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Posts Tagged ‘Cameron McWhirter’

SPRING 2004

CONTENTS

Obituaries

Burton Hatlen, “Carroll F. ‘Terry’ Terrell”

Cameron McWhirter, “Recalling a Modern Master of Words”

Essays

Joanne Pearson, “H.D.: Dancing with Variable Feet”

Stephen Kite, “Architecture as Techne: Adrian Stokes, Ezra Pound and the Art of the Machine”

Mitchum Huehls, “Reconceiving Perceiving: William Carlos Williams’ World-Making Words of ‘Kora in Hell: Improvisations'”

Scott Eastham, “In Pound’s China — The Stone Books Speak”

Jianqing Zheng, “Ezra Pound’s Employment of Chinese Images”

Elizabeth F. Judge, “Make It Pound: Translation, Professionalism and the Right to Propertian Discourse in ‘Homage to Sextus Propertius'”

Reviews

Mark Jacobs (Laura Riding and Robert Graves, A Survey of Modernist Poetry and A Pamphlet against Anthologies, ed. Patrick McGuiness and Charles Mundye)

A. David Moody (Ezra Pound: Poems and Translations, ed. Richard Sieberth)

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WINTER 2001

CONTENTS

The Periplum

Miklós Péti, “Usura Alone Not Understood?: A Rhetorical Consideration of ‘Usura’ in The Cantos

Feng Lan, “Ezra Pound’s Etymographic reading and His Interpretation of Confucian Texts”

Rebecca Beasley, “Dada’s Place in The Cantos

Andre Stipanovic, “Ezra Pound’s Coming of War in the Long Poem: Persona and the Historical Narrative in ‘Near Perigord'”

David Farley, “‘Damn the Partition!’: Ezra Pound and the Passport Nuisance”

Chris Jones, “One a Bird Bore Off: Anglo-Saxon and the Elegiac in The Cantos

The Explicator

Yang Lian, “‘In the Timeless Air’: Chinese Language, Pound and The Cantos

The Documentary

Cameron McWhirter, “‘Dear Poet-General and Walloper’: The Correspondence of Ezra Pound and Harold W. Thompson 1936-1939”

Boris Avdeyev, “Pound in Russia: Translations and Studies”

Archie Henderson, “The Correspondence of Ezra Pound: More Addenda to the Location Register

The Departments

Letter to the Editor

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FALL and WINTER 1998

CONTENTS

The Periplum

Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”

Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”

Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”

Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”

Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”

Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”

Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”

Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”

The Explicator

Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”

Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”

The Documentary

Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”

The Vortex

Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France'”

Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”

The Reviewer

Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)

Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)

Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)

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SPRING 1995

This Issue of Paideuma Is Dedicated to
Olga Rudge
on the Occasion of her 100th Birthday
April 13, 1995

CONTENTS

The Periplum

Anne Conover, “Her Name Was Courage: Olga Rudge, Pound’s Muse and the ‘Circe/Aphrodite’ of the Cantos”

Marisa Anne Pagnattaro, “The ‘Unwobbling Pivot’: Uncertainty and Process in The Pisan Cantos

Claudia Ingram, “Sharing Strategies with the Discourses of Authority: Ezra Pound and the Legal ‘Modernists'”

Yuet May Ching, “From Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound”

Colin McDowell, “Using the Dictionary: Wicket Gate and Wormwood”

The Explicator

Leslie Hatcher, “‘Circe’s This Craft’: The Active Female Principle in The Cantos

Evan R. Karachalios, “Sacrifice and Selectivity in Ezra Pound’s First Canto”

Cameron McWhirter and Ramsay Muhler, “Serious Character to Funny Man: Ezra Pound’s Brief Correspondence with Alexander Woollcott”

Sylvan Esh, “Paquin and Davila: Pulling Down Vanity in Canto 81”

The Reviewer

Ronald Bush (Variorum Edition of “Three Cantos”: A Prototype, ed. Richard Taylor)

Richard Taylor (Ezra Pound and James Laughlin, Selected Letters, ed. David M. Gordon)

Leszek Engelking (Ezra Pound, Chtel jsem napsat raj (vybor z dila), ed. Petr Mikeš; tr. Kamil Bednar, Jitka Herynkova, and Petr Mikeš; intr. Josef Jarab)

Demetres P. Tryphonopoulos (The Letters of Ezra Pound to Alice Corbin Henderson, ed. Ira B. Nadel)

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