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Posts Tagged ‘Ford Madox Ford’

SPRING and FALL 1992

CONTENTS

The Periplum

Walter Baumann, “Yeats and Ireland in The Cantos

Paul Skinner, “Pounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford”

Tim Dean, “How Long Is the Pound Era?”

Marinelle Ringer, “The Rhythmic Structure of Pound’s Canto IV”

Norman Wacker, “The Subject Repositioned / The Subject Repossessed: Authority and the Ethos of Performance in The Pisan Cantos

Steven Yao, “‘And With You Especially, There Was Nothing at Cross-Purpose’: Pound’s Treatment of Women in Cathay

Maria Luisa Ardizzione, “Pound’s Language in Rock-Drill, Two Theses for a Genealogy”

The Explicator

Elizabeth Bruce, “Empedocles’s Golden Age of Aphrodite in Pound’s Later Cantos”

K. Narayana Chandran, “Ezra Pound’s ‘Meitatio’: Two Notes”

Songping Jin, “‘The Coral Face,’ ‘The Tree of the Visages’ and the Cherry Tree”

Sylvan Esh, “‘In a Station’: Provence, London”

Jyan-Lung Lin, “Pound’s ‘In a station of the Metro’ as a Yugen Haiku”

Richard R. O’Keefe, “Impingement: The End of Pound’s Canto LXXX

David Gordon, “The Golden Caesura (2)”

Documentary

Lawrence S. Rainey, “A Poem Including History [facsimile reprint]”

Ira B. Nadel, “The Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October-22 December 1989”

Sebastian D. G. Knowles, “Ezra Pound to Alice Steiner Amdur, 23 January 1937”

Archie Henderson, “Addenda to ‘Pound Centennial Events: A Checklist'”

The Reviewer

Laura Cowan (James Longenbach, Stone Cottage: Pound, Yeats, and Modernism)

Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.

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SPRING 1986

CONTENTS

The Periplum

Walter Sutton, “Coherence in Pound’s Cantos and William James’s Pluralistic Universe”

Hugh Witemeyer, “‘Of Kings’ Treasures’: Pound’s Allusion to Ruskin in Hugh Selwyn Mauberley

John Espey, “Some Notes on ‘The Return'”

The Explicator

John J. Nolde, “Some Observations on Gaudier-Brzeska’s Bronze Drum”

Kay Davis, “Three Techniques Made New”

John Leigh, “Arthur Symons and the Evolution of Pound’s Concepts of Abusoltue Rhythm and Precision”

Richard Sawyer, “Sir Edward Coke and the Banishment of Usury”

Brita Lindberg-Seyersted, “Cher F.: Another Item in the Correspondence Between Ezra Pound and Ford Madox Ford”

David Gordon, “Notes on ‘Katze’ and ‘Wand'”

The Documentary

John Lash, “Donna Mi Priegha [A Literal Translation]”

John Lash, “Making Sense of Donna Mi Priegha”

Paul Hoover, “Two Pound Letters”

Ezra Pound, “Letters to Andrews”

Ezra Pound, “Letters to Woodward”

The Vortex

Hugh Witemeyer, “The Yale Centennial Conference”

Sandehide Kodama, “The Seventh Annual Meeting of the Ezra Pound Society of Japan”

Robert G. Waite, “The Ezra Pound Centennial Conference in Hailey, Idaho”

The Reviewer

Reed Way Dasenbrock (Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis, ed. Timothy Materer)

Ron Thomas (Ronnie Apter, Digging for the Treasure: Translation after Pound)

This issue’s cover features a drawing by the wife of Petr Mikeš, our associate from the Czech Republic.

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