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SPRING, FALL and WINTER 2002

Special Issue
DEDICATED TO JAMES LAUGHLIN

Guest-edited by Emily Mitchell Wallace

CONTENTS

Note by the Guest Editor

Rodney Grove Dennis, “Poem: ‘The Other Second Canto'”

Tributes to James Laughlin

Tom Vitale, “National Public Radio Tribute, Friday, November 14, 1997”

“New Directions Tribute, The New York Times, Friday, November 14, 1977″

“New Directions Ceremony, Program in Memory of James Laughlin, Academy of Arts and Letters, Friday, January 9, 1998”

James Atlas, “Literature Is in the Details”

Joel Conarroe, “Just Dandy”

Anne Conover, “Jaz and the ‘George’ Poems”

Guy Davenport, “The Wittiest and Sexiest Poet of Our Time”

Lawrence Ferlinghetti, “Dissent Is Not UnAmerican”

Peggy L. Fox, “Norfolk Confetti: The Benevolent Tyranny of JL’s Little Notes”

Jonathan Galassi, “Notes from Mountain Road”

Donald Gallup, “Incredible Faithfulness”

Robert Giroux, “Callimachus on the Subway”

Peter Glassgold, “Beyond Myths & Astral Bodies: ND as Wuz”

David M. Gordon, “The Adaptor & Jas”

Theodora Rapp Graham, “Unexpected Gifts”

Daniel Hoffman, “Friendship, Pleasure, Wisdom”

Daniel Javitch, “O Tender, Small Self-Given Heroism”

Hugh Kenner, “Jas and Jasper”

L. R. Lind, “Poem: ‘JL / LRL'”

Christopher MacGowan, “JL’s Diplomatic Footwork”

Rebecca Newth, “J’s Gift of One of Aunt Leila’s Sheep”

Mary de Rachewiltz, “Bringing up Young Publishers”

Christa Sammons, “A Class Act”

Peter Dale Scott, “That gentle and Almost Timid Grace”

Gary Snyder, “Laughlin’s ‘Mahayana’ or ‘Big Open SPirit'”

Mary Ellen Solt, “‘Making a Love Poem’ Concrete”

Roger Eliot Stoddard, “The Harvardian”

Richard Taylor, “JL as Editor and Publisher: The Most Conscientious and Scrupulous Man I Have Ever Known”

John Updike, “Verve”

Rosmarie Waldrop, “Amazements”

Jonathan Williams, “An Abstemious Celt”

William Eric Williams, “For the Love of Poetry”

Hugh Witemeyer, “The Emperor’s Sunbelt Tour”

Biography

Hayden Carruth, “Five Selections from Beside the Shadblow Tree

Penelope Laurans Fitzgerald, “‘…And in the Bond Which Endured between Us’: Notes on the Friendship of James Laughlin and Robert Fitzgerald”

Samuel A. Streit, “‘Great Learning and Discernment’: JL as Adjunct professor and Chancellor’s Fellow at Brown”

Emily Mitchell Wallace, “‘A Bridge over Worlds’: A Partial portrait of James Laughlin IV Based on His Poems, Stories, Essays, Letters, and Interviews, Including Many Photographs”

New Directions Archives

Hayden Carruth, “Jas’ Little Magazines and Correspondence”

Terry Halladay, “Of Books and the Bear at Meadows House”

Leslie A. Morris, “‘Make It New’: James Laughlin & the Houghton Library”

Samuel A. Streit, “The Laughlin Collection in the John hay Library at Brown”

Patricia C. Willis, “‘Luz Y Verdad‘: J Laughlin and Yale”

Bibliography

John A. Harrison, “A Selective List of Published Writing, 1935-2002, by and about James Laughlin”

The Periplum

Ezra Pound, “‘Chinese Poetry: Prof. Mori’s Lectures,’ Recast by Pound from Fenollosa’s Notes, Transcribed and Annotated by Zhaoming Qian”

Zhaoming Qian, “An Afterword Concerning Pound’s 1935 Revisit to the Fenollosa Papers for an Edition of Mori’s Lectures on Chinese Poetry”

Richard Taylor, “Editing the Variorum Cantos: Process and Policy”

Demetres Tryphonopoulos, “James Laughlin’s ‘Visual-Couplet Metric'”

The Vortex

William McNaughton, “A Report on the 18th International Conference on Ezra Pound, Beijing, China, 16-19 July 1999”

Program of China Conference

Photographs of China Conference

Photographs of Some New Directions Authors

Patrizia de Rachewiltz, “Poem for Jas”

List of Complete Poems by James Laughlin in This Volume of Paideuma

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FALL and WINTER 1998

CONTENTS

The Periplum

Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”

Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”

Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”

Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”

Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”

Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”

Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”

Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”

The Explicator

Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”

Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”

The Documentary

Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”

The Vortex

Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France'”

Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”

The Reviewer

Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)

Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)

Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)

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WINTER 1993

CONTENTS

Dove Sta Memora

In Requiescat: Michael Reck

The Periplum

Maria Luisa Ardizzone, “The Genesis and Structure of Pound’s Paradise: Looking at the Vocabulary”

Ming Xie, “Pound, Waley, Lowell, and the Chinese ‘Example’ of Vers Libre

Michael J. Mages, “He Do Propertius in a Modernist Voice: Pound’s Summary of the Amatory Theme from the Elegies of Sextus Propertius”

