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Archive for the ‘1972-1976 (Vols. 1-5)’ Category

SPRING 1974

CONTENTS

The Periplum

David Hsin-Fu Wand, “To the Summit of Tai Shan”

David Gordon, “‘Root/Br./By Product’ in Pound’s Confucian Ode 166”

Eugene Eoyang, “The Confucian Odes”

The Explicator

Angela Jung Palandri, “The ‘Seven Lakes Canto’ Revisited”

David Gordon, “E. P. Translating a Li Po Poem”

John Peck, “Arras and Painted Arras”

Deba P. Patnaik, “E. P. and Naresh Guha”

The Biographer

Bryant Knox, “Allen Upward and Ezra Pound”

Eric Homberger, “A Glimpse of Pound in 1912 by Arundel del Re”

The Documentary

Carroll F. Terrell, “The Na-Khi Documents I: The Landscape of Paradise”

The Reviewer

Forrest Read (Ezra Pound: Selected Prose 1909-1965, ed. William Cookson)

Harriet Zinnes (Martin Duberman, Black Mountain: An Exploration in Community)

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WINTER 1973

CONTENTS

The Periplum

Sharon Mayer Libera, “Casting His Gods Back into the NOUS: Two Neoplationists and The Cantos of Ezra Pound”

Frederick K. Sanders, “The French Theme of Canto 70”

Jo Brantely Berryman, “‘Medallion’: Pound’s Poem”

James J. Wilhelm, “In Praise of Anselm: An Approach to Canto 105”

The Explicator

Douglas Stone, “Pound’s ‘Mr. Corles’: Canto XXXV”

Robert J. Welke, “Frobenius: Pound — Some Quick Notes”

P. L. Surette, “Helen of Tyre”

Francis E. Zapatka, “Crommelyn and del Valle: A Note on Canto 105”

The Documentary

Barry S. Alpert, “Ezra Pound, John Price and The Exile

Carroll F. Terrell, “An English Version of Grosseteste’s De Luce

Robert Grosseteste, “De Luce

The Reviewer

Earle Davis (Ezra Pound: New Emphasis on Economics)

Sister Bernetta Quinn (Ezra Pound, The Critical Heritage)

The Biographer

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FALL 1973

CONTENTS

The Periplum

Georg M. Gugelberger, “The Secularization of ‘Love’ to a Poetic Metaphor: Cavalcanti, Center of Pound’s Medievalism”

James J. Wilhelm, “Two Heavens of Light and Love: Paradise to Dante and to Pound”

Leslie H. Palmer, “Matthew Arnold and Ezra Pound’s ABC of Reading

The Explicator

Hugh Kenner, “A Schema for XXX Cantos”

Dalton Gross, “Pound’s Early Literary Reputation: George Sterling’s Dissent”

Timothy Materer, “A Reading of ‘From Canto CXV'”

Walter Michaels, “Lincoln Steffens and Pound”

John Peck, “‘Get a Dictionary’: The Festus behind Pound’s Festus”

The Gallery

Pound and Harry Meacham

Dorothy Pound

Ezra Pound Infant and Family

Le Vorticisme at Eiffel Tower Restaurant, Spring 1915

The Documentary

Carroll F. Terrell, “The Eparch’s Book of Leo the Wise”

Leo the Wise, “To Eparchikon Biblion”

Jules Nicole, “The Eparch’s Book: Greek and Latin Redaction”

The Bibliographer

Donald Gallup, “Supplement to the Bibliography”

The Reviewer

George Lensing (Sister Bernetta Quinn, Ezra Pound, An Introduction to the Poetry)

The cover is a reproduction of the opening lines of the XIVth century manuscript “Genevenses graecus 23” discovered by Jules Nicole in Byzantine Greek. The complete manuscript is reproduced in this issue of Paideuma with the kind permission of Variorum Reprints.

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SPRING 1973

This edition of Paideuma is dedicated to Dorothy Shakespear Pound

CONTENTS

The Periplum

George Antheil, “Why a Poet Quit the Muses”

Charles Shere, “Eastbay Artistis Score Record Triumph”

Robert Hughes, “Ezra Pound’s Opera”

Larry Lyall, “Review of the Hughes Production”

R. Murray Schafer, “The Developing Theories of Absolute Rhythm and Great Bass”

The Explicator

Robert Hughes, “Amarili”

Hugh Kenner, “Some Notes”

Hugh Kenner, “More on the Seven Lakes Canto”

The Biographer

Carroll F. Terrell, “Pound and KRH: An Introduction to Bowers’s Memoir”

Faubion Bowers, “Memoir within Memoirs”

The Documentary

Carroll F. Terrell, “The Sacred Edict of K’ang-Hsi”

The Gallery

Portraits of Dorothy Pound at different years

The Bibliography

Robert Corrigan, “Annotated Checklist”

Robert Corrigan, “Index 1904-1917”

The Reviewer

James Wilhelm (Stuart Y. McDougal, Pound and the Troubadours)

Guy Davenport says of his design for this cover: “Line of Homer (‘Sweet song, the sirens…. etc’) + Orpheus picking his lyra + Theban terra-cotta (actually a sphinx, but here doing duty as a Siren, or Persephone, or simply a Poundian mythological gel + archaic Chinese for ‘man standing beside his word’ / hsien, izzit?”

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WINTER 1972

CONTENTS

The Periplum

Eva Hesse, “Books Behind The Cantos, Part One”

Lewis Leary, “Pound-Wise, Penny-Foolish”

Daniel Pearlman, “Alexander Del Mar in The Cantos

The Gallery

Four pictures

The Explicator

Robert Demott, “Ezra Pound and Charles Bowlker: Note on Canto LI”

John Colaneri, “Reflection of a Man: Guido Cavalcanti”

Donald D. Wilson, “Penny-Wise Pound”

Gary R. Libby, “Image or image”

Eugene Paul Nasser, “‘This Stone Giveth Sleep’: ‘Io Son La Luna'”

The Biographer

Richard Stern, “A Memory or Two of Mr. Pound”

Documentary

C. F. Terrell, ed., “The Periplus of Hanno”

Robert A. Corrigan, “An Annotated Checklist of Ezra Pound Criticism: Part One”

Reviews

Donald Davie, “The Universe of Ezra Pound: Review of The Pound Era by Hugh Kenner”

The cover is a line drawing by Guy Davenport of a Nabataean tragic mask, depicting Dushara-Dionysos as god of death and ressurection.

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SPRING and SUMMER 1972

CONTENTS

The Periplum

John Peck, “Pound’s Lexical Mythography”

Walter B. Michaels, “Pound and Erigena”

Donald Davie, “The Cantos: Towards a Pedestrian Reading”

John Espey, “Toward Properitus”

Pictures

The Explicator

Hugh Kenner, “The 5 Laws + Che Funge

Eva Hesse, “Frobenius as Rainmaker”

William Chace, “The Canto as Cento: XXXIII”

The Biographer

Invitations*

Documentary

Ezra Pound, “Letters to Viola Baxter Jordan”**

Donald Gallup, “Corrections and Additions to the Pound Bibliography”

*”Wanted: “A Phalanx of Particulars”: Paideuma hopes to publish in this spot the memories of people who have known Ezra Pound personally. […]

**Previously unpublished letters by Ezra Pound, copyright (c) May 1972 by Ezra Pound.

The cover features “The Red Stone Dancer,” Pound’s favorite piece of Gaudier-Brzeska sculpture. Line drawing by Guy Davenport.

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