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Posts Tagged ‘Donald Davie’

SPRING 2005

CONTENTS

Laura Cowan, “Preface”

ESSAYS

John Gery, “Casting No Shadow: Incarcertation, Architecture, and Love in Canto 90”

Robert E. Kibler, “Finding China in Our Own Time: Legge, Waley, and Pound Translate a Fertility Ode from the Chinese Shi Jing

Alec Marsh, “John Quincy Adams and/or Martin Van Buren: Cantos 34 and 37”

Mohammad Shaheen, “The Reception of Pound in Arabic: Immature Response of Gibran and Bayyati”

Dana Cook, “Meeting Ezra Pound”

TRIBUTES TO CARROLL TERRELL AND HUGH KENNER

Tributes to Carroll Terrell

Tributes to Hugh Kenner

Donald Davie, “The Universe of Ezra Pound: Review of The Pound Era (from Paideuma 1.2)

REVIEWS

Ira B. Nadel (Poems and Translations of Ezra Pound, ed. Richard Sieburth; and Ezra Pound, The Pisan Cantos, ed. Richard Sieburth)

Alec Marsh (Vincent Sherry, The Great War and the Language of Modernism)

Guiyou Huang (Ezra Pound and China, ed. Zhaoming Qian; and Eric Hayot, Chinese Dreams: Pound, Brecht, Tel Quel)

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WINTER 1993

CONTENTS

Dove Sta Memora

In Requiescat: Michael Reck

The Periplum

Maria Luisa Ardizzone, “The Genesis and Structure of Pound’s Paradise: Looking at the Vocabulary”

Ming Xie, “Pound, Waley, Lowell, and the Chinese ‘Example’ of Vers Libre

Michael J. Mages, “He Do Propertius in a Modernist Voice: Pound’s Summary of the Amatory Theme from the Elegies of Sextus Propertius”

The Explicator

Colin McDowell, “‘In the Minor Key of an Epoch’: Georges Herbiet”

Richard Londraville, “Fenollosa and the Legacy of Stone Cottage”

The Documentary

Leslie Hatcher, “Report on the 15th Ezra Pound International Conference, ‘Nature and Myth in Ezra Pound,” Rapallo, Italy, July 13-16, 1993″

The Gallery

Walter Baumann, “Photographs”

The Reviewer

Michael Coyle (Vincent Sherry, Ezra Pound, Wyndham Lewis and Radical Modernism)

Stephen Fender (Donald Davie, Studies in Ezra Pound: Chronicles and Polemic)

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FALL and WINTER 1985

CONTENTS

The Periplum

Donald Davie, “Poundians Now”

Massimo Bacigalupo, “Ezra Pound’s Tigullio”

Walter Baumann, “‘Not of One Bird But of Many’: Pound’s Janequin”

John Cayley, “The Literal Image: Illustrations in The Cantos

David Gordon, “The Great Digest: A Pattern”

Michele F. Cooper, “Ezra Pound and the Japanese Cosmogony”

Peter Stoicheff, “Pound’s Final Personae in Drafts & Fragments

Stephen Sicari, “The Secret of Eleusis, or How Pound Grounds His ‘Epic of Judgment'”

The Explicator

Mary Anne Kenner, “A Cameo”

Matthew Little, “‘Atasal’ in Canto LXXVI and Ernst Renan on Sufi Mysticism”

John Leigh, “Shepard, Pound and Bertran de Born”

G. Singh, “Pound and Milton”

H. Hauge, “‘Nothing but Death is Irrevocable’: A Note on Pound’s and Eliot’s Use of Turgenev”

Gyung-Ryul Jang, “Cathay Reconsidered: Pound as Inventor of Chinese Poetry”

Michael Fournier, “A Note on the Ell-Square Pitkin”

The Biographer

J. Laughlin, “E.P.: The Lighter Side”

J. J. Wilhelm, “Pound’s Four Fascinating Grandparents”

Philippe Mikriammos, “Ezra Pound in Paris (1921-1924): A Cure of Youthfulness”

James Longenbach, “The Order of the Brothers Minor: Pound and Yeats at Stone Cottage 1913-1916”

The Vortex

Michael Fournier, “Report on the Ezra Pound Centennial Conference”

Angela Elliott and Rosalind McKeown, “The Ezra Pound Centennial Tour of Italy”

The National Poetry Award

The Reviewer

David Walker (The Wild Old Man: Poems of Lu Yu, trans. David Gordon)

Colin McDowell (Ezra Pound/John Theobald: Letters, ed. Donald Pearce and Herbert Schneidau)

Reed Way Dasenbrock (Beongcheon Yu, The Great Circle: American Writers and the Orient)

The cover image for this issue is a photograph of Mary Anne Kenner’s cameo, given to her by Mary de Rachewiltz. See page 325 for the complete story.

This issue of Paideuma includes a poem by Jonathan Williams for the passing of Basil Bunting.

Thomas Parkinson, for the Board to administer The National Poetry Award, included a note on their selection of Robert Duncan’s Ground Work: Before the War as the prize winner. The section also includes brief praises of Duncan’s work by Rachel Blau DuPlessis, Maxine Kumin, James Laughlin, Michael Palmer, Jerome Rothenberg, and others.

