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Posts Tagged ‘Ethan Lewis’

FALL and WINTER 1999

CONTENTS

The Periplum

Colin McDowell, “Literalists of the Imagination: Pound, Occultism and the Critics”

Trevor Sawler, “Vis Naturae: The Nature of Nature in Selected Cantos”

Hiroko Uno, “Trees in the Poetry of Yeats and Pound”

Clare Cavanagh, “Modernist Church-Building: Pound, Khlebnikov, Mandelstam”

Miranda B. Hickman, “‘To Facilitate the Traffic’: (Or, ‘Damn Deluxe Edtns’): Ezra Pound’s Turn from the Deluxe”

Sam Prestridge, “The Movement toward Cathay: A Reconsideration of Pound’s Prosodic Evolution”

Hélène Aji, “The Ways of Oral Poetics: Poundian and Post-Poundian Traditions”

The Explicator

Ethan Lewis, “Grammaria Usurae: Representational Stratagems in Canto XLV”

The Vortex

Leon Surette, “Report on the 17th International Ezra Pound Conference, Brunnenburg, Tirolo di Merano, Italy, 12-15 July 1997”

Walter Baumann, “Photographs of 17th International Ezra Pound Conference”

The Reviewer

Leon Surette (Alec Marsh, Money and Modernity: Pound, Williams, and the Spirit of Jefferson)

Alec Marsh (Laurence Rainey, Institutions of Modernism: Literary Elites and Public Culture)

Greg Barnhisel (Pound/Cummings: The Correspondence of Ezra Pound and E. E. Cummings, ed. Barry Ahearn)

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SPRING 1999

CONTENTS

The Periplum

Daniel Tiffany, “Pound, Frobenius, and Jünger: The Spell of the World-Picture”

Alan Marshall, “Politics and Process”

Jonathan Ausubel, “Three Functions and Some Forgery: (Mis)uses of Visual Poetics in Pound’s Cantos

Jacqueline Kaye, “Pound and Heresy”

Ethan Lewis, “Imagist Technique in The Cantos

Tod Marshall, “‘Ten cats. Your Score: Verrrrrry Good’: An Ezra Pound Correspondence Course”

The Biographer

Tony Tremblay, “‘Boris Is Very Intelligent and “Simpatico” and Interested in Worthwhile Things’: The Association of Ezra Pound and Prince Boris de Rachewiltz”

The Reviewer

Alec Marsh (Leon Surette and Demetres P. Tryphonopoulos, eds., Literary Tradition and the Occult Tradition)

Britton Gildersleeve (Robert Kern, Orientalism, Modernism, and the Occult Poem)

Demetres P. Tryphonopoulos (Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams, ed. Hugh Witemeyer)

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FALL and WINTER 1994

CONTENTS

The Periplum

Songpin Jin, “Observation of Natural Scenes: Ta Hsüeh and Pound’s Later Cantos”

Fan A. Shen, “Yijing and Pound’s Cantos (1) and (2)”

Xiaomei Chen, “Rediscovering Ezra Pound: A Post-Colonial ‘Misreading’ of a Western Legacy”

Christine Syros, “Beyond Language: Ezra Pound’s Translation of the Sophoclean Elektra

Jonathan Brewer, “Practice, ‘Taught and the Not Taught,’ in The Pisan Cantos

Piotr Parlej, “The Provence of the North: Pound’s Poetics of Tension”

Peter Crisp, “Pound as Gnostic? Creative Mythology and the Goddess”

Ethan Lewis, “Super-Position: Interpretive Metaphor”

The Explicator

Songpin Jin, “Flowers, Wings, in the Garden Enclosure”

Martin Scott, “The Transcendental Ideogram: The Influence of Emerson on Ezra Pound’s Ideogrammic Method”

Omar S. Pound, “Canto LXXV: Clement Janequin & Arrangements of His Text: ‘Canzoni di Li Ucelli'”

Douglas Bruster, “Pound, Frost, and ‘Literary Integrity’ at Harvard”

The Vortex

Yorio Hirano, “Report of the 14th Annual Conference of the Japan Ezra Pound Society”

