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Posts Tagged ‘Archie Henderson’

WINTER 2001

CONTENTS

The Periplum

Miklós Péti, “Usura Alone Not Understood?: A Rhetorical Consideration of ‘Usura’ in The Cantos

Feng Lan, “Ezra Pound’s Etymographic reading and His Interpretation of Confucian Texts”

Rebecca Beasley, “Dada’s Place in The Cantos

Andre Stipanovic, “Ezra Pound’s Coming of War in the Long Poem: Persona and the Historical Narrative in ‘Near Perigord'”

David Farley, “‘Damn the Partition!’: Ezra Pound and the Passport Nuisance”

Chris Jones, “One a Bird Bore Off: Anglo-Saxon and the Elegiac in The Cantos

The Explicator

Yang Lian, “‘In the Timeless Air’: Chinese Language, Pound and The Cantos

The Documentary

Cameron McWhirter, “‘Dear Poet-General and Walloper’: The Correspondence of Ezra Pound and Harold W. Thompson 1936-1939”

Boris Avdeyev, “Pound in Russia: Translations and Studies”

Archie Henderson, “The Correspondence of Ezra Pound: More Addenda to the Location Register

The Departments

Letter to the Editor

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SPRING and FALL 1993

CONTENTS

The Periplum

A. Walton Litz and Omar Pound, “An Unpublished Poem of 1909”

Massimo Bacigalupo, “Pound Studies in Italy, 1991”

James Generoso, “I Reckon You Pass, Mr. Wuddwudd”

Archie Henderson, “Pound, the War, and ‘The Banquet’ (1916)”

Songpin Jin, “Fenollosa and ‘Hsiao Hsüeh’ Tradition”

Guiyou Huang, “Ezra Pound: (Mis)Translation and (Re-)Creation”

Christina DuVernay, “‘And Halo Projects from Incision’: Ezra Pound’s Deification of Henry Gaudier-Brzeska”

Sylvan Esh, “Pound and Jakobson: The Metaphorical Principle in The Cantos

The Reviewer

Ira B. Nadel (Ezra Pound’s Poetry and Prose, Contributions to Periodicals)

John C. Hirsch (Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce)

Demetres P. Tryphonopoulos (Ezra Pound: Drafts and Fragments of Cantos CX-CXX, tr. Charles Vlavianos)

Jo Ellen Green Kaiser (Scott Hamilton, Ezra Pound and the Symbolist Inheritance)

Philip Furia (Jerome McGann, Toward a Literature of Knowledge)

The Explicator

Omar Pound, “Canto 113: Tweddell, Men against Death and Paul de Kruif”

Donald Gallup, “Ezra Pound’s Experiment for Esquire)

Pamela E. Hurley, “Ezra Pound’s ‘Yeux Glauques'”

Hugh Witemeyer, “Oliver Wendell Holmes, William Dean Howells, and Ezra Pound’s ‘Apostolic Succession'”

Robert C. Merritt, Jr., “‘Witching Music’: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch”

Jee Young Lee, “Eating”

Patrick McGuiness, “A Note on ‘The Muses’ Diadem'”

Ursula Shioji, “‘Hokku-Like’ Elements in Canto IV”

John Espey, “‘Mihites in Pennsylvania’ (71/418)”

Éva Nagy, “Jónás, Pull down Your Vanity: The Artist’s Commitment as Seen by Ezra Pound and Mihály Babits”

Avril Horner, “The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill”

Ethan Lewis, “‘This Hulme Business’ Revisited, or Of Sequence and Simultaneity”

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SPRING and FALL 1992

CONTENTS

The Periplum

Walter Baumann, “Yeats and Ireland in The Cantos

Paul Skinner, “Pounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford”

Tim Dean, “How Long Is the Pound Era?”

Marinelle Ringer, “The Rhythmic Structure of Pound’s Canto IV”

Norman Wacker, “The Subject Repositioned / The Subject Repossessed: Authority and the Ethos of Performance in The Pisan Cantos

Steven Yao, “‘And With You Especially, There Was Nothing at Cross-Purpose’: Pound’s Treatment of Women in Cathay

Maria Luisa Ardizzione, “Pound’s Language in Rock-Drill, Two Theses for a Genealogy”

The Explicator

Elizabeth Bruce, “Empedocles’s Golden Age of Aphrodite in Pound’s Later Cantos”

K. Narayana Chandran, “Ezra Pound’s ‘Meitatio’: Two Notes”

Songping Jin, “‘The Coral Face,’ ‘The Tree of the Visages’ and the Cherry Tree”

Sylvan Esh, “‘In a Station’: Provence, London”

Jyan-Lung Lin, “Pound’s ‘In a station of the Metro’ as a Yugen Haiku”

Richard R. O’Keefe, “Impingement: The End of Pound’s Canto LXXX

David Gordon, “The Golden Caesura (2)”

Documentary

Lawrence S. Rainey, “A Poem Including History [facsimile reprint]”

Ira B. Nadel, “The Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October-22 December 1989”

Sebastian D. G. Knowles, “Ezra Pound to Alice Steiner Amdur, 23 January 1937”

Archie Henderson, “Addenda to ‘Pound Centennial Events: A Checklist'”

The Reviewer

Laura Cowan (James Longenbach, Stone Cottage: Pound, Yeats, and Modernism)

Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.

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WINTER 1991

CONTENTS

The Periplum

Demetres Tryphonopoulos, “Ezra Pound and Emaneul Swedenborg”

Leon Surette, “Yeats, Pound, and Nietzsche”

Andrzej Sosnowski, “Pound’s Imagism and Emanuel Swedenborg”

Stephen Sicari, “Poetry and Politics in Pound and Yeats”

Vern L. Lindquist, “Joycean Epiphany in Pound’s Cantos

The Explicator

Ethan Lewis, “The ABC of Ending: Pound’s ‘Addendum for C'”

Archie Henderson, “Pound, Ford, and George Antheil”

Archie Henderson, “A Laugh from the Saturday Review of Literature

Ward Swinson and Carol H. Cantrell, “The China-Adams Cantos Again: What Kind of Textbook?”

