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Archive for the ‘2014-present (vols. 41-43)’ Category

2017

CONTENTS

Benjamin Friedlander, Jill Hughes, and Katherine A. DuBois, “Preface”

Symposium

“In what sense does the work to which you are committed share in the renovation of society?”

Rachel Tzvia Back, “Poetry in the 21st Century and Radical Faith”

Sarah Barnsley

Allison Cobb

Commune Editions

Maria Damon, “Potential Gristlies”

Rachel Blau DuPlessis, “Social Renovation and Cultural Work, an Essay for Paideuma

Norman Finkelstein, “Affective Dissonance: Reflections on My Work in a Time of Crisis”

Alan Golding, “Reading, the Academy, and the ‘Soft’ Avant-Garde: Tan Lin’s Heath and Heath Course Pak

Michael Heller, “‘In What Sense…'”

David Herd, “Response to Paideuma

Laura Hinton, “Political Poetics and Love”

Linda A. Kinnahan

Ann Lauterbach, “Counting the Ways”

Philip Metres, “The Poem’s Future”

Malgorzata Myk, “(Mis)Crossing Threads”

A. L. Nielsen, “State/meant 2017”

Jean-Michel Rabaté

Dale Smith, “A Note on Companionship, Division, and Poetry”

Askia M. Touré

David Trinidad, “One Reader”

Keith Tuma

Ann Vickery

Fred Wah, “For Paideuma

Jerome McGann, “Indian Treaties and American Exceptionalism: Prolegomena to a Study of American Ideology”

Other Essays

John Beall, “Pound, Hemingway, and the Inquest Series”

Julie Goodspeed-Chadwick, “Identity Politics, Modernist Aesthetics, and Modernist Abstraction in H.D.’s Helen in Egypt

Margaret Konkol, “‘That Irate Pornographist’: Gender and Nature in Mina Loy’s ‘Songs to Joannes'”

Mark Byers, “Moving Metres: Hilda Morley and Gestural Abstraction”

Notes on Contributors

Cover: Mercedes Matter, Landscape verso Abstraction (ca. 1928). Oil on board, 15 x 18.25 inches. Courtesy Mark Borghi Fine Art, New York.

 

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2016

CONTENTS

Documentary

Alison Fraser, “Helen Adam’s Cat Collages”

Jonathan Mayhew, “Footnotes to Apocryphal Lorca

Benjamin Friedlander, introduction to John Clarke’s notes to Charles Olson’s Buffalo seminars

John Clarke, “The 28 Phases of Charles Olson” and “The Archeology of Morning: Causal and Applied” (1965)

Essays

J. P. Craig, “For Keeps: H. D. and the Negativity of The Gift

Matthew Gibson, “‘No Room for the Root-Clutch’: Influence and Echoes from T. S. Eliot’s The Waste Land in Ezra Pound’s ‘Eighth Canto’ (1922) and It Preliminary Typescript Drafts”

Zhaoming Qian, “Why Is Canto 49 Called the ‘Seven Lakes Canto’?”

Michael Kindellan, “‘I Have Always Loathed Reading’: Ezra Pound’s Late Cantos”

Departments

Matthew Sweney, “In Memoriam: Petr Mikeš”

Notes on Contributors

Cover: Collage by Helen Adam

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2015

CONTENTS

Preface

Special Section: Pound’s Legacy into the Twenty-First Century

Martin Corless-Smith, “Introduction”

Marjorie Perloff, “‘Raising the Referential Temperature’: Poundian Reverberations in Brazilian Concrete Poetry”

Yunte Huang, “Ezra Pound, Made in China”

Jennifer Scappettone, “Festina Lente: Invention of the Modernist Poet as Editor in the City of Aldus”

Václav Paris, “Pound and Disability”

Bob Perelman, “Lie Quiet Ezra: Time Lines in Pound”

Katie Fuller and Tyler Babbie, “Idaho Conference Report”

Essays

Roxana Preda, “Of Birds, Composers, and Poets: Ezra Pound’s Memoir of Gerhart Münch in Canto 75”

Johanna Winant, “Ezra Pound and the Form of Explanation”

Christopher T. Oakey, “Re-thinking William Carlos Williams’s Objectivity Through the Poetic Epistemology of Sour Grapes

Robert Volpicelli, “William Carlos Williams’s Syphilitic Muse”

Henry King, “Masters of Northern Stops: Donald Davie’s Uses of Basil Bunting”

Andy Weaver, “‘I Am Giving You a Present’: Olson’s Sublime Sense of Time in His Early Poetry and Poetics”

Dale Smith, “Edward Dorn’s Metaphors of Contagion”

Seth Perlow, “Reading by Chance: Jackson Mac Low and A Million Random Digits

Documents

Bryan Sentes and James Edward Reid, “On Translation: An Interview with Peter Dale Scott”

Notes on Contributors

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Cover: Detail of illustration by Gerty Saruê for Panaroma do Finnegans Wake de James Joyce by Haroldo and Augusto de Campos (São Paulo, 1962; 4th ed. 2001). Full illustration appears on page 33 of this volume. Used with permission of the artist.

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2014

CONTENTS

Preface

Essays

Kevin Killian, “Activism, Gay Poetry, AIDS in the 1980s”

Franklin Bruno, “‘wrong sort turismo‘: Kenward Elmslie’s ‘Tropicalism'”

Tim Woods, “Cid Corman: Editor, Translator, Poet”

Anna Elena Eyre, “Jaime de Angulo’s Relational ‘I’: A Morphological Poetics”

Jeffrey Blevins, “Putting a Pineapple Together with Wallace Stevens”

Katherine M. Miller, “‘this will happen again – where? when?‘: Typological Thinking in H.D.’s Trilogy

Mara de Gennaro, “Man is Man Because . . .: Humanism Wars, ‘Sweeney Erect,’ and the Makings of Modernist Imagination”

Documents and Reviews

Brian Carpenter, “‘an innter striving’: An Overview of Edward Sapir’s Poetry Papers”

Edward Sapir, “Suggestive Notes”

Massimo Bacigalupo, “Melville to Merrill: Italophile American Poets”

“Italophile American Poets Gallery”

Massimo Bacigalupo, “James Laughlin and ”Ma’ Riess of Rapallo'”

James Laughlin, “‘Ma’ Riess of Rapallo”

“‘Ma’ Riess of Rapallo Gallery”

John Tytell, “In Pursuit of Olga Rudge”

Departments

In Memoriam:

Tobin Brogunier, “Joseph Brogunier photograph”

David Grundy, “Amiri Baraka”

James Longenbach, “J. Walton Litz”

Michael Heller, “Allen Grossman”

Notes on Contributors

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Cover: Amiri Baraka at the NPF Conference, “Poetry of the 1960s,” in Orono, Maine, June 2000. Photograph by Aldon Nielsen. Used with permission.

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