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FALL and WINTER 1983

CONTENTS

The Periplum

Donald Davie, “Adrian Stokes Revisited”

Walter Baumann, “But to Affirm the Gold Thread in the Pattern [116/797]: An Examination of Canto 116”

Martin Kayman, “A Context for Hart’s ‘Complex'”

Angela Elliott, “Pound’s Lucifer: A Study in the Imagery of Flight and Light”

The Explicator

M. A. Bernstein, “Distinguendum Est Inter Et Inter: A Defense of Calliope”

Timothy Materer, “H.D., Serenitas, and Canto CXIII”

Mohammed Shaheen, “Pound and Blunt: Homage for Apathy”

Michael Fournier, “Chauncey Alcot”

The Biographer

John L. Steele, “Ezra at the DTC: A Correspondence between Carroll F. Terrell and John Steele”

James Wilhelm, “The Wadsworths, the Westons, and the Farewell of 1911”

Thomas Dilworth, “Virgil Thompson on Antheil and Ezra Pound, a Conversation”

Robert Schultz, “A Detailed Chronology of Ezra Pound London Years, 1908-1920”

The Documentary

Mary Fitzgerald, “Ezra Pound and Irish Politics: An Unpublished Correspondence”

Daniel Pearlman, “Fighting World: The Letters of Ezra Pound to Senator William E. Borah of Idaho”

Frances E. Neidhardt, “From Apelles to Pound’s ‘Usury’ Canto: Botticelli’s La Calumnia Goes Modern”

Michael Culver, “The Art of Henry Strater: An Examination of the Illustrations for Pound’s A Draft of XVI Cantos

The Vortex

Lionel Kelly, “Eighth International Pound Conference: Report”

T. C. Duncan Eaves, “In Memoriam — Ben Drew Kimpel (1915-1983)”

Archie Henderson, “Ezra Pound: Composer”

The Reviewer

Carroll F. Terrell (Ezra Pound: A Bibliography)

John C. Hirsch (Il Miglior Fabbro)

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WINTER 1982

CONTENTS

The Periplum

Donald Davie, “Res and Verba in Rock-Drill and After”

Max Nänny, “Ezra Pound and the Menippean Tradition”

Ben D. Kimpel and T. C. Duncan Eaves, “Pound’s Research for the Malatesta Cantos”

Mohammad Y. Shaheen, “The Story of Abd-el-Melik’s Money in Canto XCVI and XCVII”

Kay Davis, “Ring Composition, Subject Rhyme and Canto VI”

The Explicator

Walter Baumann, “Carleton, Paquin and Salzburg”

Ronald E. McFarland, “A Note on Monsieur Verog”

Ben D. Kimpel and T. C. Duncan Eaves, “Messire Uzzano in 1442”

Carroll F. Terrell, “Cabranez, the Mystery Man”

The Biographer

Robert Schultz, “A Detailed Chronology of Ezra Pound’s London Years, 1908-1920, Part One: 1908-1914”

Archie Henderson, “Pound’s Strelets Interview 91915)”

The Documentary

Jerry Voorhis, “The Mysteries of the Federal Reserve System”

E. J. R. Booth, “A Commentary on ‘The Mysteries of the Federal Reserve System’ by Jerry Voorhis”

Peter Davidson, “Giulio Romano at the Spring Marriage”

E. P. Walkiewicz, “Pound/Joyce: Dublin ’82”

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SPRING and FALL 1978

CONTENTS

The Periplum

Forrest Read, “The Mathematical Symbolism of Ezra Pound’s Revolutionary Mind”

Akiko Miyake, “The Greek-Egyptian Mysteries in pound’s ‘The Little Review Calendar’ and in Cantos 1-7″

Andrew Clearfield, “Pound, Paris, and Dada”

Carroll F. Terrell, “Mag-Tsze, Thomas Taylor, and Madam ΤΛΗ”

Thomas Taylor, “The Eleusinian and Bacchic Mysteries”

The Explicator

Eva Hesse, “New Light on Old problems”

Franz H. Link, “Two Notes on the Early Poetry”

The Documentary

John J. Nolde, “The Sources for Canto LV”

Ben Kimpel and T. C. Duncan Eaves, “The Sources of the Leopoldine Cantos”

The Biographer

Virgil Geddes, “A Visit to Pound”

John P. Sullivan, “An Afternoon with Ezra”

The Bibliographer

Stephen Fender, “Work in the Progress in the United Kingdom”

The Vortex

Donald Davie, “Ezra Pound and the English”

Peter Schneeman, “Pound’s ‘Englischer Brief’: A Look toward Germany”

Wendy Flory and Jo Berryman, “Report on the MLA Special Session, 1977”

The Reviewer

Stephen Adams (Ezra Pound and Music, ed. Murray Schafer)

Sharon Mayer Libera (Ronald Bush, The Genesis of Ezra Pound’s Cantos)

Hugh Witemeyer (George Bornstein, The Postromantic Consciousness of Ezra Pound)

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SPRING 1977

CONTENTS

The Periplum

M. L. Rosenthal, “The Structuring of Pound’s Cantos”

Max Nänny, “Oral Dimensions in Ezra Pound”

Woon-Ping Chin Holaday, “Pound and Binyon: China via the British Museum”

The Explicator

John Espey, “A Note on ‘Nils Lykke'”

David M. Gordon, “Notes and Observations”

The Documentary

John J. Nolde, “The Sources for Canto LIV: Part Two”

The Vortex

Donald Davie, “Sicily in the Cantos”

Leon Surette, “A Case for Occam’s Razor: Pound and Spengler”

Margaret Bates, “EP: Maker of Connections”

The cover features a design by Arline Thomson based on a funerary pottery figurine from a T’ang workshop.

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