The Vortex

Peggy L. Fox, “Copyright for Scholars”

William McNaughton, “A Report on the 14th Biennial International Conference on Ezra Pound, Tirolo, Italy: July 16-18, 1991”

Helen V. Emmitt, “Report on the 14th International Ezra Pound Conference

Photographs by Walter Baumann

The Reviewer

Petr Mikeš (Ezra Pound, Selected Poems)

Candace Uhlmeyer (Elektra: A Play by Ezra Pound and Rudd Fleming, ed. and ann. Richard Reid)

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SPRING and FALL 1990

CONTENTS

The Periplum

Stephen Sicari, “History and Vision in Pound and Dante: A Purgatorial Poetics”

Peter Crisp, “Ezra Pound and the Li Xue”

Zhaoming Qian, “Translation or Invention: Three Cathay Poems Reconsidered”

Keith Tuma, “Ezra Pound, Progressive”

Ian F. A. Bell and Patricia A. Agar, “Romantic Modernisms: Early Pound and Late Keats”

The Explicator

Charles Timbrell, “Canto 80: EP, Rummel and the ‘Spoils of Finlandia'”

William Doreski, “Mauberley: The Single Voice”

David Roessel, “‘Or Perhaps Sulpicia’: Pound and a Roman Poetess”

Ellen Brinks, “On Pound’s Fourth Canto”

The Documentary

Todd H. Sammons, “A Periplum of Pound’s Pronouncements on John Milton”

James J. Wilhelm, “The Letters of William Brooke Smith to Ezra Pound”

Tyrus Miller, “Pound’s Economic Ideal: Silvio Gesell and The Cantos

Archie Henderson, “Pound Centennial Events: A Checklist”

Archie Henderson, “Pound Manuscripts and Letters in the United Kingdom and Ireland: Addenda to the Location Register

The Vortext

James J. Wilhelm, “Nancy Cunard: A Sometime Flame, a Stalwart Friend”

Yoshiko Kita, “Carroll F. Terrell in Japan”

Carroll F. Terrell, “The Land of Magic”

The Reviewer

Leon Surette (Robert Casillo, The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound)

George Kearns (Kathryne V. Lindberg, Reading Pound Reading: Modernism after Nietzsche)

Walter Baumann (Sanford Schwartz, The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought)

Michael Thomas Davis (Omar Pound and Robert Spoo, Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912)

James J. Wilhelm (Wendy Stallard Flory, The American Ezra Pound)

This cover image is of Yi Bang-un’s (1761-?) “Sa-In-Ahm,” courtesy of the Kookmin University Museum.

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WINTER 1987

CONTENTS

The Periplum

Marjorie Perloff, “Fascism, Anti-Semitism, Isolationism: Contextualizing the ‘Case of EP'”

William McNaughton, “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn”

Thomas Cole, “Ezra Pound and Imagi

Robert McMahon, “Homer/Pound’s Odysseus and Virgil/Ovid/Dante’s Ulysses: Pound’s First Canto and the Commedia

The Explicator

Archie Henderson, “More on James Douglas Peck”

Archie Henderson, “A Further Note on ‘The Return'”

Mohammad Shaheen, “Pound and Itrat-Husain”

Bruce Fogelman, “Beddoes in the Sea Surge, or a Glimpse of The Cantos in 1908″

David Gordon, “A Rayogram M. 7306 YAO4

Documentary

Carrie N. Edlund, “Picabia’s Ply over Ply”

Petr Mikeš, “Ezra Pound in Czechoslovakia”

J. Ellen Gainor, “Elektra by Ezra Pound, The Classic Stage Company, November 1-29, 1987″

The Reviewer

Philip Furia (William Cookson, A Guide to the Cantos of Ezra Pound; Christine Froula, A Guide to Ezra Pound’s Selected Poems)

John Tucker (Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting)

Donald Gallup (Christine Froula, To Write Paradise: Style and Error in Pound’s Cantos)

This cover image shows the Apostle Paul on the wall of Galla Placidia’s Mausoleum. See cantos 76/455 and 110/780.


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SPRING 1985

CONTENTS

The Periplum

Jerome Kavka, “‘Olson Saved My Life’: Ezra Pound”

Philip Kuberski, “Ego, Scriptor: Pound’s Odyssean Writing”

Lee Bartlett, “The Pound/de Angulo Connection”

Richard Sawyer, “‘To Know the Histories’: L. A. Waddell’s Sumer and Akkad”

The Explicator

Ezra Pound, “Letter to Wyndham Lewis”

Franz Link, “Another Note on Ezra Pound’s ‘Papyrus'”

David Gordon, “A Note on ‘Crusaders’ Bows'”

Massimo Bacigalupo, “To ‘See Again,’ or the Dangers of Unlimited Reference”

The Vortex

Brita Lindberg-Seyersted and Archie Henderson, “Pound/Ford: Addenda and Corrections”

Massimo Bacigalupo, “Getting Around: The ‘Ezra Pound in Venice’ Conference at the Fondazione Giorgio Cini”

Peggy L. Fox, “Copyright for Scholars”

The Reviewer

Andrew Ross (Alan Durant, Ezra Pound, Identity in Crisis: A Fundamental Reassessment of the Poet and His Work; Paul Smith, Pound Revised)

David Anderson and Wendy Stallard Flory (Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914, ed. Omar Pound and A. Walton Litz)

This cover was provided by Petr Mikeš, our associate in the Czech Republic.

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