The Explicator

Colin McDowell, “‘In the Minor Key of an Epoch’: Georges Herbiet”

Richard Londraville, “Fenollosa and the Legacy of Stone Cottage”

The Documentary

Leslie Hatcher, “Report on the 15th Ezra Pound International Conference, ‘Nature and Myth in Ezra Pound,” Rapallo, Italy, July 13-16, 1993″

The Gallery

Walter Baumann, “Photographs”

The Reviewer

Michael Coyle (Vincent Sherry, Ezra Pound, Wyndham Lewis and Radical Modernism)

Stephen Fender (Donald Davie, Studies in Ezra Pound: Chronicles and Polemic)

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SPRING and FALL 1993

CONTENTS

The Periplum

A. Walton Litz and Omar Pound, “An Unpublished Poem of 1909”

Massimo Bacigalupo, “Pound Studies in Italy, 1991”

James Generoso, “I Reckon You Pass, Mr. Wuddwudd”

Archie Henderson, “Pound, the War, and ‘The Banquet’ (1916)”

Songpin Jin, “Fenollosa and ‘Hsiao Hsüeh’ Tradition”

Guiyou Huang, “Ezra Pound: (Mis)Translation and (Re-)Creation”

Christina DuVernay, “‘And Halo Projects from Incision’: Ezra Pound’s Deification of Henry Gaudier-Brzeska”

Sylvan Esh, “Pound and Jakobson: The Metaphorical Principle in The Cantos

The Reviewer

Ira B. Nadel (Ezra Pound’s Poetry and Prose, Contributions to Periodicals)

John C. Hirsch (Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce)

Demetres P. Tryphonopoulos (Ezra Pound: Drafts and Fragments of Cantos CX-CXX, tr. Charles Vlavianos)

Jo Ellen Green Kaiser (Scott Hamilton, Ezra Pound and the Symbolist Inheritance)

Philip Furia (Jerome McGann, Toward a Literature of Knowledge)

The Explicator

Omar Pound, “Canto 113: Tweddell, Men against Death and Paul de Kruif”

Donald Gallup, “Ezra Pound’s Experiment for Esquire)

Pamela E. Hurley, “Ezra Pound’s ‘Yeux Glauques'”

Hugh Witemeyer, “Oliver Wendell Holmes, William Dean Howells, and Ezra Pound’s ‘Apostolic Succession'”

Robert C. Merritt, Jr., “‘Witching Music’: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch”

Jee Young Lee, “Eating”

Patrick McGuiness, “A Note on ‘The Muses’ Diadem'”

Ursula Shioji, “‘Hokku-Like’ Elements in Canto IV”

John Espey, “‘Mihites in Pennsylvania’ (71/418)”

Éva Nagy, “Jónás, Pull down Your Vanity: The Artist’s Commitment as Seen by Ezra Pound and Mihály Babits”

Avril Horner, “The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill”

Ethan Lewis, “‘This Hulme Business’ Revisited, or Of Sequence and Simultaneity”

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FALL and WINTER 1988

CONTENTS

The Periplum

Anne S. Chapple, “Ezra Pound’s Cathay: Compilation from the Fenollosa Notebooks”

Timothy Materer, “From Henry James to Ezra Pound: John Quinn and the Art of Patronage”

Elizabeth Bruce, “Yao and Shun in The Cantos: Chinese Emperors Placed in the Context of Frazer’s The Golden Bough

Max Nänny, “Ezra Pound: Right Brain Poet”

Carol H. Cantrell and Ward Swinson, “Cantos LII-LXXI: Pound’s Textbook for Princes”

Stephen Sicari, “Reading Pound’s Politics: Ulysses as Fascist Hero”

The Explicator

Jeffrey Meyers, “Ezra Pound and the Russian Avant-Garde”

K. Narayana Chandran, “Making Cosmos: Building/Creation in The Cantos

Bruce Fogelman, “The Structure of Pound’s ‘Und Drang'”

Steve Ellis, “The Punctuation of ‘In a Station of the Metro'”

C. J. Ackerley, “Canto 82: Pound, Swinburne (Shelley), Aeschylus, Whitman”

Alan J. Peacock, “Pound’s Propertian Distortions: A Possible Rationale”

The Biographer

Mohammad Shaheen, “Pound and T. E. Lawrence: Two Self-Crowned Laureates of the Time”

James J. Wilhelm, “Addenda and Corrigenda for The American Roots of Ezra Pound

The Reviewer

Massimo Bacigalupo (Humphrey Carpenter, A Serious Character: The Life of Ezra Pound)

Demetres P. Tryphonopoulos (Kevin Oderman, Ezra Pound and the Erotic Medium)

William Harmon (Kay Davis, Fugue and Fresco: Structures in Pound’s Cantos)

Stefano Maria Casella (Ezra Pound, Hugh Selwyn Mauberley, trans. Giovanni Giudici; Ezra Pound, Omaggio a Sesto Properzio, ed. Massimo Bacigalupo)

Michael Thomas Davis (The Dying Sorcerer: Poems by Omar Pound, ed. Robert Spoo)

James Longenbach (James Laughlin, Pound as Wuz; James Laughlin, The Master of Those Who Know; James Laughlin, Selected Poems, 1935-1985)

Robert Spoo (Jonathan Marwil, Frederic Manning: An Unfinished Life)

The cover drawing was done by the wife of Petr Mikeš, our associate from the Czech Republic.

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