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FALL and WINTER 2004

Special Issue
MARIANNE MOORE AND H.D.
Edited by Burton Hatlen

CONTENTS

ESSAYS ON MARIANNE MOORE

Ryan E. Cull, “‘Complexities Which Will Remain Complexities’: The Environmental Epistemology of Marianne Moore”

Jeff Westover, “Value, Commerce, and Economy in the Poetry of Marianne Moore”

Lesley Wheeler and Chris Gavaler, “Imposters and Chameleons: Marianne Moore and the Carlisle Indian School”

David Anderson, “Marianne Moore’s ‘Fertile Procedure’: Fusing Scientific Method and Organic Form through Syllabic Technique”

ESSAYS ON H.D.

S. Renée Faubion, “‘This Is No Rune nor Symbol’: The Sensual in H.D.’s Feminized Sublime”

Helen V. Emmitt, “Forgotten memories and Unheard Rhymes: H.D.’s Poetics as a Response to Male Modernism”

Annette Debo, “Whiteness and the Black/White Border in H.D.”

Bret L. Keeling, “Modernist Anonymity and H.D.’s ‘Pygmalion’: Whose Story Is This?”

Aaron Santesso, “Responsibilities: H.D. and Yeats”

Julie Dennison, “Williams and H.D. Figure It Out: Reconceiving the Childbirth Metaphor in ‘His’ Paterson, ‘Her’ Trilogy

Donna Krolik Hollenberg, “‘Within the World of Your Perception’: The Letters of Denise Levertov and H.D.”

REVIEWS

Helen Sword (H.D.’s Poetry: “The Meanings That Hide,” ed. Marina Camboni; and Analyzing Freud: Letters of H.D., Bryher, and Their Circle, ed. Susan Stanford Friedman)

Catherine Paul, (The Poems of Marianne Moore, ed. Grace Schulman; and Becoming Marianne Moore, ed. Robin G. Schulze)

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SPRING 1985

CONTENTS

The Periplum

Jerome Kavka, “‘Olson Saved My Life’: Ezra Pound”

Philip Kuberski, “Ego, Scriptor: Pound’s Odyssean Writing”

Lee Bartlett, “The Pound/de Angulo Connection”

Richard Sawyer, “‘To Know the Histories’: L. A. Waddell’s Sumer and Akkad”

The Explicator

Ezra Pound, “Letter to Wyndham Lewis”

Franz Link, “Another Note on Ezra Pound’s ‘Papyrus'”

David Gordon, “A Note on ‘Crusaders’ Bows'”

Massimo Bacigalupo, “To ‘See Again,’ or the Dangers of Unlimited Reference”

The Vortex

Brita Lindberg-Seyersted and Archie Henderson, “Pound/Ford: Addenda and Corrections”

Massimo Bacigalupo, “Getting Around: The ‘Ezra Pound in Venice’ Conference at the Fondazione Giorgio Cini”

Peggy L. Fox, “Copyright for Scholars”

The Reviewer

Andrew Ross (Alan Durant, Ezra Pound, Identity in Crisis: A Fundamental Reassessment of the Poet and His Work; Paul Smith, Pound Revised)

David Anderson and Wendy Stallard Flory (Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914, ed. Omar Pound and A. Walton Litz)

This cover was provided by Petr Mikeš, our associate in the Czech Republic.

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FALL 1984

CONTENTS

The Periplum

Colin McDowell, “‘As Towards a Bridge Over Worlds’: The Way of the Soul in The Cantos

John Cayley, “Ch’eng, or Sincerity”

Hwa Yol Jung, “Misreading the Ideogram: From Fenollosa to Derrida and McLuhan”

Peter Faulkner, “Pound and the Pre-Raphaelites”

The Explicator

Peter D’Epiro, “Whose Vanity Must Be Pulled Down?”

