls, George Oppen and the Fate of Modernism)

Lara Vetter (Mark S. Morrisson, Modern Alchemy: Occultism and the Emergence of Atomic Theory)

In Memoriam

Paul Montgomery, 1936-2008 by Massimo Bacigalupo

Giano Accame, 1928-2009 by Massimo Bacigalupo

G. Singh, 1926-2009 by Massimo Bacigaluopo

Omar Pound, 1926-2010 by Tim Redman

Cover: William Aikman, Allan Ramsay. Courtesy Scottish National Portrait Gallery. The website of the National Galleries of Scotland includes the following caption beside this portrait:

Allan Ramsay began his career in Edinburgh as a wigmaker; he went on to become a bookseller, successful poet and an important member of Edinburgh’s literary and artistic circles. He was a close friend of the artist, William Aikman, and this portrait was owned by another friend, Sir John Clerk of Penicuik. Clerk wrote on the back of the canvas, imitating Ramsay’s verse: “Here painted on this canvas clout by Aikman’s hand is Ramsay’s snout.”

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FALL and WINTER 1985

CONTENTS

The Periplum

Donald Davie, “Poundians Now”

Massimo Bacigalupo, “Ezra Pound’s Tigullio”

Walter Baumann, “‘Not of One Bird But of Many’: Pound’s Janequin”

John Cayley, “The Literal Image: Illustrations in The Cantos

David Gordon, “The Great Digest: A Pattern”

Michele F. Cooper, “Ezra Pound and the Japanese Cosmogony”

Peter Stoicheff, “Pound’s Final Personae in Drafts & Fragments

Stephen Sicari, “The Secret of Eleusis, or How Pound Grounds His ‘Epic of Judgment'”

The Explicator

Mary Anne Kenner, “A Cameo”

Matthew Little, “‘Atasal’ in Canto LXXVI and Ernst Renan on Sufi Mysticism”

John Leigh, “Shepard, Pound and Bertran de Born”

G. Singh, “Pound and Milton”

H. Hauge, “‘Nothing but Death is Irrevocable’: A Note on Pound’s and Eliot’s Use of Turgenev”

Gyung-Ryul Jang, “Cathay Reconsidered: Pound as Inventor of Chinese Poetry”

Michael Fournier, “A Note on the Ell-Square Pitkin”

The Biographer

J. Laughlin, “E.P.: The Lighter Side”

J. J. Wilhelm, “Pound’s Four Fascinating Grandparents”

Philippe Mikriammos, “Ezra Pound in Paris (1921-1924): A Cure of Youthfulness”

James Longenbach, “The Order of the Brothers Minor: Pound and Yeats at Stone Cottage 1913-1916”

The Vortex

Michael Fournier, “Report on the Ezra Pound Centennial Conference”

Angela Elliott and Rosalind McKeown, “The Ezra Pound Centennial Tour of Italy”

The National Poetry Award

The Reviewer

David Walker (The Wild Old Man: Poems of Lu Yu, trans. David Gordon)

Colin McDowell (Ezra Pound/John Theobald: Letters, ed. Donald Pearce and Herbert Schneidau)

Reed Way Dasenbrock (Beongcheon Yu, The Great Circle: American Writers and the Orient)

The cover image for this issue is a photograph of Mary Anne Kenner’s cameo, given to her by Mary de Rachewiltz. See page 325 for the complete story.

This issue of Paideuma includes a poem by Jonathan Williams for the passing of Basil Bunting.

Thomas Parkinson, for the Board to administer The National Poetry Award, included a note on their selection of Robert Duncan’s Ground Work: Before the War as the prize winner. The section also includes brief praises of Duncan’s work by Rachel Blau DuPlessis, Maxine Kumin, James Laughlin, Michael Palmer, Jerome Rothenberg, and others.

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FALL 1974

CONTENTS

The Periplum

G. Singh, “Ezra Pound Symposium”

David Gordon, “The Sacred Edict”

Leon Surette, “A Light from Eleusis”

The Explicator

D. James Neault, “Richard of St. Victor and Rock Drill”

D. J. Hugen, “‘…Small Birds of Cyprus'”

David Gordon, “From the Blue Serpent to Kati”

Bradford Morrow, “Ezra Pound’s ‘Lombard Writer Friend'”

The Documentary

Allen Ginsberg, “Allen Verbatim”

Burton Hatlen, “Work in Progress”

The Reviewer

Eric Homberger (William Chase, Political Identities)

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