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Posts Tagged ‘Benjamin Friedlander’

2017

CONTENTS

Benjamin Friedlander, Jill Hughes, and Katherine A. DuBois, “Preface”

Symposium

“In what sense does the work to which you are committed share in the renovation of society?”

Rachel Tzvia Back, “Poetry in the 21st Century and Radical Faith”

Sarah Barnsley

Allison Cobb

Commune Editions

Maria Damon, “Potential Gristlies”

Rachel Blau DuPlessis, “Social Renovation and Cultural Work, an Essay for Paideuma

Norman Finkelstein, “Affective Dissonance: Reflections on My Work in a Time of Crisis”

Alan Golding, “Reading, the Academy, and the ‘Soft’ Avant-Garde: Tan Lin’s Heath and Heath Course Pak

Michael Heller, “‘In What Sense…'”

David Herd, “Response to Paideuma

Laura Hinton, “Political Poetics and Love”

Linda A. Kinnahan

Ann Lauterbach, “Counting the Ways”

Philip Metres, “The Poem’s Future”

Malgorzata Myk, “(Mis)Crossing Threads”

A. L. Nielsen, “State/meant 2017”

Jean-Michel Rabaté

Dale Smith, “A Note on Companionship, Division, and Poetry”

Askia M. Touré

David Trinidad, “One Reader”

Keith Tuma

Ann Vickery

Fred Wah, “For Paideuma

Jerome McGann, “Indian Treaties and American Exceptionalism: Prolegomena to a Study of American Ideology”

Other Essays

John Beall, “Pound, Hemingway, and the Inquest Series”

Julie Goodspeed-Chadwick, “Identity Politics, Modernist Aesthetics, and Modernist Abstraction in H.D.’s Helen in Egypt

Margaret Konkol, “‘That Irate Pornographist’: Gender and Nature in Mina Loy’s ‘Songs to Joannes'”

Mark Byers, “Moving Metres: Hilda Morley and Gestural Abstraction”

Notes on Contributors

Cover: Mercedes Matter, Landscape verso Abstraction (ca. 1928). Oil on board, 15 x 18.25 inches. Courtesy Mark Borghi Fine Art, New York.

 

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2016

CONTENTS

Documentary

Alison Fraser, “Helen Adam’s Cat Collages”

Jonathan Mayhew, “Footnotes to Apocryphal Lorca

Benjamin Friedlander, introduction to John Clarke’s notes to Charles Olson’s Buffalo seminars

John Clarke, “The 28 Phases of Charles Olson” and “The Archeology of Morning: Causal and Applied” (1965)

Essays

J. P. Craig, “For Keeps: H. D. and the Negativity of The Gift

Matthew Gibson, “‘No Room for the Root-Clutch’: Influence and Echoes from T. S. Eliot’s The Waste Land in Ezra Pound’s ‘Eighth Canto’ (1922) and It Preliminary Typescript Drafts”

Zhaoming Qian, “Why Is Canto 49 Called the ‘Seven Lakes Canto’?”

Michael Kindellan, “‘I Have Always Loathed Reading’: Ezra Pound’s Late Cantos”

Departments

Matthew Sweney, “In Memoriam: Petr Mikeš”

Notes on Contributors

Cover: Collage by Helen Adam

Paideuma-43_0001

 

Paideuma-43_0002.jpg

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WINTER 2006
(publication date 2009)

CONTENTS

Poetics Forum

Barrett Watten, “Faultlines in Poetics: Culture / Politics / Economics / Generation”

Maria Damon, “Two Modernist Precursors in Cultural Studies and Poetics: (How) Can They Help Us Now?”

George Hartley, “Under the Sign of Paideuma: Scary Ideograms & The New Fascisms”

Joel Nickels, “The Art of Interruption: William Carlos Williams and New Materialist Poetics”

Sarah Ruddy, “‘Bad Timing’ and Language Poetry in Benjamin Friedlander’s Simulcast

Essays

Morgan Myers, “Ezra Pound Me Fecit: Memorial Object and Autonomous Poem in The Cantos

Steve Pinkerton, “Profaning the Communion Table: Mina Loy and the Modernist Poetics of Blasphemy”

Bruce Holsapple, “On Whalen’s Use of Voice”

Reviews

Jane Augustine (Analyzing Freud: The Letters of H.D., Bryher and Their Circle, ed. Susan Stanford Friedman; and Rachel Connor, H.D. and the Image)

Richard L. Blevins (Michael Heller, Uncertain Poetries)

Patricia Cockram (Ira B. Nadel, Ezra Pound: A Literary Life; and Ezra Pound, Early Writings: Poems and Prose, ed. Ira B. Nadel)

Leon Surette (Mary de Rachewiltz, Ezra Pound, Father and Teacher: Discretions; and Ezra Pound, The Spirit of Romance)

The cover features a handwritten page from The Collected Poems of Philip Whalen (Wesleyan UP, 2007).

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