Kevin Oderman, “Of Vision, Tennis Courts, and Glands”

David M. Gordon, “Note on an Ideogram”

Max Nänny, “More Menippus than Calliope: A Reply

The Biographer

Archie Henderson, “Pound’s Contributions to L’Art Libre (1920)”

Jeffrey Meyers, “New Light on Iris Barry”

Lorne A. Reznowski, “The ‘Chesterbelloc’ and Ezra Pound”

The Reviewer

James J. Wilhelm (David Anderson, Pound’s Cavalcanti: An Edition of the Translations)

Joseph Brogunier (Peter D’Epiro, A Touch of Rhetoric: Ezra Pound’s Malatesta Cantos)

James Generoso (Mary De Rachewiltz, Italian Translation of Cantos I-XXX)

The cover of this issue was taken from a Japanese fan provided by Akiko Miyake.

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SPRING 1983

CONTENTS

The Periplum

Carol H. Cantrell, “Quotidian to Divine: Some Notes on Canto 81”

Colin McDowell, “‘The Toys … at Auxerre’: Canto 77”

The Explicator

Matthew Little, “Pound and ”ΤΛΗ: Bishop Carame’s Translation of Avicenna as Background”

David Anderson, “Cavalcanti: Canzone to Fortune”

Peter Stoicheff, “CX/778 Revisited”

Carroll F. Terrell, “A Couple of Glosses”

The Biographer

James J. Wilhelm, “Ezra Pound’s New York, 1887-1908: A Recreation”

William French, “For ‘Gentle Graceful Dorothy,’ a Tardy Obit”

The Bibliographer

Donald Gallup and Archie Henderson, “Additions and Corrections to the Revised Edition of the Pound Bibliography”

E. R. Hagemann, “Incoming Correspondence to Dorothy and Ezra Pound at the Lilly Library”

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FALL 1979

CONTENTS

The Periplum

Nobuko Tsuki Keith, “Aoi No Ue and Kinuta: An Examination of Ezra Pound’s Translations”

David Anderson, “The Techniques of Critical Translation: Ezra Pound’s Guido Cavalcanti, 1912”

The Explicator

Hugh Witemeyer, “Pound and the Cantos ‘Ply over Ply'”

Ian F. A. Bell, “Pound, Emerson and ‘Subject-Rhyme'”

The Biographer

Ezra Pound, “The Poet Speaks”

Francis J. Bosha, “Faulkner, Pound, and the P.P.P.”

Ilse Engel, “Story of a Meeting with Ezra Pound”

The Documentary

John J. Nolde, “The Sources for Chinese Dynastic Canto LVI”

Eva Hesse, “Mythopoiós”

John Espey, “Sidelights from the Italian and German Cantos”

The Bibliographer

George Rooks, “An Annotated Checklist on Ezra Pound, 1976”

Kay Davis, “An index to Canto References in Paideuma

The Vortex

P.H. Smith and A. E. Durant, “Pound’s Metonymy: Revisiting Canto 47”

Guy Davenport, “The Real Lucifer”

C. F. Terrell, “Durham & Pound Conferences”

The Gallery

Pictures at Durham Conference Taken by H. Witemeyer

Pictures at Durham Conference Taken by Hugh Kenner

The Reviewer

Timothy Materer (Omar Pound and Philip Grover, Wyndham Lewis, a Descriptive Bibliography; and Bradford Morrow and Bernard Lafourcade, A Bibliography of the Writings of Wyndham Lewis)

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FALL 1977

CONTENTS

The Periplum

Sanehide Kodama, “The Eight Scenes of Sho-Sho”

William McNaughton, “A Note on Main Form in The Cantos

The Explicator

Wendy Stallard Flory, “Pound’s Blake and Blake’s Dante”

B. K. Martin, “Ezra Pound and T. E. Lawrence”

Timothy Materer, “Pound’s Vortex”

Robert Hunting, “A Woodnote Wild”

Reno Odlin, “Kati and Antef”

The Documentary

Carroll F. Terrell, “Canto XXXIV: The Technique of Montage”

The Biographer

Felice Chilanti, “Ezra Pound Among the Seditious in the 1940s, translated by David Anderson”

The Reviewer

David M. Gordon (James J. Wilhelm, The Later Cantos of Ezra Pound)

The cover is from Praeludium et Fuga in h by Johann Sebastian Bach.

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