Shinji Watanabe, “Report on the Fifteenth Annual Meeting and Conference of the Ezra Pound Society of Japan at Rikkyo University, October 30, 1993”

The Reviewer

Timothy Materer (Leon Surette, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult)

Robert Spoo (A Walking Tour in Southern France: Ezra Pound among the Troubadours, ed. Richard Sieburth)

Tony Tremblay (Gail McDonald, Learning to Be Modern: Pound, Eliot, and the American University)

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SPRING and FALL 1993

CONTENTS

The Periplum

A. Walton Litz and Omar Pound, “An Unpublished Poem of 1909”

Massimo Bacigalupo, “Pound Studies in Italy, 1991”

James Generoso, “I Reckon You Pass, Mr. Wuddwudd”

Archie Henderson, “Pound, the War, and ‘The Banquet’ (1916)”

Songpin Jin, “Fenollosa and ‘Hsiao Hsüeh’ Tradition”

Guiyou Huang, “Ezra Pound: (Mis)Translation and (Re-)Creation”

Christina DuVernay, “‘And Halo Projects from Incision’: Ezra Pound’s Deification of Henry Gaudier-Brzeska”

Sylvan Esh, “Pound and Jakobson: The Metaphorical Principle in The Cantos

The Reviewer

Ira B. Nadel (Ezra Pound’s Poetry and Prose, Contributions to Periodicals)

John C. Hirsch (Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce)

Demetres P. Tryphonopoulos (Ezra Pound: Drafts and Fragments of Cantos CX-CXX, tr. Charles Vlavianos)

Jo Ellen Green Kaiser (Scott Hamilton, Ezra Pound and the Symbolist Inheritance)

Philip Furia (Jerome McGann, Toward a Literature of Knowledge)

The Explicator

Omar Pound, “Canto 113: Tweddell, Men against Death and Paul de Kruif”

Donald Gallup, “Ezra Pound’s Experiment for Esquire)

Pamela E. Hurley, “Ezra Pound’s ‘Yeux Glauques'”

Hugh Witemeyer, “Oliver Wendell Holmes, William Dean Howells, and Ezra Pound’s ‘Apostolic Succession'”

Robert C. Merritt, Jr., “‘Witching Music’: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch”

Jee Young Lee, “Eating”

Patrick McGuiness, “A Note on ‘The Muses’ Diadem'”

Ursula Shioji, “‘Hokku-Like’ Elements in Canto IV”

John Espey, “‘Mihites in Pennsylvania’ (71/418)”

Éva Nagy, “Jónás, Pull down Your Vanity: The Artist’s Commitment as Seen by Ezra Pound and Mihály Babits”

Avril Horner, “The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill”

Ethan Lewis, “‘This Hulme Business’ Revisited, or Of Sequence and Simultaneity”

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WINTER 1991

CONTENTS

The Periplum

Demetres Tryphonopoulos, “Ezra Pound and Emaneul Swedenborg”

Leon Surette, “Yeats, Pound, and Nietzsche”

Andrzej Sosnowski, “Pound’s Imagism and Emanuel Swedenborg”

Stephen Sicari, “Poetry and Politics in Pound and Yeats”

Vern L. Lindquist, “Joycean Epiphany in Pound’s Cantos

The Explicator

Ethan Lewis, “The ABC of Ending: Pound’s ‘Addendum for C'”

Archie Henderson, “Pound, Ford, and George Antheil”

Archie Henderson, “A Laugh from the Saturday Review of Literature

Ward Swinson and Carol H. Cantrell, “The China-Adams Cantos Again: What Kind of Textbook?”

The Vortex

Peggy L. Fox, “Copyright for Scholars”

William McNaughton, “A Report on the 14th Biennial International Conference on Ezra Pound, Tirolo, Italy: July 16-18, 1991”

Helen V. Emmitt, “Report on the 14th International Ezra Pound Conference

Photographs by Walter Baumann

The Reviewer

Petr Mikeš (Ezra Pound, Selected Poems)

Candace Uhlmeyer (Elektra: A Play by Ezra Pound and Rudd Fleming, ed. and ann. Richard Reid)

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